INDEX

accent [und mordant]. See one-note grace [and mordent]

Accent und trillo. See trill appuyé

accompaniment, 16-17, 21-80

accord arpégé. See arpeggio

adagio, 29, 37

affectueux, affettuoso, 29

agrément. See one-note grace and mordent

agréments. See ornaments

aisement (easily, freely), 37

allant, 29

allegro, 29, 37

allemande, 27, 29, 39, 111, 148-50, 155, 163

Ancelet, M^r, 10, 42-43, 106, 118

andante, 29

Anthony, James R., 218n, 219n

Apel, Willi, x, 175

appoggiatura , 48. See one-note grace

arpège[ment], 48. See arpeggio

arpeggio, 48, 50, 51, 64, 66, 73, 77-83

arpège; figuré;. See arpeggio, figured

arpeggio, figured, 52-53, 55, 57, 63-64, 73, 81-82, 99

aspiration, 87, 94-95, 100

Bach, C.P.E. (1714-88), 78, 97, 106, 170

Bach, J.S., 55, 109, 154, 186, 224n; ornaments, 52, 56, 58-59, 84, 100, 103-104, 108

Bacilly, Bénigne de (c. 1625-90), 41, 48, 67-68, 85

Balbastre, Claude-Bénigne, 43, 145, 201

Ballard, Christophe (1641-1715), 178

Bauyn Manuscript, 34, 127, 133, 153, 155-57, 161, 183-85, 228n

Bédos de Celles, Dom François (1709-79), 125-26

Benoit, Marcelle, 4, 15

Bérard, Jean-Antoine (1710-72), 225n

Betalli [Bertali, Antonio, c. 1605-69], 120

bocanne, 151

Böhm, Georg (1661-1733), 55

bon goût, 40-43

Bonnet, Jacques (1644-1724), compiler of notes from Pierre Bourdelot (1610-85), 2-3, 5-7, 18, 151

Boulay, Laurence, 44-45

bourée, 39

Boyvin, Jacques, 95, 124-25, 186, 201, 226n

branle, 39, 151

Brossard, Sébastien de, 29, 32, 40, 43, 45, 115-16, 149, 153, 162, 164, 167-68

Brueys, David Augustin de (1640-1723), 151

Bukofzer, Manfred, 28

Byrd, William (1543-1623), 158

cadence (mouvement), 40-41

cadence. See trill; Bach, ornaments; D’Anglebert, trills

cadence fermée. See trill and mordent

Cambert, Robert (c. 1628-77), 120

Campra, Andre (1660-1744), 160

canaries, 39, 151, 158, 160

Caswell, Austin, 85

Cavalli, Pier Francesco (1602-76), 120

chaconne, 27, 37, 39, 111, 115, 153, 164-65, 231n

Chambonnières, Jacques Champion de, ix-x, 174; allemande, 148; biography, 11, 14, 25; chaconne, 165; concerts, 10, 24; courante, 102; court positions, 13-15; doubles by D’Anglebert, 21, 109, 117, 199-200; and Froberger, 119; gaillarde, 153, 161-63; gigue 115, 156, 158; menuet, 168; ornaments, 22, 49-51, 53, 77, 84, 92, 99, 102-103, 108; playing style, 42; prelude, 141; sarabande, 152-54; short octave, 8; sources, 184-85, 188; suite order, 127; tempo, 29, 148, 152-54, 161-63

Champion, Jacques (c. 1555-1642), 11, 219n

charge. See titles, musicians’

Charpentier, Marc-Antoine, 2, 157, 201

Chaumont, Lambert, 78, 84-86, 99, 125, 201

cheute (chut [t]e) [et pincé]. See one-note grace [and mordent]

cheute sur une notte; 2 nottes. See arpeggio, figured

Chronomètre, 222n

chut[t]e. See one-note grace

clavecin, 8, 10, 23-24

Clérambault, Louis-Nicolas, 131, 142-43, 201

concerts, 5-6, 8, 10, 219n

Conty (Conti), Marie, Anne de Bourbon, Princesse de, 5, 17-19

Corbetta, Francesco (1620-81), 169

Corelli, Arcangelo (1653-1713), 149, 169

Corneille, Thomas (1625-1709), 155, 164

Corrette, Michel (1709-95), 145

coulade (a long slide), 105

coulé [sur une tierce]. See slide

coulé [z]. See one-note grace

couli sur 2 nottes de suitte. See slide, melodic

Couperin, Antoinette Marguerite (1705-78), 15

Couperin, François (c. 1630-1708), 24

Couperin, François le grand: biography, 201; allemande, 150; bon gotit, 44-45; chaconne, 165; courante, 152; court duties, 4, 15; gavotte, 169; gigue, 160-61; menuet, 168; mesure, mouvement, 40-41; ornaments, 56, 81, 84, 101, 104, 226n; passacaille, 166; prelude, 141, 145-46; sarabande, 154-55; sources, 185; suite order, 131; as teacher, 19; tempo, 150, 152, 154, 160

—Works: Allemande La Verneüil, 82; L’Amphibie, 166; L’Ausoniéne, 150; Les Charmes, 28; L’Exquise, 150; La Favorite, 165; La Mezangére, 28; Passacaille, 166; Le point du jour, 150; Les Sentimens, 155; La Tenebreuse, 81; Les Vieux Seigneurs, 155

Couperin, Louis, ix-x, 174; biography, 14, 25; chaconne, 165; double by D’Anglebert, 21, 109, 117, 200; gaillarde, 161-63; gavotte, 169; gigue, 115, 158; menuet, 168; organ, 119, 125; ornaments, 86, 103, 133; passacaille, 166; preludes, 133-34, 138-39, 141, 144, 146-47, 288n; sarabande, 103, 153; short octave, 8; sources, 184-85, 188; suite order, 127; tempo, 29, 148, 153, 161-63, 165; tombeau, 163

courante, 27, 33-34, 39-40, 111, 115, 150-52, 222n, 230n

currency, 220n

Curtis, Alan, 73, 185, 228n

Dagincour, François, 103, 150, 201

dance, 2-4, 27, 148ff.

Danckert, Werner, 23on

Dandrieu, Jean-François, 72-73, 86, 99, 100-101, 144, 201

D’Anglebert family, 12, 219-20nn

D’Anglebert, Jean-Baptiste Henry, 12, 15-16, 219-20nn

D’Anglebert, Jean-Henry, ix-x, 174-75; accompaniment, 16-17; allemande, 148-49; biography, 11-26, 219-20nn; chaconne, 165; and Chambonnières, 11, 13, 117; courante, 151; court positions, 1, 13-15; doubles, 28, 109, 117; editions, modern, 186-88; folia, 170; fugues, 118, 120-23, 227n; gaillarde, 161-63; gavotte, 168-69; gigue, 155, 159-61; harmonic style, 28, 122-23, 172-73; instruments, 8, 23-24; inventory, posthumous, 23-24; menuet, 167-68; organ, 13, 118-26; passacaille, 165-66, 23m; pieces, newly discovered, 23, 130-31, 154, 191-97; prelude, 136-41, 142, 144, 146-47, 228-29nn; reversion to son, 15; sarabande, 153-54; signature, 21-22; suite order, 127-31; tempo, 41, 120, 146, 149, 151, 154, 161-63, 165-68; time signatures, 32, 37-38, 120-21; tombeau, 163; transcriptions, 109-17, 151, 155, 158-59, 198-200; unification of binary dances, 171-72; variations, 170; worklist, 176-81

—Ornaments, 46, 56, 105; arpeggio, 63-64, 78-83, 140; detache, 104; one-note grace, 66, 84, 91-93, 94-101, 138; one-note grace and mordent, 67, 100-101; slide, 83-84; symbols, development of, 59, 64; table, 52-53; trills, 66-67, 71, 74-77, 139; variants between edition and MS, 59-65, 80, 97-98, 136-37, 139, 181-82; turns, 102-103

—Sources, Pièces de clavecin: editions and contents, 16-23, 176-82; modern editions, 186-87; suite order, 128; variants, 22-23, 181-82, 186-88

—Sources, F-Pn Res.89ter MS: contents and dating, 21-22, 176-82; ornaments, 181-82; suite order, 128-30; variants, 22-23, 181-82, 186-88

—Sources, other MSS: 23, 130, 183-86

—Works (order follows Table, p. 176)

•Pièces de clavecin:

G major: Prelude, 138-39; Allemande, 74-75, 149, 172-73; Sarabande, 105; Gigue, 80; Gaillarde, 59-60, 63-64, 103; Chaconne Rondeau, 165; Gavotte, 59, 61, 63, 168; Menuet, 105, 167-68; Ouuerture de Cadmus, 71-72, 112-13; Menuet. dans nos bois, 114, 167, 185; Chaconne de Phaeton, 115; 2^eGigue, 160

G minor: Prelude, 60-61, 139-40, 172; Allemande, 149, 172; Courante, 79; 2? Courante, 74; Courante (Lully), 61, 115, 185; Sarabande, 172-73; Sarabande Dieu des Enfers, 76, 115; Gigue, 160, 171; Gigue (Lully), 115, 158-59; Gaillarde, 161, 184; Passacaille, 63, 96, 165; Menuet la Jeune Iris, 114, 167; Gavotte. “Ou estes vous alle,” 116, 168; Gavotte. “Le beau berger Tirsis,” 116, 168; “La Bergere Anette,” 116; Ouverture de la Mascarade, 75, 101; Les Sourdines d’Armide, 33, 116; Les Songes agreables d’Atys, 61-62, 116, 185; Air d’Apollon du Triomphe de l’Amour, 38, 101; “Menuet de Poitou,” 116; Passacaille d’Armide, 115-16, 164

D minor: Prelude, 136-38, 146, 172, 229n; Allemande, 149; Sarabande grave, 153, 171, 173; Sarabande, 59, 62-63, 96; Gigue, 161, 171; Gaillarde, 163; Gavotte, 105, 168; Menuet, 105, 167-68, 171; Variations sur Les Folies d’Espagne, 60-62, 97-99, 170, 186

D major: Allemande, 98, 149, 171-72; 2^e Courante, 98; Sarabande, 154; Gigue, 161, 171; Chaconne de Galatee, 115, 165, 185; Chaconne Rondeau, 75, 165; Tombeau de M. de Chambonnières, 163

Organ fugues, 120-23; Quatuor, 16, 20-21, 118, 123-24, 186

•Rés-89ter MS:

C major: Prelude, 140; Allemande, 149; Gigue La Verdinguette/Chambonnèires, 187; Gaillarde, 64, 161-62, 184; Chaconne, 165, 185-86; Air de Ballet. Marche, 114; Gigue du Vieux Gautier, 111, 155-56; Sarabande. Mezengeot, 110; Allemande du Vieux Gautier (La Vestemponade), 64, 111; Chaconne du Vieux Gautier, 111

A minor: Gaillarde, 95, 97

F major: Sarabande O beau jardin/ Chambonnières, 28

D minor: Courantes du Vieux Gautier (Les Larmes, 111; La petite bergtre, 64; L’Immortelle, 111); Sarabande du Vieux Gautier, 111; Gigue du Vieux Gautier, 111, 155-56

G major: Allemande/Couperin, 64, 117; Sarabande/Chambonnières, Jeunes zephirs, 60; Sarabande. Marais, 116

G minor: Ouuerture d’Isis, 64

•Oldham MS: Courante in C, 184, 186

•Roper MS: Courante, 151, 186, 193; Sarabande, 154, 186, 194-95; Gigue, 161, 171, 186, 196 (all in A minor)

•Troyes MS: Sarabande in C, 154, 186

Danoville (fl.1687), 85

Dauphine, married to Grand Dauphin, son of Louis XIV, 14

Demoz de la Salle, Abbe (d.1742), 29, 35-36, 39

Denis, Jean (c. 1600-72), 46, 48, 73

Destouches, Andre Cardinal (1672-1749), 164

détaché, 37, 52-53, 57, 104

Devoto, Daniel, 152, 230n

Dieupart, Charles [?François], 53-55, 58, 102, 104, 131, 201

diminutions, 46-47

Doppelt-cadence [und mordant]. See trill with turned beginning and mordent

dotted notes, 59-60

double (variation), 28, 109, 117

doublé. See turn

double cadence. See trill and mordent; turn (with trill)

double cadence sans tremblement. See turn

double cadence sur une tierce. See turn on a third

double cheute à une notte seule, or à une tierce, 52-53, 84

Dowd, William, 218n

Du Mont, Henri, 47, 148, 152, 184, 201

Duphly, Jacques (1715-89), 43

Durocher, M., 145, 201

Ebner, Wolfgang (1612-65), 120

Écorcheville, Jules, 23on

Énoc ([H]Énocq), Estienne (d.1682), 124

entrée de ballet, 39

épinette, 8-9, 23

expression marks, 37, 41

Farinel, Michel (1649-17?), 169

Farnaby, Richard (d.1581), 158

Fétis, Frangois-Joseph, 11, 227n

Feuillet, Raoul-Auger (c. 1659-1710), 170

folia, 169, 231n

folies d’Espagne, Les, 39, 169-71

Foucquet, Pierre-Claude (c. 1694-1772), 42, 72, 106, 201

Frescobaldi, Girolamo (1583-1643), 119-20, 123, 145-46, 184

Froberger, Johann Jakob, 25, 119-20, 145-46, 156-58, 163, 184, 202

fugue, 118-23

Furetière, Antoine (1619-88), 152

gaillarde, 27, 39, 161-63

gais. See gaye

Gallot, Jacques (d. c.1690), 163, 169

Gaultier, Denis: biography, 202; alle-mande, 148, 155, 163, 229n; chaconne, 164; courante, 34; D’Anglebert transcription, 21, 109-10, 200; gigue, 155, 23on; prelude, 132; sarabande, 152, 164; tombeau, 148, 163

Gaultier, Ennemond: biography, 202; courante, 34, 151; D’Anglebert’s transcriptions, 21, 109-11, 151, 155-56, 199-200, 227n; gigue, 155; tombeau, 163

gavotte, 27, 39-40, 116, 168-69

gay [e], gayement, 29, 33, 37, 39

Geoffroy, Jean-Nicolas (1633-94), 25, 221n

Gerber, Ernst-Ludwig (1746-1819), 23

giga, 160-61

gigue, 27, 39, 40-41, 115, 148, 155-61; duple meter, 111, 155-58, 230nn

Gilbert, Kenneth, x, 21, 141, 167-68, 186-88, 229n

grace note, 72, 84-85, 91, 97, 99-100

Grassineau, James (d.1767), 78

grave[ment], 33, 37, 39

Grigny, Nicolas de (1672-1703), 58

guayement. See gaye

Guilain, ?J. A. (fl. 1702-39), 124

Gustafson, Bruce, 22, 25, 109-10, 176-85, 228n, 230n, 231n

Handel, George Frideric, 153

Hardel, ?Jacques, 32, 127, 169, 202

harpège [ment]. See arpeggio

Harris-Warrick, Rebecca, 221-22n

Hotteterre, Jacques (-Martin), 36, 115, 202

Howell, Almonte C., Jr., 227n

Hudson, Richard, 231n

Huygens, Constantijn (1596-1687), 25, 47, 148

Isherwood, Robert, 2

Jacquet de La Guerre, E.-C. See La Guerre

Jal, Auguste, x, 11, 219n

jeu médiocre (an “ordinary” organ stop), 125

Jullien, Gilles (c. 1650-1703), 48

La Barre, Joseph de, 202

La Barre, Pierre Chabançeau de (1592-1656), 10, 46

Laborde, Léon de, x, 219n

La Fayette, Marie Madeleine Pioche de la Vergne, Comtesse de (1634-92), 2, 10

L’Affilard, Michel (c. 1656-?1708), 31, 153

La Guerre, Elisabeth-Claude Jacquet de, x, 175; biography, 25-26; chaconne, 165; courante, 34; gavotte, 169; gigue, 157-59; menuet, 168; ornaments, 50-51; prelude, 133, 142-43; sarabande, 154; sources, 189, 229n; suite order, 127-28; tempo, 29, 154

Lalande, Michel Richard de, 2, 202

Lambert, Michel, 2, 14, 129, 202

large, 29; largo, 29, 37

La Rousseliere, Jean-Baptiste-Charles de, 8

Lebegue, Nicolas-Antoine, x, 174; alle-mande, 148-49; biography, 25; chaconne, 165; courante, 151; gavotte, 169; gigue, 159; menuet, 168; organ registration, 124-25; ornaments, 50, 55, 95, 105; playing style, clavecin, 80; preludes, 134-36, 141-42; sarabande, 154; sources, 55, 186, 189; suite order, 127-28; tempo, 29, 148, 151, 154, 159, 165

Le Cerf de La Vieville, Jean Laurent (1674-1707), 44

Le Gallois, ?Jean (fl. 1680), 41-42

léger [ement], 29, 33, 35, 39, 40

lent [ement], 29, 33, 37-39

Léris, Antoine de (1723-95), 26

Le Roux, Gaspard, 28, 55, 79, 81, 131, 143-44, 150, 154, 165, 202

liaison. See slur

Little, Meredith Ellis, 157

Loret, Jean (1595-1665), 119

Louis XIII (1601-1643), 2, 46

Louis XIV, ix, 1-10, 13, 115, 150, 167, 169

Loulié, Éetienne (C.1655-C.1707), 35-36, 76-77, 84, 91, 112, 222n

Louré (slurred), 37

Loure (slow gigue), 39, 160

Lully, Jean-Baptiste, 2-4, 7, 12, 14, 16, 21, 22, 24, 166-68, 22on, 227n; biography, 202; D’Anglebert’s transcriptions, 21, 109, 111-16, 128, 130, 158-59, 164-65, 167, 198-200; folia, 169; gigue, 158-59; sources, 185-86; tempo, 33, 38-39

lute, 8, 46, 110-11, 132, 146, 148, 158, 224n, 228n. See also Gaultier (D. and E.); Mace; Mesangeau; Pinel

Mace, Thomas (c. 1612-?1706), 132, 149, 153, 161-62

manuscripts, misc., 183ff.

Marais, Marin, 22, 109, 116, 169, 171, 200, 202

march, 39

Marchand, Louis, 124, 131, 142, 150, 154, 165, 202

Masson, Charles (fl. 1680-1700), 29, 38-39

Mattheson, Johann (1681-1764), 149, 151, 160

Mellers, Wilfred, 227n

Ménage, Gilles (1613-92), 155, 159

menuet, 27, 37, 39-41, 70, 115, 151, 153, 166-68

Mercure, John, 158, 202

Mersenne, Marin: biography, 202; clavecin, 8, 218n; diminutions, 46-47; epinette, 8-9, 218n; gaillarde, 161-62; gavotte, 168; ornaments, 46-47, 108; sarabande, 152

Mesangeau, Rene, 21, 109-11, 199, 202

mesure, 37, 40-42

mesure (measured, regular), 37, 145

Mignard, Pierre (1612-95), 20, 23

moderato, modere, 37

Molière (Jean-Baptiste Poquelin) (1622-73)/ 2, 10

Mollersche MS, 54-55, 102, 104

Montéclair, Michel Pignolet de, 37, 72, 105ff., 152-53, 202

mordent, 48, 50-52, 53-57, 66-67, 73

Morley, Thomas (c. 1557-1602), 161

mouvement, 21, 29-42, 120-21, 166

musette, 39

Neumann, Frederick, 67, 74, 84-85, 101

Nivers, Guillaume-Gabriel: biography 202-203; fugue, 119, 121-22; organ, 118, 125-26; ornaments, 47-49, 67, 84-85, 95, 99

notation, French letter, 184

notes inegales, 36, 65

Oldham MS, 23, 119, 161, 183-84, 186

one-note grace, accent, 58, 84

one-note grace, appoggiatura, 48

one-note grace, cheute (chute), 48, 52-53, 62-63, 68, 84-87, 91, 94

one-note grace, coulé, 56-57, 73, 84, 91, 100

one-note grace, port de voix, 46-53, 62-63, 70, 84-99, 138

one-note grace and mordent, 48, 52, 54-56, 67, 73, 94, 100-101

organ works, 118-26; registration, 124-26

Orléans, Elizabeth Charlotte (Liselotte) of the Palatinate, Duchesse d’ (the second Madame, 1652-1722), 4-5, 13, 218n

Orléans, Philippe I, Due d’ (1640-1701), 5-7, 13-14, 218n

ornaments, 46-108, 224n

overture, opera, 39-40, 112

Ozanam, Jacques (1640-1717), 29, 146-47, 149, 155, 164, 167, 218-19n

Palaprat, Jean (1650-1721), 151

Parville MS, 127, 133, 141, 183, 185, 228n

Pasquini, Bernardo (1637-1710), 170-71

passacaille, 27, 37, 39-40, 115, 153, 164-66, 231n

passages, 42, 105-106

passepied, 39, 151

pavane, 39

Pécour, Louis Guillaume (?1651-1729), 39

Perrault, Charles (1628-1703), 3

Perrine (d. after 1698), 34, 78, 155

petite notte. See grace note

pincé [ment]. See mordent

Pinel, Germain, 2, 21, 109-10, 117, 199, 203

piqué (played equally and well-marked), 37

port de voix appuyé or demy, 92-94

port de voix et pince. See one-note grace and mordent

Pradel, Abraham Du (Nicolas de Blegny, 1652-1722), 19

prelude, prelude non mesure, 132-47

prestissimo and presto, 29, 37

Pure, Michel de (1620-80), 148, 152

Quantz, Johann Joachim (1697-1773), 43-44, 99-100, 106-107

quatuor, 20-21, 123-24

Racquet, Charles (1597-1664), 119, 227n

Raguenet, François (c. 1660-1722), 44

Raison, Andre, 51, 78, 99, 186, 203

Rameau, Jean-Philippe: biography, 203; allemande, 150; courante, 151-52; gavotte, 169; gigue, 161; ornaments, 55-56, 72, 79, 81-82, 84, 103; prelude, 133, 144; sarabande, 154; suite, 131; tempo, 41, 150, 154

Rameau, Pierre (fl. early 1700s), 150

recitative, 38

renvoy, 27

repeats in dance forms, 27

reprise [petite], 27, 50

reversion ( survivance), 4

Richard, Étienne, 2, 21, 25, 109, 117, 156, 184-85, 200

Richelet, Pierre (1631-98), 146-47, 152, 168

rigaudon, 39

Roberday, François, 12, 118-20, 123, 160, 203, 220n

Roesgen-Champion, Marguerite, 186

Roger, Estienne (c. 1665-1722), 178

rondement, 29

Roper MS, 23, 130-31, 184, 186, 191-97

Rousseau, Jean, 29; biography, 203; bon gout, 44; and Chambonnières, 13-14; mesure and mouvement, 40; one-note grace, 86-91, 94; ornaments, use of, 105; time signatures, 34-35, 222n; trills, 68-74

Rousseau, Jean Jacques (1712-78), 100, 149, 161, 164, 167-68

Sachs, Curt, 150

Saint-Lambert, Monsieur de, 29, biography, 203; accompaniment, 80; Chambonnières, 92; keyboard, 8; D’Anglebert, 66-67, 78, 83, 91-92, 102, 104; free-voice texture, 112, 227n; menuet, 167; Nivers, 67; renvoy, reprise, 27; slur, 56, 134-35; tempo, 29-34, 38, 159-60, 168, 221—22n

—Ornaments: arpeggio, 66, 78-80; arpeggio, figured, 82; aspiration, 94; cadence (D’Anglebert’s), 67; détache, 104; mordent, 66-67; one-note grace, 66, 84, 91-95, 99; slide, 66, 83-84; trills and mordent, 66-67, 73-74, 225n; turns, 102; use of, 104-105, 107

salaries, musicians’, 3, 13-15, 220n

sarabande, 27, 29, 37, 39, 111, 116, 148, 151, 152-55, 164, 230n

Scarlatti, Alessandro (1660-1725), 170

Scudéry, Madeleine de (1607-1701), 5

séparez, 55, 79. See also arpeggio

Sévigne, Marie de Rabutin-Chantal, Marquise de (1626-96), 2-3, 10, 13, 169-70

short octave, 8, 218n

Siret, Nicolas, 39, 145, 203

slide, 48, 50-53, 66, 83-84

slide, melodic, 52-53, 83-84

slur (can also indicate tie), 56-57, 70, 133-36

son coupé. See détaché

sources, 176-89. See also D’Anglebert, sources

style brise. See style luthe

style luthé, 28, 80, 110, 148, 150, 185

styles, French and Italian, 43-45, 106-107

suite order, 127-31

survivance. See reversion

suspension, 56-57

tempo, 29-45, 148-73 passim

Tessier, Andre, 22on, 229n, 230n

time signatures:

—C, 30, 33-38, 121, 149-50, 155, 168

—C3, 34-35

—, 30, 32-39, 155, 157, 168-69

—, 35

—2, 30, 33-35, 37, 39, 150, 168

—2/4, 36, 150

—3/2, 30, 33-39, 111, 149, 152, 158, 161-63, 166, 222n

—3, 30, 32-34, 37-38, 121, 150, 152-53, 157-59, 168

—3/4, 34, 36-37, 70, 158, 161, 222

—3/8, 30, 32, 34, 36, 70, 159, 167-68, 222n

—3/16, 35-36

—4/8, 30, 33-34, 36, 39, 150

—4/16, 36

—6/4, 30-34, 36-37, 121, 158-59, 161, 222n

—6/8, 30, 32-34, 36, 159, 161, 167-68, 222n

—6/16, 36

—9/4, 35-36, 160

—9/8, 35-36, 160

—9/16, 36

—12/4, 35-36, 160

—12/8, 32, 35-36, 121, 159-61

—12/16, 35-36

—and , 37

—combination signatures, 35

Titelouze, Jean, 46, 119, 203

titles, musicians’, 4

Titon du Tillet, Evrard (1677-1762), 14, 24, 26, 111, 112

toccata, 145-46

tombeau, 145-46, 148, 163

transcription, 109-17

tremblement [appuyé], [lié]. See trill [appuyé], [lié]

tremblement et pince. See trill and mordent

trill, 46-59, 66-77, 225n

trill appuyé, 52, 55-59, 67, 73, 75-77, 225n

trill beginning on main note, 56-57, 67-75, 225n

trill lié, 56-57, 72-73

trill, upper auxiliary beginning before beat, 68-69, 72-77

trill and mordent, 48, 52-54, 56-58, 61, 67, 73

trill with turned beginning, 52, 56, 58, 60-62, 67

trill with turned beginning and mordent, 58

trill with turned ending. See trill and mordent

Trouvain, Antoine (1656-1708), 5-6

Troyes MS, 23, 183, 186

turn, 52-53, 55-58, 102-104

turn (with trill), 49-53, 61-62, 102-104

turn on a third, 52, 102

variation. See double

variations on Les folies d’Espagne, 39, 169-71

vaudeville, 21, 116

Vermeulen, Corneille (1644-1702), 20

vif, 29, 40

viol, 8, 13-14, 68-70, 86-87, 109, 116

vite, 29, 33, 37, 39

vivace, 29

vivement (spirited), 37, 41

Voiture, Vincent (1598-1648), 152

Walther, Johann Gottfried (1684-1748), 23, 28, 151, 167-68