INDEX OF WORKS

(according to Hoboken/WERKVERZEICHNIS)

SYMPHONIES (Hob. I), 6

1:31 “Hornsignal”130

1:45 “The Farewell” 229, 375

1:47/3 “Menuet al Rovescio” 21, 120

1:53 “L’lmpériale” 221

l;63 “La Roxelane” 93, 106

I:69 “Laudon” 6, 106, 424

1:72 130

1:73 “La Chasse” 106

1:84 131

1:86/2 “Capriccio” 221, 226

1:88 339

l:92 339, 437

“London Symphonies”: 1:93-98 127; I:93-104 351, 371

I:93 229

1:94 “Surprise” 140

I:96 424

I:98 6, 352

I:99 352, 438

1:102 54, 127, 229, 378, 437

1:104 “London” 438

1:105 (Concertante) 127

DIVERTIMENTOS FOR MANY INSTRUMENTS (Hob. II)

II: 11 “Mann und Weib” or “Der Geburtstag” 25, 69, 106

II:suppl. D 22, in D 130

STRING QUARTETS (Hob. III), 133

OP. 1 (III: 1-4, 6; 11:6), 215, 416

OP. 2 (III:[7, 8], 10, 12), 215

OP. 9 (III: 19-24), 437; OP. 9/1, 220; OP. 9/2, 20, 131, 149, 220, 302; OP. 9/4, 220

OP. 17 (III:25-30), 214; OP. 17/4, 220

OP. 20 (III:31-36), 229; OP. 20/2, 221; OP. 20/6, 220, 222, 225

OP. 33 (III:37-42), 432; OP. 33/3, 220; OP. 33/5, 106, 353

OP. 50 (III:44-49), 70; OP. 50/2, 229; OP. 50/6, 340

OP. 54 (III:57-59): OP. 54/2, 229, 340

OP. 55 (III:60-62): OP. 55/2 “Razor,” 38, 214, 229

OP. 71 (III:69-71), 357; OP. 71/3, 229

OP. 74 (III:71-74), 357; OP. 74/1, 438; OP. 74/3, 106, 438

OP. 76 (III:75-80): OP. 76/1, 229; OP. 76/3, 106, 229; OP. 76/5, 438; OP. 76/6, 221-22, 227-29*, 367, 438

OP. 77 (III:81-82), 107; OP. 77/2, 229

OP. 103 (IIL83), 217

DIVERTIMENTOS FOR THREE INSTRUMENTS (Hob. IV)

IV: 5 130

STRING TRIOS (Hob. V)

V:8 106

DUOS FOR VIOLIN AND VIOLA (Hob. VI)

VI: 3 220

VI: 6 220

CONCERTOS FOR VARIOUS INSTRUMENTS (Hob. VII)

VII deest, Bassoon 436

VIIc:1, Contra Violone (lost) 436

VIId:3, Horn 130

VIIe:1, Trumpet 33

MARCHES (Hob. VIII)

VIII: 1, 2, “Derbyshire Marches” 106

TRIOS WITH BARYTON (Hob. XI)

XI: 2 94

XI: 26 70

XI: 37 20, 115

XI: 38 20, 115

XI: 103 20, 115

XI: 110 20, 129

BARYTON DUOS (Hob. XII)

XII: 13 (Lost) 20

ACCOMPANIED DIVERTIMENTOS AND CONCERTINOS (Hob. XIV), 84-85, 110, 114, 130, 145, 166, 234, 242, 275-76

XIV: 1 13, 86, 116, 130, 196, 286, 426, 434

XIV: 2 20, 86, 107, 125, 196

XIV: 3 86, 129-31, 242, 423

XIV: 4 86, 116, 129, 242

XIV: 5 (recte XVI :5a) 14, 63, 119, 235, 286, 293, 425

XIV: 6 13, 124, 425

XIV: 7-9 34, 86, 129, 242

XIV: 7 108-109*, hi, 119, 242

XIV: 8 20, 130

XIV: 9 130, 242-43*

XIV: 10 86, 108, 130, 242, 422

XIV: 11 10, 86, 129, 144, 176, 242, 417

XIV: 12 86, 130, 287

XIV:13 86, 130

XIV: C1 66, 86, 107-108, 124, 235, 242

XIV :C2 86, 130, 242

XIV :C3 88

[XIV] :D1 86-87*

XIV:Es1 88

XIV:F1 88

XIV:F2 88

XIV:G1 88

KEYBOARD TRIOS (Hob. XV), 7, 73, 79 -81, no, 114, 128, 133, 145, 166-67, 234, 236-41, 275

XV: 1 7, 13-14, 73, !22, 124-25, 197, 236-37, 239-40*

XV: 2 20, 30, 73, 95*, 107, 122, 124-26, 197, 236-37, 301*, 312, 331-32, 355, 428

XV: 3- 5 30, 73, 125, 146, 331

XV: 3 27, 82-83, 125, 331

XV: 4 27, 73, 82-83, 125, 284, 331

XV: 5 73, 83, 125, 154-55*, 331-32, 337-38

XV: 6-8 29, 125-26, 154, 331-32

XV: 6 73, 122, 332-36*

XV: 7 30-31*, 73 229, 332, 336, 338, 340

XV: 8 73, 352, 336, 338

XV: 9, 10, and 2 30, 331

XV: 9 30, 32, 34, 73, 116, 125-26, 154, 240-41*, 337-38

XV: 10 30, 32, 34, 73, 125-26, 337-38* 340, 346

XV: 11-13 34-37 54, 73, 126, 154-56, 338, 423

XV: 11 73, 154-55*, 338-39*, 352, 437

XV: 12 73, 154, 156*, 338-41*, 344

XV: 13 34, 73, 131, 156*, 340, 437

XV: 14 34, 46, 73 126, 156-57*, 229, 351-53* 355, 357, 383, 437

XV: 15 34, 38, 43, 73, 126, 146, 351, 353-54

XV: 16 34, 38, 43, 73, 126, 146, 351, 353-54

XV: 17 38-43*, 73, 126-27, 351, 353-54, 423

XV: 18-20 47, 127-29, 357, 361, 363

XV: 18 7, 73, 357-59*, 364-65, 382, 435

XV: 19 7, 73, 357-60*, 363, 367, 374, 382-83

XV: 20 7, 73, 357, 559, 361*, 376, 382

XV: 21-23 26, 47, 127-28, 363

XV: 21 7, 73, 363-65*, 378

XV: 22 7, 73, 107, 127, 363, 365-67*, 382

XV: 23 7, 73, 363, 365, 367-68, 374, 382

XV: 24-26 37, 47, 54, 73, 127-28 , 575

XV: 24 7, 73, 376-77*, 380, 382

XV: 25 7, 73, 127, 358, 376-77’ 382

XV: 26 7, 73, 127, 229, 367, 375, 377-78*, 380-82, 435, 437

XV: 27-29 46-47* 50* 54, 66, 128, 171, 375-76, 421

XV: 27 7, 73, 229, 368-73*, 375

XV: 28 7, 73, 229, 371-74, 377, 382

XV: 29 7, 73, 368, 374-75*, 381-83

XV: 30 7-8, 55-56, 73, 129, 133, 229, 380-81

XV: 31 “The Dream” 7, 47, 50-51*, 58, 73, 107, 128, 146, 229, 368, 374, 382

XV: 32 7, 45-47, 50, 73, 106, 123, 355-56*, 382

XV: 33 73, 123-24, 197

XV: 34 73, 124, 236-37, 423

XV: 35 73, 124-25, 197, 221, 236-39*, 433

XV: 36 73, 82, 124, 197, 236-37, 276, 285

XV: 37 13, 73, 82, 124, 197, 236-37, 276

XV: 38 73, 124, 236-37, 286-87

XV: 39 13, 73, 83*, 124, 425

XV: 40 73, 83, 100, 107, 124, 202, 236-37, 286

XV: 41 73, 124, 176, 197, 236-37, 282-83*, 286, 434

XV: 42 (=XVII:D2). See Hob. XVII: 7

XV:C1 13, 73, 82, 124, 197, 236-37, 285, 287, 301

XV:C2 73, 83

XV:[D1] 73, 124

XV:f1 14, 73, 124, 236-37

XV: deest 124. See also XVII: 7

DUOS WITH KEYBOARD (Hob. XVA)

Violin Sonatas, 106-107

SOLO KEYBOARD SONATAS (Hob. XVI), 74-77, 110, 114-15, 118-19, 123, 133, 145, 167-69, 234, 275

XVI: 1 66, 107-108, 119, 200, 235, 276, 280-81, 283-84, 286, 422

XVI: 2 66, 70, 116, 119, 235, 281-82, 284-86, 422

XVI: 3 20, 63, 107-108, 119, 235, 276, 281-83, 435

XVI: 4 63, 71, 119, 235, 286, 425

XVI: 5 12, 66, 69, 119, 235, 276-78, 280-82, 422

XVI: 5a 14, 63, 119, 235, 286, 293, 425

XVI: 6 10, 63, 115-16, 119, 144, 200, 235, 281, 283-84, 286, 417, 425, 435

XVI: 7 66, 119, 235, 242, 435

XVI: 8 66, 83, 119, 235, 242, 279*, 282-84*,435

XVI: 9 66, 83, 119, 235, 286, 422

XVI: 10 66, 119, 235, 286, 422, 435

XVI: 11 66, 70, 235, 285-86*

XVI: 12 66, 69, 119, 235, 276, 278*, 286, 422

XVI: 13 66, 69-70, 119, 235, 422, 435

XVI: 14 63, 70, 119, 235, 287, 422, 425, 435

XVI: 15 25-26, 66, 69-70

XVI: 16 66, 69, 119, 235, 276-78, 280-82, 285

XVI: 17 37, 66, 69-70

XVI: 18 5, 14, 37, 63, 119-20, 148-49*, 235, 293, 295, 300-301, 327

XVI: 19 5, 14, 37, 63, 116, 119, 214, 220, 235, 293, 295, 298-300*, 314-15, 386, 436

XVI: 20 3, 14, 20, 24, 63, 120-21, 144, 148-49, 152, 161, 214, 233, 235, 293, 295-96, 299-300*, 302, 305, 308, 316, 320, 326, 332, 436

XVI: 21-26 “Estérhazy Sonatas” 5, 20-23, 63-64, 116, 120, 144, 149, 204, 302-303

XVI: 21 63, 235, 303-306

XVI: 22 63, 149, 213, 235, 303-307*

XVI: 23 63, 235, 303-306, 436

XVI: 24 106, 129, 235, 303-307, 332

XVI: 25 106, 204, 235, 303-307

XVI: 26 63, 106, 161-62*, 164-65, 235, 303-307, 330

XVI: 27-32 “Anno 1776” 5, 23, 63-64, 116, 120-21, 152, 204, 235, 302, 307

XVI: 27 121, 307-308, 310, 312-13*, 316, 436

XVI: 28 307-308, 310, 312, 316, 436

XVI: 29 63, 121, 152, 163-65*, 307-14*, 316, 422

XVI: 30 235, 307-308, 310, 312, 316, 327, 436

XVI: 31 307-308, 310, 312-14*, 316, 422

XVI: 32 159, 307-12*, 315-18*, 422, 437

XVI: 33 25-26, 34, 66, 70, 121, 152, 165, 302, 307, 310-11, 313-16*

XVI: 31 25, 34, 64, 121, 147, 152, 165, 235, 302, 316, 318, 320, 325, 327, 428, 436

XVI: 35-39 [20] “Auenbrugger Sonatas” 5, 23, 120-21, 144, 152, 165, 302, 316, 318

XVI: 35 64, 121, 235, 318, 320, 324-26*

XVI: 36 64, 121, 235, 302, 316, 318, 320-24*, 326, 433, 437

XVI: 37 64, 121, 152, 235, 318, 320, 323, 325-26*

XVI: 38 64, 121, 152, 159, 220, 235, 318-20*, 323-24, 326, 367

XVI: 39 24, 64, 121, 235, 316, 318, 320, 323*, 325-26

XVI: 40-42 5, 26-27, 62, 106, 121-22, 146, 152, 154, 165, 326, 331, 363

XVI: 40 48, 64, 153*, 165, 327, 329-30*

XVI: 41 64, 235, 327, 330-31, 436

XVI: 42 64, 152, 235, 327-31*

XVI: 43 25-26, 34, 66, 70, 106, 121, 152, 165, 235, 307, 310, 312, 314, 316, 327, 422, 436

XVI: 44 14, 37, 64, 71-72*, 117, 120, 235, 293, 295-97*, 299-301, 305, 307, 436

XVI: 45 14, 37, 63, 116-17, 119, 144, 235, 293*, 295, 298-300, 308

XVI: 46 14, 37, 63, 117, 119, 148, 214, 235, 293-95*, 298-300, 308, 310, 355, 433

XVI: 47 14, 38, 64, 71-73* 119, 131, 16o, 236, 290-93*, 332, 424

XVI: 48 34, 36-37 48, 64, 121-22, 157, 165, 229, 235-36, 338, 340, 342-46*, 353-55, 373, 428, 432, 434

XVI: 49 3, 34, 38, 43-45 63, 121-22, 126, 144, 147, 157, 159, 235, 340, 346-53*, 355, 379, 383, 419, 428

XVI: 50 3, 7, 46-47, 50, 53, 66, 121-22, 128, 159*, 165, 235, 359, 378-82*

XVI: 51 7, 46, 50, 54-55, 66, 121-22, 128, 159, 165, 235, 362-63*, 378, 380, 382

XVI: 52 3, 7, 46-47, 50, 53, 58, 63, 66, 121-22, 128, 159, 165, 214, 235, 361-62, 368, 371, 376, 379-80, 383

XVI:C1 66, 68-69*

XVI:C2 66-68*

XVI:D1 66, 68

XVI:Es1 66, 68-69*

XVI:Es2 “Raigern” 66-67*, 70-71, 119, 235, 276-78*, 282-83, 426

XVI:Es3 “Raigern” 66-67*, 70-71, 119, 235, 422, 426

XVI: G1 66, 70, 107-108, 119, 235, 435

XVI: B1 66, 69*

D Major Sketch (keyboard sonata), 57*

Frankfurt Sonatas, 65-66*, 69

Göttweig Sonatas, 64*, 66

KLAVIERSTÜCKE (Hob. XVII), 90-91, 110-11, 114-15, 131, 146, 170, 234, 275

XVII: 1 “Capriccio” 5, 13-14 35, 38, 72*, 88, 114, 125, 131, 160, 215, 221-25*, 228, 235-36, 289, 436

XVII: 2 5, 13-14, 37, 88-89, 92, 119, 131, 235, 290-91*, 302, 385, 387, 423, 436

XVII: 3 20, 37, 88, 119, 131, 149, 159, 235, 302, 354, 423

XVII: 4 34-35 46, 88, 125, 131, 157-58*, 165, 221-22, 226-28*, 235-36, 340, 353, 355

XVII: 5 34, 45, 88, 131, 157, 165, 354

XVII: 6 3, 7, 46-49*, 88, 131, 157, 159-60*, 165, 216, 235, 358

XVII: 7 88-89, 92-93, 107-108, 131, 287

XVII: 8 88-89, 92-95*, 97, 424

XVII: 9 88, 131, 418, 424

XVII: 10 88-89, 93, 96*, 131

XVII: 11 424

XVII: 12 88-89, 93, 96*, 424

XVII:C1 88, 93

XVII:C2 88, 93, 96

XVII:DI 66, 69, 86, 118-19, 235, 287-89*, 424, 435

XVII:F1 88, 93

XVII:F2 88, 93, 96

XVII:F3 88, 93, 97

XVII:G1 86-88*, 93

XVII:G2 88, 93, 97

XVII:AI 88, 93, 97

XVII:A2 88, 93, 97

XVII:A3 88, 93, 97*

SONATAS FOR KEYBOARD FOUR HANDS (Hob. XVIIa), 111, 118, 234, 275

XVIIa: 1 “Il Maestro e lo scolare” 20, 37, 66, 70, 87-88*, 101, 115-16, 120, 131, 160, 300-301, 355, 434

XVIIa:2 66, 70, 120, 300-301, 434

XVIIa: C1 66, 70

XVIIa:F1 66-67*, 70

KEYBOARD CONCERTOS (Hob. XVIII), 98-99, 111, 115, 132, 146, 171, 234, 244-45, 262

XVIII: 1 10, 59, 97, 103-104*, 116, 132, 144, 160, 244-45, 248-52*, 255-56, 261-62, 265, 267, 273, 417, 435

XVIII: 2 97-98, 103, 105, 132, 160, 244-45, 249*, 252, 255-56, 265, 267

XVIII: 3 5, 33, 116, 132, 160, 244-45, 248-50, 252-59*, 261-62, 265-66*, 268-69, 273-74

XVIII: 4 5, 33, 103, 105*, 116, 132-33, 152-53*, 160, 244-45, 248, 250-51, 254-57, 261-66*, 269-74*

XVIII: 5 97, 100, 103, 116, 132, 160, 242, 244-45, 248-49, 252, 255-57*, 262, 265-67

XVIII: 6 116, 132, 160, 244-45, 249, 251-52*, 255-56, 260-62, 265, 267, 273, 355-56, 435

XVIII: 7 100, 107, 202, 242

XVIII: 8 97, 100, 103, 116, 132, 160, 242, 244-45, 248-49, 251-52*, 255-56, 261-62, 265, 267-68*

XVIII: 9 100

XVIII: 10 97, 100, 116, 132, 160, 202, 242, 244-45, 248-49, 252, 255-56, 261-62, 265, 267-68

XVIII: 11 5, 33-34, 100, 116, 132-33, 146, 153*, 160, 244-45, 248, 250-51*, 254-55, 257, 260-62*, 264-66*, 269, 271-74, 419

XVIII:C1 101-102*

XVIII:Es1 102

XVIII:F1 102

XVIII:F2 86, 130, 242

XVIII:F3 102

XVIII:F4 102-103*

XVIII:G1 100-101*

XVIII:G2 101*

FLUTE CLOCK PIECES (Hob. XIX)

XIX: 27 93, 96*, 131, 361

MUSIC FOR THE SEVEN LAST WORDS (Hob. XX: 1/2), 106

ORATORIOS (Hob. XXI), 133

XXI: 2 The Creation, 217; “Chaos,” 221-22, 228-29*, 437

XXI: 3 The Seasons 56-57, 217

MASSES (Hob. XXII), 133

XXII: 4 “Great Organ” 5

XXII: 5 “St. Caecilia” 434

XXII: 7 “Little Organ” 5

XXII: 9-14 26

XXII: 11 “Nelson” 8

XXII: 13 “Schöpfungsmesse” 8

MARIAN ANTIPHONS (Hob. XXIIIb)

XXIIIb: 2 Salve Regina in g 5

CANTATAS (Hob. XXIVa)

XXIVa:3 “A1 tuo arrivo felice” 4, 114, 160

XXIVa:4 “Qual dubbio omai” 4, 114, 160

XXIVa:6 “Applausus” 114, 146, 160

XXIVa:10 “Scena da Bernice” 229

ARIAS (Hob. XXIVb)

XXIVb:7 “Signor, Voi Sapete” 131

SONGS FOR TWO VOICES (Hob. XXVa)

XXVa: 1-2 Italian Duets, “Guarda Qui Che Lo Vedrai” and “Saper Vorrei Se M’ami” 7, 114

LIEDER AND ENGLISH SONGS (Hob. XXVIa), 7

XXVIa:25-36 English Canzonettas 7, 133, 171

XXVIa:30 “Fidelity” 171

XXVIa138 “Der schlaue Pudel” 130

XXVIa:43 “Gott erhalte Franz den Kaiser” 8, 138

CANTATAS WITH ACCOMPANIMENT OF ONE INSTRUMENT (Hob. XXVIb)

XXVIb:2 “Arianna a Naxos” 7, 38

XXVIb:3 “DR. Harrington’s Compliment” 7

XXVIb:4 “Lines From the Battle of the Nile” 114

CANONS (Hob. XXVIIa), 133

XXVIIa: 1 “Oxford” 46

OPERAS (Hob. XXVIII, XXIXA, XXXII)

XXVIII: 1 Acide 219

XXVIII: 5 L’infedelta delusa 83

XXVIII: 9 L’isola disabitata 58

XXVIII: 10 La Fedeltà Premiata 26

XXVIII: 11 Orlando Paladino 26

XXVIII: 12 Armida 26, 122

XXVIII: 13 L’anima del filosofo 6, 127

XXIXa: 1 Philemon und Baucis 121

XXIXb: A Feuersbrunst 83

XXXII: 1 Circe 69

ARRANGEMENTS OF NATIONAL SONG (Hob. XXXI)

XXXIA, B, AND C: Scottish and other national songs 8

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Page numbers in italics refer to main discussions. Asterisks indicate musical examples.