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The Lyrical And The Epic: The Lyrical and The Epic

The Lyrical And The Epic

The Lyrical and The Epic

Appendix Two

A Selected Bibliography of Průšek’s Papers on Modern Chinese Literature

“Liu О et son roman, le Pèlerinage du Vieux Boiteux (Preface a la traduction tcheque du roman Lao Ts՝an yu-chi),” Archiv Onentální 15 (June 1946), 352-385.

“Le president Mao Tse-tung et la nouvelle littérature chinoise,” Archiv Orientální 22 (1954), 1-19.

Die Literatur des befreiten China and ihre Volkstraditionen. Prague: Artia, 1955.

“Subjectivism and Individualism in Modem Chinese Literature,” Archiv Orientální 25, no. 2 (1957), 261-286.

“The Importance of Tradition in Chinese Literature,” Archiv Orientální 26, no. 2 (1958), 212-223.

“La nouvelle littérature chinoise,” Archiv Orientální 27 (1959), 76-95.

“Lu Hsün the Revolutionary and the Artist,” Orientalische Literaturzeitung 55 (1960), 229-236.

“Einige Bermerkungen zur Chinesischen Literatur in dem Zeitraum 1919-1937,” Acta Orientalia Academiae Scientiarum Hungariae. T.15, Fasciculi 1-3 (1962), 219-231.

“Basic Problems of the History of Modern Chinese Literature and C. T. Hsia, A History of Modern Chinese Fiction,” Toung Pao 49, livr. 4-5 (1962), 357-404.

“On the Question of Realism in the Literature and Art of China Today,” New Orient 3 (Aug. 1962), 107-108.

“Literatura osobní angažovanosti” (Literature of personal commitment), Světová literatura (World Literature) 1964, 3, 139-152.

“A Confrontation of Traditional Oriental Literature with Modern European Literature in the Context of the Chinese Literary Revolution,” Archiv Orientální 32, no. 3 (1964), 365-375.

“Reality and Art in Chinese Literature,” Archiv Orientální 32, no. 4 (1964), 605-618.

Introduction, Studien zur modernen Chinesischen Literatur (Studies in modern Chinese literature). Berlin: Akademie-Verlag, 1964.

“Quelques remarques sur la nouvelle littérature chinoise,” Mélanges de sinologie offerts à Monsieur Paul Demiéville. Vol. I, Paris: Presses Universitaires de France, 1966, 209-223.

“Outlines of Chinese Literature,” New Orient 5 (Aug. 1966), 113-120; (Oct. 1966), 145-151, 156-158; (Dec. 1966), 169-176.

Three Sketches of Chinese Literature. Prague: Oriental Institute in Academia, 1969.

“Lu Hsün’s ‘Huai Chiu’: A Precursor of Modern Chinese Literature,” Harvard Journal of Asiatic Studies 29 (1969), 169-176.

“The Changing Role of the Narrator in Chinese Novels at the Beginning of the Twentieth Century,” Archiv Orientální 38, no. 2 (1970), 169-178.

“Yeh Sheng-t’ao and Anton Chekhov, “Archiv Orientální 38, no. 4 (1970), 437-452.

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