“Contents” in “Joseph Haydn’s Keyboard Music” | Open Indiana

CONTENTS

	PART ONE: Sources
I.	Introduction: Haydn and the Keyboard, a Revisionist View
II.	The Keyboard Works in Biographical, Critical, and Musical Documents
	Viennese and Esterházy Works to 1791
	Works Written in and for London, 1791—1795
	Last Years in Vienna, 1796—1803
III.	Authenticity
	Solo Sonatas
	Trios
	Accompanied Divertimentos and Concertinos
	Klavierstücke
	Concertos
	Arrangements
	Works Transmitted in Dual Settings
IV.	Dating and Chronology
	Solo Sonatas
	Trios
	Accompanied Divertimentos and Concertinos
	Klavierstücke
	Concertos
V.	The Question of Keyboard Idiom
	Haydn’s Keyboard Instruments
	The Fortepiano in Vienna
	Haydn’s Keyboard Terminology
	Dynamic Markings and Tragen der Töne
	Realization of Idiomatic Styles
VI.	The Viennese Keyboard Tradition
	The Imperial Repertoire
	Solo Keyboard Works
	Accompanied Keyboard Works
	Concertos
VII.	Joseph Haydn and C. P. E. Bach: The Question of Influence
	Early Documents and Their Dissemination
	The Musicological Literature of the Twentieth Century
	Distribution of Emanuel Bach’s Works in Vienna
	Haydn’s Music and Emanuel Bach
	PART TWO: Style
VIII.	Toward Defining Genre and Genre Types
	Solo Keyboard Works
	Accompanied Keyboard Works
	Concertos
IX.	The Concertos: Structure and Style
	Cycle and Movement Types
	First Movements
	Second Movements
	Finales
X.	The Solo and Accompanied Keyboard Music: Structure and Style
	The Earliest Works, before ca. 1765
	Maturity, ca. 1765—ca. 1771
	The Publicly Distributed Opere, ca. 1774—1784
	Years of Extraordinary Achievements, 1788—1790
	The London and Viennese Works of the 1790s
	Conclusion

Bibliography

Notes

General Index

Index of Works

Joseph Haydn’s Keyboard Music