INDEX

Act-event: epiphany as, 42; noetic U as, 46

Alanus de Insulis: 89, 90; De planctu naturae, 87-88

Amalarius: O. B. Hardison on, 35

Anakephalaiösis: and the Joyce system, 104; and René Thorn, 68; as anastomosis in U, 46; as invention, 57; definition of, 32; Pauline theory of, 31-32

Andrewes, Lancelot: concept of epiphany, 41

Aquinas, Thomas: and M. Jousse, 38; and the supplement, 40; as Joycean intertext, 9; exemplar of the speculum, 51; L. Zukofsky on, 92; semiotics of, 7

—concept of form: 4, 34, 37, 39, 111 n.36; in LISP, 90, 96; in SH, 42; in U, 46

Aristotle: concept of essence, 33

—Ethics: 34

—mimesis: as techne, 34; Joyce on, 105 n.5

—Poetics: P. Ricoeur on, 33

—Posterior Analytics: 54

—Rhetoric: P. Ricoeur on, 33

Aristoxenus: Harmonic Elements, 86

Auerbach, Erich: on figura, 33

Augustine of Hippo: 60, 89, 103, 104; and Cubist historiography, 32-33; and ekphrasis, 33; and eye/ear paradigm, 92, 98; and musica speculativa, 83-90 passim, 99, 101; John Freccero on, 10, 32; semiotics of, 7, 85, 106 n.11; and speech act theory, 34

—Confessions: 86, 89-90; on memory, 104

—De musica: 86, 98

—On Christian Doctrine: 85

Austin, J. L.: 2, 10; E. Benveniste on, 10, 34; felicity conditions of, 97; B. Johnson on, 10

Bach, J. S.: 103; and invention, 57; and modernity, 83; L. Zukofsky on, 91, 92

Bachelard, Gaston: 21

Bacon, Roger: and the moderni, 8

Bakhtin, M. M.: on epic and novel, 8; on polyglossià, 8

Balthasar, Hans Urs von: definition of anakephalaiösis, 32

Barkan, Leonard: on allegory, 62

Barnes, Djuna: Nightwood, 30, 33

Barthes, Roland: on Ignatius Loyola, 5-6, 10, 13, 14, 28

Beaujour, Michel: on specula and topo-logie, 40

Beckett, Samuel: “Dante . . . Bruno. Vico . . Joyce,” 1

Benveniste, Emile: definition of performative utterance, 10, 34, 51

Berio, Luciano: and musica speculativa, 84; Omaggio a Joyce, 12

Blake, William: 111 n.14; and musica mundana, 99; and P, 26; and specula/tive allegory, 62

—Jerusalem, 11

—The Four Zoas, 11

Boethius: and the somnium, 78; and L. Zukofsky, 91; De musica, 86-89 passim

Bohm, David: 62

—on implicate and explicate order: 62-63; in FW, 68-69, 75

Bony, Jean: on Gothic architecture, 90

Borges, Jorge Luis: 13; on the aleph, 3; on the library, 31

Bruno, Giordano: in FW, 72

—De umbris idearum: 27, 110 n. 16

Burke, Kenneth: dramatism and spatial form, 33; enactment, 4; logology, 5, 10; motivation, 48; perspective by incongruity, 31; scholastic realism, 37; terministic screen, 7

Cage, John: and musica speculativa, 84

Catachresis: and allegory, 62; and epiphany, 52; and expert systems, 97; and Gothic pedagogy, 98; and modernity, 82; and parallax, 52; and plurivocality, 78; and the Mental Dictionary, 62; and transsignification, 52; and the U in absentia code, 48; and Vichian geography, 75; as double gesture, 56; as Joyce system control, 56; as trope of performative enactment, 56; bounded implicature of, 62; devices of in U, 41; in L. Zukofsky, 83; in the eye/ear paradigm in FW, 92; in U, 7; Joyce on pun, 114 n.99; pun as, 52

—Jacques Derrida on: 118 n.87; in Glas, 4

Catechism: and expert systems, 84, 97; and modernity, 82; and techne, 4, 52; dialogic, 52; R. E. Madtes on, 114 n.91; response paradigms, 7, 51, 80

Cicero: Somnium Scipione, 78

Contrafactum: 89; L. Zukofsky’s “A” and, 98, 104

Corbusier, Le: 90; golden section of, 98

Curtius, Ernst: European Literature and the Latin Middle Ages, 8

Cusa, Nicholas of: and catechetical response paradigms, 51; on love, 48

—coincidentia oppositorum in FW, 72; in U, 44- 45, 48; in G. Vico, 68

Dante Alighieri: De Vulgari Eloquentia, 101; Divina Commedia and U, 49; Purgatorio, 101

Deleuze, J., and F. Guattari: on the rhizome, 11

Derrida, Jacques: 14; deconstruction, 3, 12; grammatology and G. Vico, 9; grammatology and logology, 10; on memory, 83; on mimesis, 33; modernity, 10

—Glas: 4

—Memoires for Paul de Man: 1

Descartes, René: and kerygma, 83; dualist hegemony and, 68; ontotheology of, 62

Descombes, Vincent: on encyclopedia, 10

Dictionary: 105 n.3; and Porphyrian tree, 56

—Mental: and allegory, 63; and FW, 67, 78; and hieroglyph, 64; and L. Zukofsky’s “A”, 91, 104; as implicate order, 63; Vichian in FW, 60, 62

Dream narrative: and dreamwork, 80; FW as, 79-81; influence of Dante on Joyce, 117 n. 71; types of medieval, 77-79

Dreamwork: J. Bishop on, 118 n.86; A. Dürer on, 80-81; relation to catachresis, 52

Dürer, Albrecht: on dreamwork, 80

Eco, Umberto: concept of Model Reader, 2, 62, 104; on Porphyrian trees, 54-56, 62; on the encyclopedia, 56; on the referential fallacy, 31; on the rhizome, 61; semiotics of, 3, 5, 12

—Aesthetics of Chaosmos, 11

—Semiotics and the Philosophy of Language, 11

—Travels in Hyperreality, 7

Ecosystemic motiv: and Gothic pedagogy, 97; and memory, 83; in E. Quinet, 69-76, 92; in FW, 58; in G. Vico, 68-69

Ekphrasis: 11 n.20; and catechetical techne in U, 52; and T. S. Eliot, 32; and epiphany, 42; and Joyce system, 40; and J. Keats, 32; and modernist discourse, 33; and noetic moment, 36; and Pauline recapitulation, 33; and spatial form in U, 46; and the Romantics, 31; definition of, 32; A. Webern on, 119 n.45

Eliot, T. S.: on Dante, 10; The Four Quartets, 32, 33, 42; The Waste Land, 30

Ellmann, Richard: James Joyce, 33

Encyclopedia: 2; and epiphany, 42; and infinity, 87; and speculum, 9, 40, 61; and L. Zukofsky’s “A”, 82; V. Descombes on, 40; U. Eco on, 56; modernist, 105 n.3; of Diderot and d’Alembert, 62; vs. botanical calligram, 82; vs. speculum in FW, 62

Epiphany: and act-event in SH, 41; and FW, 78; and Gothic pedagogy in SH, 41; and sacrament in U, 47; and the Joyce system, 104; as inscription, 42; as processual strategy, 7; definition of, 17; example from P, 20; in SH, 4, 41-42; in U, 41-42; relation to catachresis, 52

Expert system: definition of, 97; High Gothic cathedrals as, 97

Fletcher, Phineas: The Purple Island, 62

Foucault, Michel: 110 n.17; modern as epistemic shift, 82; on mimesis, 33; theatrum philosophicum, 31

—The Archeology of Knowledge, 13

—The Order of Things, 9

Frank, Joseph: and G. Genette, 31; and W. Iser, 7; on Ulysses, 29

—spatial form: 7, 30, 31; and liturgy, 35-36; as dramatistic theory, 33; as Gricean maxim, 33

Freccero, John: on anakephalaiösis, 32; on Augustine, 10, 32-33

Freud, Sigmund: ontotheology of, 81-82

Gadamer, Hans-Georg: hermeneutics of, 2

Genette, Gérard: “Discours du récit,” 31; on architexture, 33; on mimesis, 31, 37; on mimologie, 37; on spatial form, 30

Gilbert, Stuart: James Joyce’s “Ulysses,” 5; schema of U, 41; technic, 105 n.5

Gothic pedagogy: 29-53 passim; and allegory, 68; and dreamwork, 80; and ecosystemic motiv, 98; and Gothic architecture, 41, 91; and LISP trees, 96; and liturgical enactment, 91; and modernity, 9, 10, 82-83, 94; and processual mimesis, 33-39; and quadrivium, 81; and solfège, 88; as techne of the modern, 97; in text and gesture, 33; of medieval music and architecture, 90; principle of speech, 43; onirocritic as, 77

—FW: and mousiké, 92

—SH: 41

—U: 41, 49; vs. Realism in, 49

—P. Merivale: 108 n.34

—G. Vico: 61-62

—L. Zukofsky: 82, 84, 91, 104

Grammatology, applied: 3; and Vichian mnemonics, 57; G. L. Ulmer on, 106 n.8; in The New Science, 68; Joyce system as, 10

Greimas, A. J.: semiotics of, 6

Grice, Paul: on maxim, 33

Guido of Arezzo: Micrologus, 88

Handel, G. F.: Harpsichord Pieces in L. Zukofsky’s “A”, 100

Hardison, O. B.: on Mass as sacred drama, 35

Haugeland, John: on LISP trees, 95; on return from subroutine problem, 96

Havelock, Eric A.: Preface to Plato, 85

Hieatt, Constance: on dream vision, 77

Huyssen, Andreas: on postmodernism, 10

Ictus: definition, 52

Ignatius Loyola: 3; and semiophany, 13, 23; composition of place, 15, 16, 104

—Spiritual Exercises: 4, 9, 10, 13, 104; as performance-text, 39; R. Barthes on, 14

—Spiritual Journal: 25. See also Lectio divina

In absentia code: in U, 48

Invagination: as FW motiv, 80

Invention (inventio): 108 n.32; and anakephalaiösis, 57; composition of place as, 92; deconstructive, 4; definition of, 2; dream narrative, 2; logothesis, 6; modern as term of, 82; music as, 120 n.68; techne, 57; Writing Joyce as, 3

—J. S. Bach: 57

—FW: and dreamwork in, 80; and Vichian scienza, 77

—D. P. Verene: on ingegno, 116 n.58

—G. Vico: ingegno, 73; role of memory in, 75

—L. Zukofsky: Bottom and, 92; composition as, 92

Iser, Wolfgang: hermeneutics of, 2, 5; visualist analogies of, 7

Isidore of Seville: Etymologiarum, 85-86, 88

Jakobson, Roman: on poetic function, 34

John Chrysostom, St.: 88

Johnson, Barbara: on performative, 10, 47

Jousse, Marcel: 117 n.67; and Quinet in FW, 73; choreography of gesture and E. Havelock, 85; gesture in FW, 73; gesture and the Gospels, 38; on liturgy, 37-38; rhythmo-catechizing, 50, 55, 56

Joyce, James:

—Dubliners: 57

—Exiles: 17

—Finnegans Wake: 1–4 passim, 20, 22, 39, 54-81, 82-104; and the Book of Kells, 9, 10; and L. Zukofsky, 7; as performance system, 13; as Porphyrian tree, 56; as system component, 7; Piers Plowman and, 79-80; sigla in, 5

—Portrait: 2, 3, 13–28, 29, 39, 40, 80; and Gothic pedagogy, 53; and Ignatius Loyola, 4, 6, 13, 43; as system component, 7; epiphany in, 92; fugal arborescence of, 94; names in, 51; Porphyrian tree in, 55

—Stephen Hero: 4; and epiphany, 17; and Gothic pedagogy, 41; and U II.12, 47; concept of artistic process in, 42, 56

—Ulysses: 1, 2, 21, 22, 27, 29-53, 80, 103, 104; as system component, 7; at/one/ment in, 92; catechetical techne of, 13; fugal arborescence, 94; in absentia code in, 44; logothesis in II.11, 27

Kells, Book of: and modernity, 83; in FW, 66; Tunc page and FW, 9, 80

Kenner, Hugh: on U as hologram, 39

Kepler, Johannes: Harmonices Mundi, 89

Kerygma: 105 n.3; and epiphanic moment, 42; and postulate of depth, 39; and referentiality, 2; catachresis as rejection of, 52; R. Descartes and, 83; encyclopedia and, 56; A. R. Luria and, 37; parody vs., 56; as post-Enlightenment scientific paradigm, 40; vs. the knowable universe, 38-39

Kristeva, Julia: on intertextuality, 9

Langland, William: Piers Plowman and FW, 79-80

Lectio divina: 15. 16. 27-28, 109 n.11; and P, 29, 43; and Vico, 57-60 passim; Joussean semiotics and, 38. See also Ignatius Loyola

Lessing, G. E.: Laocoön, 7, 30

Lethaby, William R.: on Gothic cathedrals, 104

Linati, Carlo.: schema of U, 41, 105 n.5

Liturgy: and Gothic pedagogy, 91, 98; and performative utterance, 34; and transsignification, 35; as act-event, 34; as trope and pun, 34; dream narrative in FW and, 77; Eucharist as sign-act, 35; logologized in U, 49; Mass and spatial form, 36; medieval liturgical enactment, 90

Litz, A. Walton: on U, 39

Logology: 111 n.23; and modernity, 83; and G. Vico, 60; and the Joyce system, 7; definition of, 5

Logothesis: and performative, 36, 39; and Stephen Dedalus, 23; definition of, 14, 16

Lord, Albert B.: on orality, 36

Lotman, Jurij: dynamic semiotic model of, 6

Löwith, Karl: on Vichian history, 68

Loyola, Ignatius. See Ignatius Loyola

Luria, A. R.: and Gothic pedagogy, 37

Luther, Martin: 2

Macrobius: Commentary on the Dream of Scipio, 78, 80; on music, 86

Mahoney, F. S.: in FW, 66

Mallarmé, Stéphane: G. Genette on, 30

Marin, Louis: on locus, 50

Matthew of Vendôme: as a modem, 8

McCarthy, John: 83; and Porphyry, 56; Joyce system as McCarthy machine, 98; LISP, 94-98; a LISP tree, fig. 7, 95

McHugh, Roland: on sigla in FW, 5

McLuhan, Marshall: 34

Melville, Herman: 11

Mental Dictionary. See Dictionary, Mental

Michelet, Jules: 3, 116 n.55; and Vico in FW, 69; and war in FW, 62, 80; in FW, 72, 82; Introduction à l’Histoire Universelle, 72

Mimesis: as ownership, 34

—Processual: 2; and 16 June 1904, 49; and dream, 96; and Gothic architecture, 91; and Gothic pedagogy, 82; and hyperbole in U, 47; and ictus, 52; and musica speculativa, 84; and performative utterance in U, 43; and noesis, 33; and parody, 56; and techne, 4; and transsignification, 35, 38; and L. Zukofsky’s “A”, 91, 99; as ontology in U, 49; catechetical form of in U, 45; dream narrative as, 77-78; U, 43-50; of oral noetic cultures, 37; P. Ricoeur on, 34, 105 n.5; Vichian geometry as mode of in FW, 76

Minnis, A. J.: Medieval Theory of Authorship, 103

Model Reader. See Eco, Umberto

Modernity: and Book of Kells, 83; and Enlightenment, 2, 9-10; and Gothic pedagogy, 94; and musica speculativa, 97; and Ludwig Wittgenstein, 83; and postmodernism, 10; antiqui and moderni, 8; as historical paradigm, 10; holistic models in, 94; languaging the world, 83; modern, 82

Morley, Thomas: Plain and Easy Introduction to Practical Music, 89

Morphogenesis: and dreamwork in FW, 81; and memory in G. Vico, 73; and Mental Dictionary in FW, 78; and musica speculativa, 84; and E. Quinet in FW, 70; and Vichian history, 68; as techne, 57; described in FW, 75; Vichian, in FW, 53, 54-81 passim. See also Thorn, René

Motet: isorhythmic and combinatoriality, 89; and dream narrative, 104

Motivation: and recapitulation in U, 52; as parallax in U, 48; as subroutine, 97; K. Burke’s concept of, 35, 48; defined, 49; Vichian morphogenesis as, in FW, 80

Mousiké: 104; and Mental Dictionary, 91; and semiophany, 98; as eye/ear code in FW, 92; enactment of, 87; E. A. Havelock on, 85; verbal emphasis of, 88

Musica practica: definition of, 83-84; L. Zukofsky’s “A” as, 84

Musica speculativa: 10, 83-91; and processual mimesis, 84, 91; and semiophany, 98; as grammatology, 83; as high semiotics, 89; Augustinian, 101; “verbivocovisual” code in FW as, 92; L. Zukofsky’s “A” as, 84

Newman, F. X.: on somnium, 78

Noema: and G. Genette’s architexture, 33; as discourse system in performance, 33; phase of narrative apprehension, 31; P. Ricoeur on, 31; structure of action, 31

Noesis: and ekphrastic moment, 36; and FW, 61; and U, 39; as act-event in U, 46; as processual mimetic mode, 33; oral noetic economy in U, 45

Ong, Walter J.: 50; on mnemonic syntax, 39; on oral noetics, 36-37; on primary orality, 36; on secondary orality, 113 n.66; Orality and Literacy, 36

Onirocritic: 77

Opland, Jeff: 50; on formulaic expression, 36

Oyama, Susan: 3

Panofsky, Erwin: Gothic Architecture and Scholasticism, 90-91

Parallax:

—in Ulysses: 45-46; and epiphany in II.12, 47; and reading in, 48; and SD’s syllogism in, 48; as motiv in, 48

Pavis, Patrice: on performance-text, 39

Peirce, C. S.: 11

Performance-text: assemblage of, 41; reception modelled in U, 49

Performative utterance: and hologram, 39; E. Benveniste’s definition of, 34; liturgy as, 34-39 passim

Plato: 88; anamnesis, 101

—Philebus: 85

—Timaeus: 86

Plotinus: Enneads, 86-87

Porphyry: and dreamwork in FW, 80; and John McCarthy, 56; and rhizome-text, 61; Isagoge, 54; mapping in FW, 62; tree diagram of, 54-55

Postmodernism: and modernity, 10; historiography, 9

Poulet, Georges: 8

Pound, Ezra: Cantos, 30; on Arnaut Daniel, 10

Processual mimesis. See Mimesis, Processual

Proclus: Elements, 87

Proust, Marcel: G; Genette on, 30, 33

Pythagoras: and Le Corbusier, 98; eye/ear paradigm in FW and, 93

—Number theory of, 78, 86-89 passim; Vitruvius’ use of, 90;

—On music, 88; in L. Zukofsky’s “A”, 98-99

Quilligan, Maureen: on allegory, 61

Quinet, Edgar: 3, 75; as category in the Joyce system, 82

—In Finnegans Wake: 116 n.49; medieval pastoral, 80; as motiv, 62, 72, 92; and M. Jousse, 73; and G. Vico, 69-70

—Introduction à la Philosophie de l’Histoire de l’Humanité, 69

Realism: 114 n.88; and Presence, 57; and subjectivity, 6; and U, 49; as domestication of the text, 5; as fictive propriety, 96; as ontotheology, 82; as referential mimesis, 5; in 19th c. fiction, 2; of R. McHugh, 106 n.14; M. Norris on, 118 n.86; J. P. Riquelme on, 106 n.15; vs. dream narrative in FW, 81

Referentiality: and catechetical response paradigms in U, 51; and mimesis, 2; and print ontology, 39; and psychologism, 6; U. Eco on, 31; in absentia code of in U, 44; R. Jakobson on, 34; P. Ricoeur on mimesis and, 34

—Referential mimesis: and The Purple Island, 62; in Stephen Hero, 57

Rhizome: and rhythmo-catechizing, 56; textual, 56

Ricoeur, Paul: on mimêsis phuseôs, 34; on noematic phase of apprehension, 31; on techne, 4

—The Rule of Metaphor: 10, 33

Riquelme, John Paul: and W. Iser, 8

Scheub, Harold: on oral performance, 35-36, 50

Schoenberg, Arnold: and musica speculativa, 84

Scotus Erigena, John: 101; quoted in L. Zukofsky, Bottom, 99

Searle, John: on felicity conditions, 2

Semiophany: and mousiké, 98; and noema, 33; and performance-text, 41; and pilgrimage, 61; and Portrait, 29; as postcreation, 27

Smart, Christopher: quoted in L. Zukofsky, Bottom, 98-99

Speculary: in J. Derrida, 105 n.4

Speculum: 105 n.3, 105 n.4; and encyclopedia, 9, 40-41, 56; and epiphanic moment, 42; Gothic pedagogy, 41; and infinity, 87; and knowable world, 51; and maze, 60-61; and number, 86; and oral noetic economy in U, 45, 50; and Vichian poetic logic, 83; and L. Zukofsky’s “A”, 82, 98; and Bottom, 92; onirocritic, 77; as map in FW, 62; M. Beaujour on, 40; cataloguing practices of and P, 24; Macrobius’ Commentary on the Dream of Scipio as, 78; The New Science as in FW, 76; performative iteration of, 44

—Specula/ tive allegory: 9, 61, 62,

—Specula/tive form: and modernity, 2

Spenser, Edmund: The Faerie Queen, 62

Stearns, J. B.: on dream narrative, 77

Stein, Gertrude: 11

Steiner, Wendy: on Cubist historiography, 32

Sterne, Lawrence: Tristram Shandy, 11

Stobaeus: on number, 86

Suger, Abbot: on harmony, 90; on architecture as music, 121, n.105

Swift, Jonathan: 65

Techne: and catechism, 4, 45; and catachresis, 4; and Mental Dictionary, 104; and processual mimesis, 2; catechetical in U, 50; definition of, 105 n.1; dream as in FW, 78, 80; dream as in U, 46; Gothic pedagogy as, 97; Joussean gesture as, 38; mode of enactment in U, 41; morphogenesis as, 57; musica speculativa as, 84; P. Ricoeur on, 4

Terministic screen: 107 n. 23; of Gothic pedagogy, 97-98; L. Zukofsky’s “A” as, 84

Thom, René: 62; general theory of, 68; Structural Stability and Morphogenesis, 56

Thomas Aquinas. See Aquinas, Thomas

Tinguely, Jean: 83

Topo-logie: and Lectio divina, 57; and musica speculativa, 104; as trope of performative utterance in U, 50; Beaujour on, 40; in Portrait, 44; U and, 48

Transsignification: catachresis and, 52

Ulmer, Gregory L.: Applied Grammatology, 11. See also Grammatology, applied

Vance, Eugene: 8

Verene, Donald Phillip: on fantasia, 61; on memory, 57, 59, 73; Vico’s Science of the Imagination, 10

Vico, Giambattista: 3, 83; and E. Quinet in FW, 69-70; and J. Michelet in FW, 72; and music, 84; on Homer, 74; on language, 86; on memory, 73; on the “virile heart,” 57; Vichian morphogenesis in FW, 53, 54-81

—Autobiography: 73

—De sapientia veterum, 60, 73

—The New Science: 3, 10, 54-81 passim, 99; Arche-writing in, 68; as explicate order, 63; as geometry, 76; as Joycean intertext, 9; as terministic screen, 10; dipintura, 58, 74, 115 n. 11; hieroglyphs in, 64; verum factum principle of, 58; Mental Dictionary as implicate order, 63; theory of writing, 9. See also Dictionary, Mental

Vinaver, Eugene: 8

Vitruvius: and Le Corbusier, 98; melothesia in FW, 81; on harmony, 90

Warburton, William: 117 n.68; The Divine Legation of Moses Demonstrated, 77

Webern, Anton: and musica speculativa, 84

Winograd, Terry: on utterance as program, 94-95

Wittgenstein, Ludwig: and modernity, 83

Xenakis, Iannis: and musica speculativa, 84

Zukofsky, Louis: 3, 82-104 passim; and musica speculativa, 10, 91-92; and performative utterance, 82

—“A”: 7, 82; as speculum, 98

—Bottom: 92, 98, 99, 100

Zumthor, Paul: 8