SELECTED BIBLIOGRAPHY

I. General Works

Andersen, Troels. Moderne Russisk Kunst 1910-1925. Copenhagen: Borgen, 1967.

Billington, James H. The Icon and the Axe. New York: Alfred A. Knopf, 1966.

Bowlt, John E., ed. Russian Art of the Avant-garde: Theory and Criticism 1902-1934. New York: Viking Press, 1976.

Choron, Jacques. Death and Western Thought. New York: Macmillan Co., 1963.

———. Death and Modem Man. New York: Macmillan Co., 1964.

Diakonitsyn, L. Ideinye protivorechiia v estetike russkoi zhivopisi kontsa 19- nachala 20 v.v. Perm, 1966.

Fueloep-Miller, René. The Mind and Face of Bolshevism. New York: Putnam’s, 1928.

Gibian, George and Tjalsma, H. W., eds. Russian Modernism: Culture and the Avant-garde 1900-1930. Ithaca, New York: Cornell University Press, 1976.

Gray, Camilla. The Russian Experiment in Art, 1863-1922. New York: Abrams, 1972.

Jacques, Elliott. “Death and the Mid-Life Crisis,” International Journal of Psychoanalysis 4 (1965): 502-514.

Lengyel, Cornel. The Creative Self. The Hague and Paris, 1971.

Leyda, Jay. Kino: A History of the Russian and Soviet Film. London: Allen and Unwin, 1960.

Marcade, Valentine. Le Renouveau de TArt pictural russe. Lausanne: L’Age d’Homme, 1971.

Pickering, George. Creative Malady. New York: Oxford University Press, 1974- .

Poggioli, Renato. The Theory of the Avant-garde. Translated by G. Fitzgerald. Cambridge, Mass.: Harvard University Press, 1968.

Ruitenbeek, Hendrik M. The Creative Imagination. Chicago, 1965.

Sidorov, A. Russkaia grafika nachala XX veka. Moscow, 1969.

II. Lunacharsky

Bogdanov, A. Empiriomonizm. Vol. III. St. Petersburg, 1906.

Elkin, A. Lunacharsky. Moscow, 1967.

Fitzpatrick, Sheila. The Commissariat of Enlightenment: Soviet Organization of the Arts under Lunacharsky. Cambridge, England: Cambridge University Press, 1970.

Grille, Dietrich. Lenins Rivale: Bogdanov und seine Philosophic. Cologne: Wissenschaft und Politik, 1966.

Lunacharsky, Anatoly Vasilievich. Etiudy kriticheskie i polemicheskie. Moscow, 1905.

———. Kriticheskie etiudy (Russkaia literatura). Leningrad, 1925.

———. Ob izobrazitel’nom iskusstve. Moscow, 1967.

———. Pochemu nel’zia verit v boga? Moscow, 1965.

———. Religiiai sotsializm. St. Petersburg, 1908 (Vol. I) and 1911 (Vol. II).

———. Sobranie sochinenii. 6 vols. Moscow, 1964.

———. Velikii perevorot. Petrograd, 1919.

Ocherki po filosofa marksizma: filosofskii sbomik. St. Petersburg, 1908.

III. Dobuzhinsky and Moor

Botsianovsky, V., and Gollerbakh, E. Russkaia satira pervoi revoliutsii 19051906. Leningrad, 1925.

Bowlt, John E. “The Early Graphic Work of Mstislav Dobuzhinsky,” Transactions of the Russian-American Group of Scholars in the U.S.A. 9 (1975) : 249-286.

Butnik-Siversky, B. Sovetskii plakat epokhi grazhdanskoi voiny 1918—1921. Moscow, 1960.

Dobuzhinsky, M. “Iz vospominanii,” Novyi zhumal 52 (1958) : 109-139.

Dul’sky, P. Grafìka satiricheskikh zhurnalov 1905-1906 g.g. Kazan, 1922.

Karasik, Z. “M. Gor’kii i satiricheskie zhumaly ‘Zhupel’ i ‘Adskaia pochta,’ ” in Akademiia nauk, M. Gor'kii v epokhu revoliutsii 1905-1907 godov; materialy, vospominaniia, issledovaniia. Moscow, 1957: 357-387.

Kaufmann, R. D. S. Moor. Moscow, 1937.

Khalaminsky, I. D. Moor. Moscow, 1961.

Makovsky, S. and Notgaft, F. Grafika M. V. Dobuzhinskogo. Berlin, 1924.

Moor, D. “Ya—Bol’shevik!” : Sbomik statei. Moscow, 1967.

IV. Meyerhold

Braun, Edward, ed. Meyerhold on Theater. New York: Hill and Wang, 1969.

Elagin, Yury. Temnyi genii (Vsevolod Meierkhol’d). New York: Chekhov, 1955.

Fevral’slcy, A. Vsevolod Emelianovich Meierkhol’d: Stat’i, pis’ma, rechi, besedy. 2 vols. Moscow, 1968.

Fuchs, Georg. Die Schaubühne der Zukunft. Berlin and Leipzig [1906].

Rudnitsky, K. Rezhisser Meierkhol’d. Moscow, 1969.

Symons, James M. Meyerhold’s Theater of the Grotesque. Coral Gables, Fla.: University of Miami Press, 1971.

Volkhov, N. Meierkhol’d. 2 vols. Moscow and Leningrad, 1929.

———. Teatral’nye vechera. Moscow, 1966.

V. Malevich

Andersen, Troels. Malevich. Amsterdam, 1970.

Bowlt, John E. “The Semaphore of Suprematism: Malevich’s Journey into the Non-Objective World,” Art News, December 1973: 16-22.

Bragdon, Claude. A Primer of Higher Space: The Fourth Dimension, to which is added Man the Square, A Higher Space Parable. New York: Alfred A. Knopf, 1923.

Compton, Susan, “Malevich and the Fourth Dimension,” Studio 187 (1974) : 190-195. ₄

Douglas, Charlotte. “Birth of a ‘Royal Infant’: Malevich and ‘Victory over the Sun,’ ” Art in America 62 (1974) : 45-51.

Hinton, Charles Howard. The Fourth Dimension. New York, 1904.

Malevich, Kazimir. Essays on Art 1915-1933. Edited by Troels Andersen. Translated by Xenia Glowacki-Prus and Arnold McMillin. 2 vols. New York: Wittenbom, 1971.

———. “Iz knigi o Bezpredmetnosti.” Unpublished manuscript dated January 25, 1924. Van Riesen Archive, Stedelijk Museum, Amsterdam.

———. The Non-Objective World. (1927) Chicago, 1959.

———. Ot kubizma i futurizma do suprematizmu: Novyi zhivopisnyi realizm. Third edition. Moscow, 1916.

Nakov, Andrei. “The Iconoclastic Fury,” Studio 187 (1974) : 281-288.

Ouspensky, P. D. Tertium Organum. (1911) New York: Random House, 1970.

VI. Mayakovsky

Brown, Edward J. Mayakovsky: A Poet in the Revolution. Princeton: Princeton University Press, 1973.

Fevral’sky, A. Pervaia sovetskaia pesa “Misteriia-buff” V. V. Mayakovskogo. Moscow, 1971.

Lifshits, B. Polutoraglazyi strelets. Leningrad, 1933.

Mayakovsky, Vladimir. V. V. Mayakovsky: Materialy i issledovaniia. Moscow, 1940.

———. Polnoe sobranie sochinenii. Moscow, 1955-1961.

———. “Novoe o Mayakovskom,” Literaturnoe nasledstvo, LXV (Moscow, 1958).

Semenova, E. “Vkhutemas, LEF, Mayakovsky,” in Uchenye zapiski tartuskogo gosudarstvennogo universiteta 9 (1966), 288-306.

Shklovsky, Victor. Zhizn’s Mayakovskym. Moscow, 1940.

Woroszylski, Wiktor. The Life of Mayakovsky. Translated by Boleslaw Taborski. New York: Orion, 1970.

VII. Tatlin and Eisenstein

Andersen, Troels. Vladimir Tatlin. Stockholm, 1968.

Bama, Yon. Eisenstein. Translated by Lise Hunter. Bloomington: Indiana University Press, 1973.

Bronenosets “Potemkin.” Moscow, 1969.

Eisenstein, Sergei. Film Form: The Film Sense. Cleveland and New York, 1957.

———. Film Essays. New York: Praeger, 1970.

———. “Montazh attraktsionov,” LEF, 3 (1923), 70-75.

———. Notes of a Film Director. (1939) New York: Dover, 1970.

Elderfield, John. “The Line of Free Men: Tatlin’s ‘towers’ and the Age of Invention,” Studio 178 (1969): 162-167.

Punin, Nikolai, Tatlin. Petrograd, 1921.

Rostovtsev, I. Bronenosets “Potemkin.” Moscow, 1962.

Seton, Marie. Sergei M. Eisenstein. London: Bodley Head, 1952.

Shklovsky, Victor. Eizenshtein. Moscow, 1973.

Shub, Esfir. Krupnym planom. Moscow, 1959.

Tatlin’s Dream. London, 1973.