General Index

Abert, Hermann, 172, 179, 214-15, 346

Accademia Philharmonica di Bologna, 11

“Acht Sauschneider müssen seyn.” See Hob. XVII: 1

Agnesi, Maria Theresia, 176, 178

Alberti, Domenico, 178

Albrechtsberger, Johann Georg, 43, 217, 431

allemande, 375, 381-82

Allgemeine deutsche Bibliothek, 36

Allgemeine Musikalische Zeitung (Leipzig), 50, 55-56, 208

Almanack Musical, 25

Alžbétinky, convent (Bohemia), 102, 424

D’Anglebert, Jean-Henri, 177

“Anno 1776” Sonatas. See Hob. XVI:27-32

Anthology Dorsch (A-Wgm), 71-73, 89, 108, 119-21, 129, 131, 418

Anthology Imperial (A-Wn), 103, 173, 195, 198

Anthology Roskovsky (H-Bn), 70, 178, 186

Anthology Vienna (A-Wgm), 119, 178, 186

appoggiaturas (notation of), 20, 113, 129, 425

Archiv der Stadt Wien, 421

Arnold, Samuel, 417

Artaria (Viennese publisher), 6, 23-27 (plate), 29-30 (plate), 33-35, 37-38, 45, 53 (plate), 62, 71, 88-89, 93, 106, 112, 120-21, 125-26, 132, 140-41, 146, 148, 151 (plate), 208, 216, 254, 340, 422, 428, 433

attacca, 306, 336

Auenbrugger, Katharina, 24-25, 316, 383

Auenbrugger, Leopold von, 25, 418

Auenbrugger, Marianna, 24-25, 316, 383

Auenbrugger Sonatas. See Hob. XVI:35-39 [20]

Auerhammer, Giuseppa, 179

authenticity, 27-28, 60-111

autographs, 44, 48-49, 58, 73, 103, 119-20, 122, 131

Bach, Carl Philipp Emanuel, 203-29, 284, 367, 429, 432, 433; works, 97, 125, 161, 172, 176, 207-208, 213-29, 308, 433; Versuch, 5, 96, 208-209 , 213, 219-29

Bach, Johann Christian, 54, 88, 97, 140

Bach, Johann Sebastian, 183, 197-98, 217, 430

Badura-Skoda, Eva, 422

Baillon (French publisher), 97

Banger (English publisher), 56

Barmherzigen Brüder in Leopoldstadt, 4, 133, 137

Barthelemon, Cecilia, 8

Bartolozzi, Gaetano, 50, 122, 207

Bartolozzi, Therese Jansen, 8, 46, 50-54 (plate), 64, 122, 128, 165, 368, 375-76, 378, 421

baryton, 70, 94

La Battaile de Rosbach. See Hob. XVII :F3

Batton, Kanon, 30

Bauer, Georg, 177

Baur, Samuel, 208

Bay, Mr. (English publisher), 56

Beardmore & Birchall (English publisher), 25, 121

Bebung, 159-60

Beethoven, Ludwig van, 3, 50, 113, 138, 141, 177, 233, 240, 244, 260, 350, 357, 359, 369, 380, 384

Benton, Rita, 82-83

Bergkirche (Eisenstadt), 137-38

Berlin, 100, 102-103, 108

Bernardi, Augustin, 177

Bertini, (Benoît-) Auguste, 50

Bertuch, Carl, 206

Bibliothèque Nationale (Paris), 68

Birck (Pürck, Pürk, Pirck), Wenzel Raimond, 141-43*, 176, 178, 183-87*, 199

Bittner, Carl, 100

Bland, John (English publisher), 34, 38, 46, 62, 126-27, 146

Boccherini, Luigi, 140

Bode, J. J. C., 207

Bohak, Johann, 138

Bösendorfer (piano manufacturer), 171

Bossler, Heinrich Philipp (German publisher), 27, 30, 32 (plate), 62, 93, 122, 146

Botstiber, Hugo, 37-38

Boyer (French publisher), 33, 105

Brahms, Johannes, 362

Brand, Carl Maria, 62

Bratislava, 178

Braun, Baroness Josephine von, 49-50, 216

Braun, Peter Freiherr von, 49-50, 216

Breitkopf, Christoph Gottlob, 55

Breitkopf, J. G. 1.: as publisher, 12, 34, 62, 69-70, 82, 88, 112, 177-78, 216; six lost sonatas, 36-37; thematic catalogues, 12, 33, 62, 66, 92, 100, 102-103, 108, 116, 124, 129-32, 199

Breitkopf & Härtel, 55-57, 59, 62, 117, 121-22, 129, 208

Bremner (English publisher), 13

Le Breton, Joachim, 208

British Library, 421

Brixi, F. X., 178

Broadwood, J. (keyboard maker), 138

Brussels Conservatory, 88

Buchhammer (Puchhammer), A., 178

Buganovitz, Herr von, 48

Bureau d’Abonnement Musical (French publisher), 177

Burgenländisches Landesmuseum (Eisenstadt), 137-38, 423

Burgtheater (Vienna), 141

Burney, Charles, 6, 8, 13, 22, 106, 141, 177, 180, 207, 212, 215

Burney, Esther, 8

cadenza, 297-99, 308, 310, 323, 331, 337, 350

Calcott, John, 82

cantilena, 276, 282-85, 306, 364, 384

capriccio, 125, 221-26. See also Hob. 1:53, 86; III:3 2 2, 80; XV:35; XVII: 1, 4; XXI: 2

Carissimi, Giacomo, 5

Carlyle, Thomas, 203

Carpani, Giuseppe, 61

chamber style, 332, 337-38, 376

Chambonnieres, Jacques Champion de, 179

Chapman, Miss, 138

character piece, 368

“characteristic” sonata, 327

Chevardière (French publisher), 13

Choron, Alexandre, and Fayolle, F. J. M., 208

Clagget, Charles (piano maker), 7, 138

clarino/clarini part(s), 103

Classic concerto form, 247

Clementi, Muzio, 8, 50, 141

Cole, Malcolm, 116, 269

Collection recreative. See Haffner

“con brio” style, 121, 318, 330

concerto finales, 267-73

concerto form (1st mvmt.), 248-62

concerto style (in sonatas), 298-99

Cone, Edward T., 346

“La conquista d’Occzakau . . . 1788.” See Hob. XVI :D1

con sordino, 426

continuo/basso continuo, 5-6, 237, 244

contracts with Esterhazy, 4, 425

contradance, 299, 318, 364-65, 384

Cooper (English publisher), 422

copyists: Esterházy No. 23, 63, 73, 107-108, 129; Fürnberg, 63, 73, 417; Simon Haschke, 64, 421; Viennese (general), 10, 121, 177; Viennese No. 2, 63, 73, 103; Viennese No. 3, 63

Couperin, Franҫois, 185

Couperin, Louis, 179

Cramer, Carl Friedrich, 204-205. See also Magazin der Musik

Cramer, Johann B., 8, 50

crise romantique, 289

critics, North German, 13, 318

Csermak, Joseph, 178

cycle and movement types, 245-47, 275-76, 307, 318, 320, 326-27, 351, 353, 357, 361-62, 368, 375-76, 383; unification of, 346, 353, 365, 382-83

Czernin, Count Johann Rudolf, 141

dance movements, 285-86

Daube, Johann Friedrich, 5

“Deutscher Tanz.” See Hob. XV: 29

development sections, submediant, 280

Dies, Albert Christoph, 4-5, 46, 51, 54, 61, 172, 208-13, 215, 219, 229

Diettenhofer, Joseph, 8

Dietzl, Joseph, 5

Dittersdorf, Karl Ditters von, 43, 86, 423

“Dö Bäuren håt d’Kåtz valor’n.” See Hob. XVII: 4

Donaueschingen, 69, 86, 93

“The Dream.” See Hob. XV: 31

Dryden, John, 212

Le Due (French publisher), 25, 33

duple-meter march, 374

Dussek, Franz X., 189, 195-96

Dussek, Johann Ladislaus, 8, 50

dynamics, 148-59

Ehrenhardt, Franz, 178

Eibner, Franz, 215

Eisenstadt, 137-38

Elisabeth Christine, Empress, 180, 198

Elssler, Johann, 5, 49, 62, 107

Elssler, Joseph, Sr., 61, 86, 108, 130

English canzonettas, 7, 133, 171

English Musical Gazette, 208

enharmonic relationships, 337, 352-54, 368, 374, 381

Entwurf-Katalog (EK), 14-19 (plate), 21, 33, 61, 63, 66, 73, 86, 88, 89, 97, 100, 113-17, 119-21, 129-32, 144, 293, 425

Erard et Freres Compagnie (piano maker), 138

Biblioteca Estense (Modena), 97

Esterháza, 4-6, 21, 27, 29, 69, 125, 137

Esterházy, 10, 116, 136, 165, 201, 203, 245; court, 4, 113-14, 129; French taste, 134-35; Palais on Wallnerstrasse, 5, 216

Esterházy, Princess Marie Hermenegild, née Liechtenstein, 5, 26, 50, 121-22, 133, 146, 165, 363, 382-83; sonatas, see Hob. XVI:40-42

Esterházy, Prince Nikolaus, 4, 6, 21, 26, 29, 58, 61, 63-64, 107, 130, 149, 207, 303, 383, 425-26

Esterházy Sonatas. See Hob. XVI:21-26

European Magazine and London Review, 203-205, 213-15, 222

Eybler, Joseph, 83

false reprise, 331-32, 337, 339

fantasia, free, 220-28, 374

Feder, Georg, 63, 66, 70, 100, 102, 107, 112, 115, 117-20, 123-25, 233-35, 422; theory on notation of appoggiaturas, 20, 113

Fentum (publisher), 88

Fétis, Franҫois-Joseph, 208

Field, John, 50

Fillenbaum, 178

Fillion, Michelle, 82

Finscher, Ludwig, 209, 214-15

Fiorroni, 178

Fischer, Wilhelm. See Monn, Johann Christoph; Monn, Mathias Georg

Flackenhagen, Adam, 430

Flötenuhr theme. See Hob. XIX 127; Hob. XVI: 52

flute trios. See Hob. XV: 16, 15, 17

Forster, William (English publisher), 27-28, 30, 33-34, 62, 82-83, 86, 125-26, 129, 146

fortepiano, 7-9 (plate), 35, 45, 53, 122, 134-71, 308, 326

Framery, Nicolas Étienne, 11, 82

Frankfurt Landesbibliothek, 66, 69

Frankfurt Sonatas. See Index of Works

Frankfurter Staatsristretto, 27, 30, 122

French overture, 89, 180, 361

Frescobaldi, Girolamo, 179

Friedrich the Great, 141

Froberger, Johann Jakob, 179, 195

Froggatt, Arthur T., 240

Fruewald, Scott, 82

Fuchs, Aloys (Alois), 62, 70, 88, 103, 105, 112, 116

fugato, 339-40, 369

Fux, Johann Joseph, 21, 173, 178-80, 186, 194, 208-209, 222, 228-29, 432

galant style, 21

Galuppi, Baldassare, 97, 100, 172, 217

Gassmann, Florian Leopold, 141, 353, 432

Gaultier, Denis, 179

Gazetteer (London), 207

Geiringer, Karl, 214

Genoa, 66

genre terminology, 233-44

Genzinger, Marianna von, 6-7, 43-46, 122, 126-27, 137, 147, 165, 383, 426

Genzinger, Fraulein Peperl, 45

Genzinger, Dr. Peter von, 43

George III, 7

Gerardy, Riki, 417

Gerber, Ernst Ludwig, 36, 43, 208, 387

Gerle (publisher), 177

Gesellschaft der Musikfreunde (Vienna), 71, 108, 143, 178, 199, 423

Ghelen, Van (Viennese publisher), 208, 217, 433

gigue, 359, 382, 384

Giordani, Tommaso, 70

Girard (music publisher), 88

Gluck, Christoph Willibald, 141

Göttweig, Benedictine abbey (Niederösterreich), 66

Göttweig Sonatas. See Index of works

Graff, Johann G., 8

Graun, Karl Heinrich or Johann Gottlieb, 97, 217

Grave, Margaret, 423

Graz, 121

Greiner, Franz Hofrat von, 195, 428

Griesinger, Georg August, 5, 10-12, 36, 46, 56, 58, 61-62, 69, 73, 114, 172, 205-208, 212-13, 215, 229

Gross-Losing (Nagylozs), 29

Gugl, Matthias, 5

Guttenbrunn, Ludwig, 138-40 (plate)

Gyrowetz, Adalbert, 8, 138

Haffner, Johann Ulrich (Nürnberg publisher), 177-78

Hainburg, 136

Hande (publisher), 177

Handel, Georg Friedrich, 178

Hapsburgs, 173

Hardy, Thomas (painter, engraver), 427

Haroldt, Joseph (Georg), 68, 100, 108

Harrach, Count, 4, 133

Härtel, Gottfried C., 56, 208

Hartenstein, Fraulein von, 33

Hartknoch (publisher), 177

Haschke, Simon. See copyists

Hasse, Johann Adoph, 141, 209

Hatting, Carsten, 422

Hayda, Joseph (Viennese organist, flourished ca. 1783), 96

Hayde, Mr., 69

Haydn, Anna Maria Aloysia, 138

Haydn Bibliothek Verzeichnis (HBV), 61-62, 209, 216-19, 433

Haydn, Johann, 106

Haydn, Michael, 43, 82, 431

Haydn-Haus (Eisenstadt), 100, 137-38. See also Burgenländisches Landesmuseum

Haydn-Institut (Cologne), 92

Haydn Nachlass Verzeichnis (HNV), 61-62, 69, 73, 86, 107, 138, 209, 216-19, 433

Haydn Verzeichnis (HV), 61-62 , 66, 73, 88, 97, 241

Heinichen, Johann David, 5, 209, 432

Hessisches Musikarchiv der Philipps-Universität, 83

Heussner, Horst, 83

Hiller, Johann Adam, 13, 25, 189, 207

Hoboken, Anthony van, 66, 86, 88, 97, 100, 105, 122, 233, 236, 242, 275

Hofmann, Leopold, 14, 100, 102-103, 129, 141, 176, 178, 189-90, 193*, 195-96, 198, 200-201, 284, 423

Hofmeister, Franz Anton, 38, 66, 106, 140-41, 428

Hofstetter, Romanus, 61

Holzbauer, Ignaz, 209-12

Huberty (publisher), 208

Hughes, Rosemary, 214

Huillmandel, Nicolas-Joseph, 8

Hummel, J. J. (publisher), 12-13, 22-23, 25, 30, 32-33, 43, 62, 83, 105, 124, 177, 424

Hummel, Johann Nepomuk: as Haydn’s assistant, 46; as pianist, 8, 46, 351-52

humor, 362

“Hungarian Polonaise,” 358, 382. See also Hob. XV: 18

Hungarian rondo, 375-76

hunting scene, 364-65

Hyde, Frederick Augustus (English publisher), 56, 421

improvisatory style, 295, 306, 361-62

instrumentation, 103-105

introductions, slow, 363

invention, 330

“Jacob’s Dream.” See Hob. XV131

Die Jagd (J. A. Hiller), 207

Jahrbuch der Tonkunst von Wien und Prag (1796), 45, 140

Jansen, Louis, 50-51

Jansen, Therese. See Bartolozzi, Therese

Jelerschick (Tost), Nanette, 43-45

Johnson, Samuel, 212

Joseph I (Emperor), 173

Joseph II (Emperor), 172-73 (plate), 178

Joseph Haydn Werke, 117, 123, 235

Journal de Paris , 33

Journal des Luxus und der Moden, 206

Junker, Carl Ludwig, 213

Kalvarienberg (Eisenstadt), 138

Karl VI (Emperor), 173, 180, 186

Karlskirche (Vienna), 186

Kauer, Ferdinand, 69

Kayser, Mariano Romano, 70, 178

Keller (Domkapellmeister in Frankfurt), 69

Keller, Therese, 132, 435

Kellner, David, 5

Kelly, Michael, 11

keyboard instruments: characteristics, 134; function, 135; Haydn’s, 113, 136-40; range, 89, 113, 130; terminology, 135, 428

Kimmerling, Robert, 217

Kirnberger, Johann Philipp, 208

Koch, Heinrich Christoph, 247-48, 255

Kohaut, Karl, 178

Kollman, Augustus Frederic Christoph, 54

Koželuch, Leopold, 38, 140, 179, 422

Krakauer Schreibkalender, 8-9 (plate)

Krebs, Johann Ludwig, 178

Kroměříž (Czechoslovakia), 33, 63, 70-72, 82, 86-89, 92-100, 102-103, 105, 107-108, 116, 121, 124, 130, 132, 176, 178, 190, 195, 236

Kunsthistorisches Museum (Vienna), 137-38, 173

Kürchner, Herr (Esterházy valet), 56

Kurzböck, Joseph (Viennese publisher), 21-22 (plate), 116, 120, 144

Kurzböck, Magdalene von, 53 (plate), 58, 64

Ländler, 375

Landon, Christa, 63, 112, 117, 120, 279

Landon, H. C. Robbins, 63, 92, 108, 112, 117, 123, 125, 129, 214

Lang, Johann Georg, 102

Larsen, Jens Peter, 100, 112, 116-17, 122, 161, 172, 422

LaRue, Jan, 201

Latrobe, Christian Ignaz, 212, 215

Lausch, Laurent (Viennese copyist), 70

“Lebewohl” horn motive, 353

Leffloth, G. M., 198

Lenz, Heinrich Gerhard von, 8

Leopold I (Emperor), 141, 173

Lidl, Johann Jakob, 177

lieder, 425, 428

London, 6, 60, 275, 351

London Notebooks, 8, 46, 54

“London Pianoforte School,” 214

London Verzeichnis (LV), 61, 64, 127-28, 241

Longman & Broderip (English publisher), 22-23, 25, 28, 33, 46, 54, 83, 127-29, 138, 421

Loserth, 176

Lotter, J. J., 177

Mara, Madame, 7

Magazin der Musik (Hamburg), 25-27, 32-33, 204-205

Mahlbarough tune. See Hob. XVII:C1

Malleck, Johann Gottfried, 138

Mann. See Monn

Mannersdorf, 136

marcia funebre, 356

Maria Antonia (later Queen of France), 173, 175-76 (plate), 186, 189

Maria Carolina (Archduchess), 176, 186, 189

Maria Josepha (Archduchess), 190

Maria Theresa (Empress), 4, 137, 141, 173

Marpurg, Friedrich Wilhelm, 5, 208

Martines, Marianna, 11, 141, 206-207

Martini, Giovanni, 220

Martino, Philipp, 178, 430

Matielli, Giovanni Anton, 176, 178, 189, 431

Mattheson, Johann, 5, 208-209, 432

Melk, Benedictine abbey (Niederösterreich), 217

Le Menu (French publisher), 33

Mersmann, Hans, 346

Michaelbeuren, Benedictine abbey (Salzburg), 27

Michaelerhaus (Vienna), 11, 136, 203, 208

Michaelerplatz (Vienna), 4, 205-206, 216

Michel (Hamburg copyist for C. P. E. Bach), 433

minuets, 285-86; aristocratic, 285, 312, 324, 332; canonic, 204, 303, 307, 384; lyrical, 332; “al rovescio,” 21, 120, 303, 306, 384; rustic, 284, 318, 324, 332; spelling of, 113, 115, 130; use of “Night Watchman’s Song,” 324, 332

Monn, Johann Christoph, 178-79, 190-93, 195-97

Monn, Mathias Georg, 172, 178-79, 186-88*, 190, 194*, 197-200, 221, 431

monothematicism, 269, 291, 337, 344, 354-55, 386, 436. See also S(P) exposition

Montlieu, Mrs., 49

Moravské Múzeum (Brno), 66, 70

Moreau, General Jean Victor, 58-59

Moreau, Madame, 58, 107, 240

Moritz, Karl Phillip, 207

Morning Chronicle (London), 127

The Morning Herald (London), 7, 30

Morzin, Count Ferdinand Max Franz and Countess Wilhelmine, 4, 11, 129, 136

motivic manipulation, 320

movement typologies, 384

Mozart, Leopold, 13, 25

Mozart, Wolfgang Amadeus, 3, 11, 38, 43, 106, 172, 190, 233, 362, 380-81; works, 46, 140-41, 201, 233, 240, 244-45, 254, 274

Muffat, Gottlieb, 176, 178, 183

Müller, August Eberhard, 106

Münster, J. J. B., 5

Musikalischer Pot-pourri (Breitkopf), 121

Musikalische Realzeitung, 36

Nadermann (French music publisher), 28, 58, 418

Napier (English publisher), 8

Národné Múzeum (Prague), 102

National Széchényi Library (Budapest), 86, 178

Neidl, Johann (engraver), 140

Neujahrstück der Allgemeinen Musik Gesellschaft in Zürich, 208

Neukomm, Sigismund, 83

Newman, William S., 117

“Night Watchman’s Song.” See Hob. XVI:36

Ninger, Franz, 178

Nonnberg, Benedictine convent (Salzburg), 82

Obermäyer, 178

Österreichische Nationalbibliothek (Vienna), 68-71, 96-97, 100, 103, 173, 178

Oeuvres Complettes (Breitkopf), 57-58, 62, 64, 66, 73, 82, 89, 117

Oeuvres mêlées (Haffner anthology), 177

Olomütz, archbishop of, 176

The Oracle (London), 127

oratorios, 133

Osek, Cistercian abbey (Bohemia), 422

Palladini, 178

Paradies, Maria Theresia, 33

Park, Maria Hester, 55

Parke, John, 55

part forms, 307, 320, 326-27, 362-63

Päsler, Karl, 63, 106, 112, 117

passacaglia-like bass, 299, 343, 373, 384

pastorales, 355, 363, 384

Pawlawna (Archduchess), 8

Pest, 178

Peters edition(s), 106

Peyer (Beyer), Johann Baptist, 178

Pichler, Karoline, 428

Platti, Giovanni, 178, 198

Pleyel, Ignaz, 11, 27-28, 30, 83, 97, 125, 331, 422-43. See also Hob. XV:3, 4

Ployer, Barbara (Babette) von, 46, 48, 165

Ployer, Gottfried Ignaz von, 48

Pohl, Carl Ferdinand, 62, 86, 112, 207

Polzelli, Pietro, 69

Pope, Alexander, 212

Porpora, Nicola, 4, 114, 136, 160, 209, 213

Prague, 89

“Prague Sonatas,” 422

Pressburg, 29

Pressburger Zeitung, 137

Preston (English publisher), 46, 127-28, 177

Preussischer Kulturbesitz (Berlin), 101, 178

Purcell, Henry, 7

Raccolta musicale (Haffner anthology), 177

Radcliffe, Philip, 214

Radnitzky (copyist), 33

Rajhrad, Benedictine abbey (Moravia), 66, 70, 103, 112, 117-19

recapitulation: ambiguous, 350-51; bifocal, 353; double reprise, 300; non-tonic, 280-81

refrain-derived episodes, 336

regola dell’ottava, 96, 222, 227-29, 434

Reichardt, Johann Friederich, 53

Reutter, Georg (or Karl Georg), 430

Reutter, Georg (der Junger), 12, 178, 180, 199-200*, 209, 283

Riedel, Friedrich Wilhelm, 178, 180

ritornello, 245-74 passim

Rochlitz, Friedrich, 209

Römer, Franz Anton, 178

Rohrau, 136

romanza, 364

rondo, 220, 269-73, 299-300, 314-15, 325, 336, 338, 346, 352, 365, 368, 371, 374-75, 377, 386

“Rondo all’Ungarese” (Rondo in the Gypsies’ Style), 33, 273, 359, 377, 382. See also Hob. XV:25; Hob. XVIII: 11

Rosen, Charles, 120, 358

Roskovsky, Peter Panteleon, 178, 183

Rotenstein, G. F. von, 137

“Roxelane” Variations. See Hob. 1:63

Royal College of Music (London), 138

Ruge, Filippo, 178

Rutini, Giovanni Maria or Giovanni Placido, 172, 178

Rutka, Matthäus Benedict, 70

Saint-Foix, Georges de, 82

St. Martin’s, Stadtpfarrkirche (Eisenstadt), 137

St. Nicholas, Convent of (Order of Clares), 435

St. Stephen’s (Vienna), 180, 190, 206-207

St. Ulrich’s (Vienna), 68

Salieri, Antonio, 71

Salomon, Johann Peter, 6, 46, 138, 351

Sampani, 178

Sauer, Ignaz, 62

Scarlatti, Domenico, 177

Schanz, Wenzl (keyboard maker), 6, 34, 44-45, 137, 143, 146-47, 154-56, 165, 428

Schellinger, Johann, 61

Schenker, Heinrich, 228, 346, 433

scherzo, 286, 380, 382, 384

Schiavonetti, Luigi (engraver), 140

Schlöger, Matthias, 178, 186-87*, 189, 431

Schmid, Ernst Fritz, 66, 213-14, 217

Schmidt, Ferdinand, 178

Schmitt, J. (Amsterdam publisher), 33

Schmittbaur, Joseph Aloys, 88

Schönauer, Johann, 43

Schönfeld, J. A., 143. See also Jahrbuch der Tonkunst von Wien und Prag

Schott, Bemhard (German publisher), 30, 33

Schröter, Johann Samuel, 54

Schröter, Rebecca, 46, 54-55, 122, 375-76, 420

Schubart, C. F. D., 180

Schubert, Franz, 362

Schulz, J. A. P., 5

Schwanberg/Schwanenberger, Johann, 37-38, 69

Schwarting, Heino, 82-83

Schwerin, 121

Scott, Marion M., 238-40

Seilerstätte (Vienna), 114, 136, 216

A Selection of Sacred Music. See Latrobe, Christian Ignaz

semitonium modi, 227-29

short octave, 131, 160, 423

Shudi, Burkat, 141

siciliano, 318, 338, 340, 369, 374, 384

Sieber (French publisher), 34, 37, 62, 73, 82

Silbermann, Gottfried (keyboard maker), 141

“singing allegro,” 308, 312

sketches, 30, 54, 56, 131

Skillern (English publisher), 101

solo con mano sinistra. See Hob. XV: 20

Somfai, Lászlo, 140, 235, 357, 422

sonata rondo, 340, 344, 354, 369-71, 375

sonata sets, 302-303, 307, 316, 326-27, 330-31, 363, 382. See also Index of Works

Sonnleithner, Christoph von, 353

S(P) exposition, 337, 339, 350, 352, 357, 359, 363-65, 371-73, 375-76, 379-80, 385

Stadler, Abbé Maximilian, 5, 138, 209-12, 215, 217

Stationer’s Hall (London), 121, 125, 127

Steffan, Joseph Anton, 14, 88, 101, 141-42*, 172, 176, 178, 189-96*, 198, 201, 428

Steglich, Rudolf, 214

Stein, Johann Andreas, 140-41, 143-44, 171

Steinway, 171

Stichvorlag(en), 62, 82, 125

Stockmeier, Wolfgang, 82

Stodart, William (piano maker), 7, 138

Streicher, Nannette Stein, 143-44

Struck, Paul, 8

structural upbeat, 338

Strunk, William Oliver, 112

Sturm und Drang, 289, 417

The Sun (London), 127

Swieten, Baron Gottfried van, 178, 208, 216-17

symphonic style, 331-32, 338, 376

Szabolcsi, Bence, 358

Tempo di Menuet, 291, 299-300, 307, 332, 350, 353, 358, 365, 378, 382, 384

ternary forms, 329, 337-38, 347, 359

thematic reduction, 282, 316, 337

thematic transformation, 340, 359, 363

Thomson (English publisher), 8, 83

Thun, Countess Wilhelmine, 11-12, 141

toccata, 374

Der Tod Abels (Johann Heinrich Rolle), 207

Toselli, 178

Tost, Johann, 37, 43

Le Tout Ensemble, 126-27, 146

Tovey, Donald Francis, 238-40, 433

Traeg, Johann (Viennese publisher), 36, 58, 62, 82, 128, 146, 177, 195, 198, 215-16

Tragen der Töne, 135, 148, 159, 165

trio sonata, 197, 237, 291, 331

Tuma, Franz, 178, 186

Tyson, Alan, 27, 82, 127

Umstatt, Joseph, 178

unvaried reprise, 352, 354

Vanhal (Vanhall), Johann, 38, 61, 141, 178-79, 195-97

variation, 287, 290-91, 301-302, 318, 327-30, 332, 338, 346, 385-86; at the phrase, 350; bass, 359; continuous, 373; developmental, 312-13, 327; embellished themes, 336, 340; expanded, 358, 363, 369; fantasy, 340; nonstrophic, 312, 344; strophic, 313, 320, 373; on two themes, 307, 327, 340, 355-56, 367; procedures, 312-15, 330, 354-55 359, 376; reprise, 381; rondo, 220, 269-73, 299-300, 314-15, 368, 374, 377, 386; sets, 307, 336, 355, 363, 386; ternary, 330, 354-55, 357, 361

varied reprise, 220, 311, 323, 367, 386

Vento, Mattia, 178

Vestris, Madame, 50

Vienna, 6, 60, 121, 275, 284

Viennese tradition, 289, 340

Vogler, Georg Joseph, 102

Vorschlag, 113, 115, 219, 229

Wachowski, Joseph, 178

Wackernagel, Bettina, 172, 179, 433

Wagenseil, Georg Christoph, 14, 100, 141, 172-76, 178, 180, 189, 195, 200-202, 209, 212, 220, 276, 284, 429; works, 14, 82, 88, 176-78, 180-86*, 192*, 195-98, 200-201, 431

Waldburg-Zeil, 100

walking bass, 299, 310

Walter, Anton (piano maker), 6, 137, 143-44, 165, 171

Walter, Horst, 129, 137

Webster, James, 125, 209

Weigl, Joseph, 55, 129

Weimar, 89

Weinzierl Castle, 136

Werner, Gregor Joseph, 4, 61

Wesley, Samuel, 6

Westphal, Johann Christoph, 97

Wiener Urtext Ausgabe, 117

Wiener-Zeitung, 25, 35, 38, 58, 121, 126, 215-16

Wienerisches Diarium, 20, 120, 140, 176, 189, 195, 215-16, 219, 430

Witzey (Viczay), Countess Marianne née Countess Grassalkovics, 29-30

Wolfegg paper mill, 69

Wurzbach, Constant von, 208

Wyzewa, Théodore de, 289

Zechner, Johann Georg, 178

Zeitgeist, 417

Zimmermann, Anton, 195-97, 430

Zinzendorf, Count Karl von, 48

Zitterer, Johann (painter), 140

Zweig, Steffan, 420

Zwettl, Cistercian abbey (Niederosterreich), 4

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Page numbers in italics refer to main discussions. Asterisks indicate musical examples.