SELECTED BIBLIOGRAPHY

GENERAL

Cameron, Ian et al. Second Wave. New York: Praeger, 1970.

Cook, David A. A History of Narrative Film. New York: W.W. Norton, 1981.

Graham, Peter. The New Wave. Garden City, N.Y.: Doubleday, 1968.

Hibbin, Nina. Eastern Europe: An Illustrated Guide. Screen Series. Cranbury, N.J.: A.S. Barnes, 1969.

Ionescu, Ghita. The Politics of the European Communist States. New York: Praeger, 1967.

Liehm, Mira, ed. II cinema nell’Europa dell’Est 1960-1977. Venezie: Marsilio, 1977.

Liehm, Mira and Liehm, Antonín J. The Most Important Art: East European Film After 1945. Berkeley, Los Angeles and London: University of California Press, 1977.

Nemes, Károly. Films of Commitment: Socialist Cinema in Eastern Europe. Trans. András Boros-Kazai. Budapest: Corvina, 1985.

Paul, David W., ed. Politics, Art and Commitment in the East European Cinema. London: Macmillan and New York: St. Martin’s Press, 1983.

Stoil, Michael. Cinema Beyond the Danube: The Camera and Politics. Metuchen, N.J.: Scarecrow Press, 1971.

Whyte, A. New Cinema in Eastern Europe. New York: Dutton, 1971.

SOVIET UNION

Aktual’nye problemy sovetskogo kino nachala 80-kh godov. Sbornik nauchnykh trudov VNIIK Goskino SSSR. Moscow, 1983.

Doder, Dusko. Shadows and Whispers. New York: Random House, 1986.

Drobashenko, D. et al., eds. Sovetskoe kino, 70-ye gody. Moscow: Iskusstvo, 1984.

Ferro, Marc, ed. Film et Histoire. Paris: Editions de l’Ecole des Hautes Etudes en Sciences Sociales, 1984.

Film URSS ‘70: Materiali critici e informativi, Vol. 1. Venice, Italy: Marsilio Editori, 1980.

Film URSS 70: La critica sovietica, Vol. 2. Venice, Italy: Marsilio Editori, 1980.

Film URSS: Il cinema delle repubbliche asiatiche sovietiche, Vol. 3. Venice, Italy: Marsilio Editori, 1986.

Film URSS: Il cinema delle repubbliche transcaucasiche sovietiche, Vol. 4. Venice, Italy: Marsilio Editori, 1986.

Fomin, V. I., ed. Kinopanorama: sbornik statei. Moscow: Iskusstvo, 1977.

—, ed. Zhanry kino. Moscow: Iskusstvo, 1979.

Golovskoy, Val. Behind the Soviet Screen. Ann Arbor, Ml: Ardis, 1986.

Iurenev, R. Kratkaia istoriia sovetskogo kino. Moscow: Biuro propagandy sovetskogo kinoiskusstva, 1979.

Pankin, Boris. Demanding Literature. Moscow: Raduga Publishers, 1984 (two chapters on cinema).

Passèk, Jean-Loup, ed. Le cinéma russe et soviétique. Paris: L’Equerre, Centre Georges Pompidou, 1981.

Pogozheva, L. Iz dnevnika kinokritika. Moscow: Iskusstvo, 1978.

Tiurin, lu. Kinematograf Vasiliia Shukshina. Moscow: Iskusstvo, 1984.

Vorontsov, lu. The Phenomenon of the Soviet Cinema. Moscow: Progress Publishers, 1980.

Vronskaya, Jeanne. Young Soviet Filmmakers. London: George Allen and Unwin Ltd., 1972.

Zhdan, V. N., ed. Kinematograf segodnia. Moscow: Iskusstvo, 1983.

Zlotnik, O. la., ed. Kinematograf molodykh. Moscow: Iskusstvo, 1979.

GERMAN DEMOCRATIC REPUBLIC

Books

Bisky, Lothar and Wiedemann, Dieter. Der Spielfilm—Rezeption und Wirkung: Kultursoziologische Analysen. Berlin: Henschelverlag, 1985.

Blum, Heiko, et al. Film in der DDR: Reihe Hanser 238. München: Carl Hanser Verlag, 1977.

Emmerich, Wolfgang. Kleine Literaturgeschichte der DDR. Sammlung Luchterhand 326. Darmstadt und Neuwied: Luchterhand Verlag, 1985.³

Gaus, Günter. Wo Deutschland liegt. Eine Ortsbestimmung, dtv 105661. München: dtv, 1983.

Helwig, Gisela. Frau und Familie: Bundesrepublik Deutschland—DDR. Köln: Verlag Wissenschaft und Politik, 1987.

Jäger, Manfred. Kultur und Politik in der DDR. Ein historischer Abriss. Edition Deutschland Archiv. Köln: Verlag Wissenschaft und Politik, 1982.

Plenzdorf, Ulrich. Filme. Rostock: Hirnstorff Verlag, 1987.

Richter, Rolf, ed. DEFA-Spielfilm-Regisseure und ihre Kritiker. Bd. 1 und 2. Berlin: Henschelverlag, 1981, 1983.

Rülicke-Weiler, Käthe, ed. Film- und Fernsehkunst in der DDR. Traditionen. Beispiele. Tendenzen. Berlin: Henschelverlag, 1979.

Schmitt, Hans-Jürgen ed. Hansers Sozialgeschichte der deutschen Literatur. Bd. 11. Die Literatur der DDR. dtv 4353. München: Carl Hanser Verlag, 1983.

Sontag, Susan. Under the Sign of Saturn. New York: Farrar, Straus and Giroux, 1980.

Staritz, Dietrich. Geschichte der DDR. 1949-1985. Neue historische Bibliothek, edition suhrkamp 260. Frankfurt/M: Suhrkamp Verlag, 1985.

Wuss, Peter. Das offene Kunstwerk. Dissertation (Humboldt Universität). Sonderdruck in der Reihe: Aus Theorie und Praxis, 1985.

Annual Periodicals

Filmobibliographischer Jahresbericht (GDR).

Prisma. Kino- und Fernseh-Almanach (GDR).

Studies in GDR Culture and Society. Selected Papers from the Annual New Hampshire Symposium on the German Democratic Republic (USA).

Monthly and Quarterly Periodicals

Aus Theorie und Praxis des Films (ed. Betriebsakademie des VEB DEFA Studio für Spielfilme) (GDR).

Beiträge zur Film- und Fernsehwissenschaft (Filmwissenschaftliche Beiträge) (GDR).

Cinéaste (USA).

Cinéma (France).

Film und Fernsehen (GDR).

The Journal of Communist Studies (USA).

Podium und Werkstatt. Schriften des Verbandes der Film- und Fernsehschaffenden der DDR (GDR).

Progress. Pressebulletin Kino DDR (GDR).

Sinn und Form. Beiträge zur Literatur (DDR).

Weimarer Beiträge. Zeitschrift für Literaturwissenschaft, Ästhetik und Kulturtheorie (GDR).

Newspapers and Weekly Magazines

Federal Republic of Germany

Christ und Welt

Frankfurter Rundschau

Der Spiegel

Süddeutsche Zeitung

Der Tagesspiegel (West Berlin)

German Democratic Republic

Berliner Zeitung

Forum (Berlin)

Freiheit (Halle)

Junge Welt (Berlin)

Leipziger Volkszeitung

Märkische Volksstimme

Neue Zeit (Berlin)

Neues Deutschland

Sonntag

Thüringische Landeszeitung

Tribüne

Das Volk (Erfurt)

Wochenpost (Berlin)

CZECHOSLOVAKIA

Books

Bartošková, Šárka, and Bartošek, Luboš. Československé filmy, 1972-1976. Prague: Československy filmovy ústav, 1977.

— Československé filmy, 1977-1980. Prague: Československý filmovy ústav, 1983.

— Filmové profily. Prague: Československý filmovy ústav, 1986.

Boček, Jaroslav, Looking Back on the New Wave. Prague: Československý Filmexport, 1967.

Brož, Jaroslav. The Path of Fame of the Czechoslovak Film. Prague: Československý Filmexport, 1967.

Charlton, Michael. The Eagle and the Small Birds: Crisis in the Soviet Empire from Yalta to Solidarity. London: British Broadcasting Corporation. 1984.

Dewey, Langdon. Outline of Czechoslovakian Cinema. London: Informatics, 1971.

Hames, Peter. The Czechoslovak New Wave. Berkeley and Los Angeles: University of California Press, 1985.

Heneka, A., Janouch, František, Prečan, Vilém, and Vladislav, Jan, eds. A Besieged Culture: Czechoslovakia Ten Years After Helsinki. Translated by Joyce Dahlberg, Richard Fisher, Erazim Kohák, Peter Kussi, Káča Poláčková-Henley, Marian Šling, George Theiner, Ruth Tosek. Stockholm: Charta 77 Foundation; Vienna: International Helsinki Federation for Human Rights, 1985.

Keane, John, ed. The Power of the Powerless: Citizens Against the State in Central-Eastern Europe. Translated by Paul Wilson and A. G. Brain. London: Hutchinson, 1985.

Král, Petr. Le Surréalisme en Tchécoslovaquie. Paris: Flammarion, 1983.

Kusin, Vladimír V. From Dubček to Charter 77: A Study of “Normalisation” in Czechoslovakia, 1968-1978. Edinburg: Q Press, 1978.

Liehm, Antonín J. Closely Watched Films: The Czechoslovak Experience. New York: International Arts and Sciences Press, 1974.

— The Miloš Forman Stories. Translated by Jeanne Němcová. New York: International Arts and Sciences Press, 1975.

Schmidt-Häuer, Christian. Gorbachev: the Path to Power. Translated by Ewald Osers and Chris Romberg. London: Pan Books, 1986.

Šimečka, Milan. The Restoration of Order: The Normalization of Czechoslovakia. Translated by A. G. Brain. London: Verso Editions, 1984.

Skilling, H. Gordon. Chapter 77 and Human Rights in Czechoslovakia. London: Allen and Unwin, 1981.

Škvorecký, Josef. All the Bright Young Men and Women. Translated by Michael Schonberg. Toronto: Peter Martin Associates, 1971.

— jiří Menzel and the History of the Closely Watched Trains. Boulder, Colorado: East European Monographs; New York: Columbia University Press, 1982.

Vladislav, Jan, ed. Václav Havel or Living in Truth. Translated by A. G. Brain, Paul Wilson, Erazim Kohák, Roger Scruton, J. R. Littleboy, D. Armour, Derek Viney, M. Pomichalek, A. Mozga, K. Seigneurie, George Theiner. London: Faber, 1987.

Žalman, Jan (Antonín Novák). Films and Filmmakers in Czechoslovakia. Prague: Orbis, 1968.

Articles

Ash, Timothy Garton. “Does Central Europe Exist?” The New York Review of Books (9 October 1986), pp. 45-52.

Elley, Derek. “Ripples from a Dying Wave.” Films and Filming, 20 (July 1974), pp. 32-36.

Gellner, Ernest. “Between Loyalty and Truth.” The Times Literary Supplement (London), 3 October 1986.

Hames, Peter. “Czech Mates.” Films and Filming, 20 (April 1974), pp. 54-57.

—“The Return of Vĕra Chytilová.” Sight and Sound, 48 (Summer 1979), pp. 168-173.

Král, Petr. “Questions à Jan Švankmajer.” Positif, No. 297 (November 1985), pp. 38-43. English translation by Jill McGreal in Afterimage, No. 13 (Autumn 1987), pp. 22-32.

Liehm, Antonín J. “Triumph of the Untalented.” Index on Censorship 5 (3) (Autumn 1976), pp. 57-60.

O’Pray, Michael. “In the Capital of Magic.” Monthly Film Bulletin 53 (July 1986), pp. 218-219.

Polt, Harriet. “A Film Should Be a Little Flashlight: An Interview with Vĕra Chytilová.” Take One, (November 1978), pp. 42-44.

Škvorecký, Josef. “What Was Saved from the Wreckage” Sight and Sound, 55 (Autumn 1986), pp. 278-281.

Žuna, Miroslav, and Solecký, Vladimír. “Jeste k filmovému svetu Věry Chytilové.” Film a doba 28(5) (May 1982).

POLAND

Books

Ascherson, Neal. The Polish August. New York: Viking, 1982.

Bereda, Jerzy, et al. Twórcy Polskiego Filmu: Leksykon. Warsaw: Redaksja Wydawnictw Filmowych, 1986.

Brumberg, Abraham, ed. Poland: Genesis of a Revolution. New York: Vintage, 1983.

Fuksiewicz, Jacek. Film i Telewizja w Polsce. Warsaw: Interpress, 1981.

— Polish Cinema. Warsaw: Interpress, 1973.

Janicki, Stanisław. The Polish Film. Warsaw: Interpress, 1985.

Kuszewski, Stanisław. Contemporary Polish Film. Warsaw: Interpress, 1978.

Michalek, Bolesław, and Turaj, Frank. The Modern Cinema of Poland. Bloomington: Indiana University Press, 1988.

Polska Akademia Nauk: Instytut Sztuki. Historia Filmu Polskiego. Warsaw: Wydawnictwo Artystyczne i Filmowe. Five volumes published to date covering film history to 1967.

Steven, Stewart. The Poles. New York: Macmillan, 1982.

Weschler, Lawrence. Solidarity. New York: Simon and Schuster, 1982.

Selected Film Periodicals

Cinéaste. Published in New York, Cinéaste publishes occasional interviews with Polish filmmakers and reviews of Polish films, as well as reports and reviews of the annual Gdansk festival.

Film. Published in Warsaw, this weekly journal provides current and valuable information and critical reviews.

Kino. A valuable film monthly published in Warsaw, whose contents vary from popular reports to theoretical articles.

Polish Film. An English-language publication by Film Polski—Poland’s official film distribution organization—which includes film synopsis, stills and filmographies, but is devoid of historical or critical significance.

HUNGARY

Books

Balázs, Béla. Theory of the Film: Character and Growth of a New Art. London: Dobson, 1952.

Estève, Michel, ed. Le nouveau cinéma hongroise. Paris: Reinhard, 1969.

Koopmanschap, Eric. De Hongaarse Film. No. 29, VNFI Verkenningen. Hilversum, Netherlands: Verenigd Nederlands Filminstituut, 1980.

— De Hongaarse Film. Den Bosch, Netherlands: Hungarofilm (Budapest), 1983.

Nemes, Károly. Sadrásban . . . a magyar film 25 éve, 1945-1970. Budapest: Gondolat, 1972.

Nemeskürty, István. Word and Image: History of the Hungarian Cinema. Budapest: Corvina, 1968.

Petrie, Graham. History Must Answer to Man: The Contemporary Hungarian Cinema. Budapest: Corvina Kiádó and London: The Tantivy Press, 1978.

Szalay, Károly. Mai magyar filmvígjáték; beteljesülések és elszalasztott lehetőségek. Budapest: Magveto, 1978.

Articles and Essays

Armes, Roy. “Miklós Jancsó: Dialectic and Ritual,” pp. 141-53 in The Ambiguous Image; Narrative Style in Modern European Cinema. Bloomington and London: Indiana University Press, 1976.

Bachmann, Gideon. “Letter from Hungary.” Take One 4(10) (June, 1975), pp. 24-26.

Bickley, Daniel. “Socialism and Humanism: The Contemporary Hungarian Cinema.” Cineaste 9(2) (1979), pp. 30-35.

Biró, Yvette. “The Hungarian Film Style and Its Variations.” New Hungarian Quarterly 9(32) (1968), pp. 3-8.

Budgen, Suzanne. “Hungary,” in Peter Cowie, ed., A Concise History of the Cinema, vol. 1. London: A Zwemmer, 1971, pp. 157-58.

Czigány, Lóránt. “Jancsó Country.” Film Quarterly 26(1) (Fall, 1972), pp. 44-50.

Hoberman, J. “Budapest’s Business.” Film Comment 22(3) (May-June, 1986), pp. 68-71.

“Hungary.” In The Oxford Companion to Film. London: Oxford University Press, 1976, pp. 343-45.

Jaehne, Karen. “István Szabó: Dreams of Memories.” Film Quarterly 32(1) (Fall, 1978), pp. 30-41.

Paul, David. “The Esthetics of Courage: The Political Climate for the Cinema in Poland and Hungary.” Cineaste 14(4) (1986), pp. 16-22.

— “István Szabó” (interview). Columbia Film View 1(2) (Winter 1985), pp. 4-6.

Petrie, Graham. “New Cinema from Eastern Euorpe.” Film Comment 11(6) (November-December, 1975), pp. 48-51.

— “Two Years of Hungarian Cinema 1975-1977.” New Hungarian Quarterly 19 (72) (1978), pp. 210-21.

— “Why the Hungarian Cinema Matters.” New Hungarian Quarterly 18(68) (1977), pp. 215-18.

Riegel, O. W. “What Is Hungarian in the Hungarian Cinema?” Three-part article in New Hungarian Quarterly 17(63) (Autumn, 1976), pp. 185-93; 17(64) (Winter, 1976), pp. 206-15; and 18(65) (Spring, 1977), pp. 201-10.

Periodicals

Hungarofilm Bulletin. Budapest, 1960-.

New Hungarian Quarterly. Budapest, 1968-.

BULGARIA

Bayer, Eduard, and Endler, Dietmar. Bulgarische Literatur im Überblick. Leipzig: Verlag Philipp Reclam jun., 1983.

Brossard, Jean-Pierre. Aspects nouveaux du Cinéma bulgare. La Chaux-de-Fonds: Editions Cinédiff, 1986.

Cervoni, Albert. Les écrans de Sofia. Paris: Filméditions Pierre L’Herminier Editeur, 1976.

Holloway, Ronald. The Bulgarian Cinema. London and Toronto: Associated University Presses, 1984.

Ignatovski, Vladimir. Der bulgarische Film. Berlin: Henschelverlag, 1985.

Lang, David Marshall. The Bulgarians: From Pagan Times to the Ottoman Conquest. London: Thames and Hudson, 1976.

Micheli, Sergio. Cinema di animazione in Bulgaria. Bologna: Cappelli Editore, 1975.

— II Cinema Bulgaro. Padua: Marsilio Editori, 1971.

Ratschewa, Maria, and Eder, Klaus. Der bulgarische Film. Frankfurt: Kommunales Kino, 1977.

Stoyanovich, Ivan, ed. The Bulgarian Cinema Today. Sofia: Bulgariafilm Publication, 1981.

YUGOSLAVIA

Books

Banac, Ivo. The National Question in Yugoslavia. Ithaca: Cornell University Press, 1984.

Bass, George, and Marburg, Elizabeth, eds. The Soviet-Yugoslav Controversy, 1948-1958: A Documentary Record. New York: Prospect, 1959.

Benes, Vaclav L., Byrnes, Robert F., and Spulber, Nicolas, eds. The Second Soviet-Yugoslav Dispute: Full Text of Main Documents. Bloomington: Indiana University Press, 1959.

Clissold, Stephen. Djilas: The Progress of a Revolutionary. New York: Universe Books, 1983.

Cohen, Lenard, and Warwick, Paul. Political Cohesion in a Fragile Mosiac: The Yugoslav Experience. Boulder, Colorado: Westview Press, 1983.

Čolić, Milutin, Jugoslovenski ratni film. 2 vols. Belgrade: Institut za film, 1984.

Dedijer, Vladimir. Dokumenti 1948. 3 vols. Belgrade: RAD, 1979.

— The Battle Stalin Lost. New York: Universal Library, 1972.

Denitch, Bogdan Denis. The Legitimation of a Revolution: The Yugoslav Case. New Haven: Yale University Press, 1976.

Djilas, Milovan. Conversations with Stalin. New York: Praeger, 1958.

Doder, Dusko. The Yugoslavs. New York: Random House, 1978.

Drakulić-llić, Smrtni griješi feminizma: Ogledi o mudologiji. Zagreb: Znanje, 1984.

Goulding, Daniel J. Liberated Cinema: The Yugoslav Experience. Bloomington: Indiana University Press, 1985.

Hebdige, Dick. Subculture: The Meaning of Style. London and New York: Methuen, 1979.

Holloway, Ronald. Z is for Zagreb. Cranbury, N.J.: A. S. Barnes, 1972.

Ilić, Momčilo, ed. Filmografija jugoslovenskog filma, 1945-1965. Beograd: Institut za film, 1970.

— Filmografija jugoslovenskog filma, 1966-1970. Beograd: Institut za film, 1974.

Kosanović, Dejan. Počeci kinematografija na tlu jugoslavije 1896-1918. Belgrade: Institut za film, 1986.

Kutarnić, Vjeran. Ženski eros i civilizacija smrti. Zagreb: Biblioteka Naprijed, 1984.

Maclean, Fitzroy. Tito. New York: McGraw-Hill, 1980.

Munitić, Ranko. Jugoslavenski filmski slučaj. Split: Marjan film, 1980.

Obradović, Branislav, ed. Filmografija jugoslovenskog igranog filma, 1945-1980. Beograd: Institut za film, 1981.

— Filmografija jugoslovenskog igranog filma, 1981-1985. Beograd: Institut za film, 1987.

Petrović, Aleksandar. Novi film. Beograd: Institut za film, 1971.

Ramet, Pedro, ed. Yugoslavia in the 1980s. Boulder and London: Westview Press, 1985.

Rusinow, Dennison. The Yugoslav Experiment, 1948-1974. Berkeley and Los Angeles: University of California Press, 1977.

Schöpflin, George, ed. Censorship and Political Communication in Eastern Europe: A Collection of Documents. New York: St. Martin’s Press, 1983.

Sher, Gerson S. Praxis: Marxist Criticism and Dissent in Socialist Yugoslavia. Bloomington: Indiana University Press, 1977.

Stanković, Slobodan. The End of the Tito Era: Yugoslavia’s Dilemmas. Stanford: Hoover Institution Press, 1981.

Stojanović, Dusan. Velika avantura filma. Beograd: n. p., 1970.

Volk, Petar. Istorija jugoslovenskog filma 1896-1982. Belgrade: Institut za film, 1986.

Vucinich, Wayne S., ed. At the Brink of War and Peace: The Tito-Stalin Split in Historic Prespective. New York: Columbia University Press, 1982.

Articles, Reports, Documents

Binder, David. “A Return to Yugoslavia.” New York Times Magazine (December 25, 1983), pp. 20-24.

Boglić, Mira. “O ambasadorima, špijunima, andelima, daviteljima, pokojnicima: Pula 84.” Filmska kultura, no. 151-152 (September, 1984), pp. 22-35.

— “U sjeni Zlatne palme: Cannes 85.” Filmska kultura, no. 154-155-156 (September 1985), pp. 78-95.

“Festival of Yugoslav Feature Films in Pula.” Bulletin (1965-1987).

“Le Film Yougoslave en 1985” (Special French Edition) Filmograf XI(34) (Spring, 1986).

Holloway, Ronald. “Slovenian Film.” Kino (Special Issue, 1985).

— “Yugoslavia.” In Peter Cowie, ed., International Film Guide. New York: A. S. Barnes, 1987.

Horton, Andrew. “The New Serbo-Creationism.” American Film 11(4) (January-February 1986), pp. 24-30.

— “Yugoslavia: Multi-Faceted Cinema.” In William Luhr, ed., World Cinema Since 1945. New York: Ungar, 1987.

“Jugoslovenska kinematografija u brojkama.” Beograd: Institut za film, n.d. (fold-out sheet prepared by Dejan Kosanović).

Kalafatović, Bogdan. “Godina odluke?: Pula 84.” Filmska kultura, no. 151-152 (September, 1984), pp. 6-21.

Mikić, Krešimir. “Filmska fotografija na pulskom ekranu.” Filmska kultura, no. 157-158-159 (April 1986), pp. 44-55.

Miletić, Nenad. “‘Posudena’ i anonimna glazba u pulskoj Areni.” Filmska kultura, no. 162-163 (December 1986), pp. 64-71.

Munitić, Ranko. “Trideset prvi festival: dvadeset devet paradoksa: Pula 84.” Filmska kultura, no. 151-152 (September 1984), pp. 36-41.

“News” (published by Jugoslavija film, Belgrade, 1958-).

Ramet, Pedro. “Yugoslavia and the Threat of Internal and External Discontents.” Orbis 28(1) (Spring, 1984), pp. 103-121.

“Rezutati filmske 1986. godina.” Filmska kultura, no. 162-163 (December, 1986), pp. 72-81. (Report of a round-table discussion involving Mira Boglić, Cvetan Stanoevski, Ranko Munitić, Milan Damnjanović, Milan Cvijanović, Ivan Salečić, Miša Novaković, and Fawsi Soliman.)

Salečić, Ivan. “Model filma: Čovjek filmska trilogija Lordana Zafranovica.” Filmska kultura, no. 162-163 (December, 1986), pp. 88-99.

Schöpflin, George. “Yugoslavia’s Uncertain Future,” “The Yugoslav Crisis,” and “Yugoslavia’s Growing Crisis.” In, respectively, Soviet Analyst, XI, no. 13 (30 June 1982), XII, no. 2 (26 January 1983), and XIV, no. 25 (19 December, 1984).

Shaplen, Robert. “A Reporter at Large: Tito’s Legacy—I.” The New Yorker (5 March 1984), pp. 110-25.

— “A Reporter at Large: Tito’s Legacy—II.” The New Yorker (12 March 1984), pp. 79-119.

Tirnanić, Bogdan. “Paralelna istorija Jugoslovenskog filma.” (a ten-part series on Yugoslav film in the sixties) NIN (May 18, 25; June 1, 8, 15, 22, 29; and July 6, 13 and 20, 1986).

Film Periodicals

Ekran. The major film journal of Slovenia, begun in 1962 under the editorship of Vitko Musek. Publishes ten numbers annually in Ljubljana.

Filmograf. A well-produced and informative film quarterly whose first number was issued in 1976. Published by the Institut za film in Belgrade, the journal is edited by Božidar Zečević and Predrag Golubović.

Filmska kultura. A quarterly journal published in Zagreb. The first number was issued in 1957 under the editorship of Stevo Ostojić and Fedor Hanžeković.

Filmske sveske. A quarterly journal dealing with film theory and aesthetics. Published by the Institut za film in Belgrade. The journal was begun in 1968 under the editorship of Dušan Stojanović.

Sineast. The major film journal of Bosnia-Hercegovina begun in 1967 under the editorship of Nikola Stojanović. Published by the Kino Klub in Sarajevo.