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“Joseph Haydn’s Keyboard Music”
| Abert/KLAVIERSONATEN | Abert, Hermann. “Joseph Haydns Klaviersonaten.” ZfMw III/9-10 (June-July 1921): 535—52. |
| Abert/KLAVIERWERKE | ———. “Joseph Haydns Klavierwerke.” ZfMwII/10 (July 1920): 553-73. |
| ADB | Allgemeine deutsche Bibliothek |
| AfMw | Archiv für Musikwissenschaft |
| AM | Almanach Musical |
| AMu | Acta Musicologica |
| AMZ (Lpzg) | Allgemeine Musikalische Zeitung (Leipzig) |
| Anderson/MOZART LETTERS | Anderson, Emily. The Letters of Mozart and his Family, 2 vols. 2d ed. London: Macmillan; New York: St. Martin’s Press, 1966. |
| Andrews/SUBMEDIANT | Andrews, Harold L. “The Submediant in Haydn’s Development Sections.” Kongress Washington/1975. Pp.465-71. |
| Anthology Dorsch | Anthology owned by Dorsch entitled, “Divertimenta, ac Galantheriae varie a Diversis Autoribus Conscriptae Hauptsächl Del Signore Josef Haydn.” A-Wgm: VII 40623. |
| Anthology Imperial | Anthology used by members of the Imperial Family. Presently bound in 3 vols. A-Wn: S.m. 3348, 11084, and 11085. |
| Anthology Roskovsky | Anthology in 2 vols. Copied by the Franciscan monk Pater Pantaleonem Roskovsky. H-Bn: Ms. Mus. 753 “Cymbalum Jubilationis.” Ms. Mus. 749 “Musaum Pantaleonianum.” |
| Anthology Vienna | Anthology in A-Wgm: SBQ 11537. 2 vols. |
| Apel/KEYBOARD | Apel, Willi. The History of Keyboard Music to 1700. Translated and revised by Hans Tischler. Bloomington: Indiana University Press, 1972. |
| Bach/AUTOBIOGRAPHY | [Bach, Carl Philip Emanuel.] Carl Philip Emanuel Bach’s Autobiography. Facsimile of original edition of 1773 with critical annotations by William S. Newman. Hilversum: Frits A. M. Knuf, 1967. |
| Bach/VERSUCH | ———. Versuch über die wahre Art das Clavier zu spielen. 2 vols. Berlin: In Verlegung des Auctoris, 1753–62. |
| Badura-Skoda/PERFORMANCE | Badura-Skoda, Eva. “Performance Conventions in Beethoven’s Early Works.” Winter/Carr/BEETHOVEN, pp. 52-76. |
| Badura-Skoda/PROLEGOMENA | ———. “Prolegomena to a History of the Viennese Fortepiano.” Israel Studies in Musicology II (1980): 77-99. |
| Badura-Skoda/REUTTER | ———. “Georg Reutter. MGG XI:cols. 336-42. |
| Badura-Skoda/TEUTSCHE | ———. “‘Teutsche Comoedie-Arien’ und Joseph Haydn.” Kongress Graz/1970. Pp. 59-73. |
| Bartha/BRIEFE | Bartha, Dénes, ed. Joseph Haydn: Gesammelte Briefe und Aufzeichnungen. Unter Benützung der Quellensammlung von H. C. Robbins London. Kassel: Bärenreiter, 1965. |
| Bartha/REPERTORY | ———. “Haydn’s Italian Opera Repertory at Eszter-háza Palace.” Festschrift Grout. Pp. 172-219. |
| Bartha/Somfai/HOK | ———, and Somfai, László. Haydn als Opernkapellmeister. Die Haydn-Dokumente der Esterházy Opernsammlung. Budapest: Verlag der Ungarischen Akademie der Wissenschaften, 1960. |
| Becker-Glauch/RISM | Becker-Glauch, Irmgard. “Franz Joseph Haydn.” RISM series A, I/4:140-279. |
| Benton/PLEYEL | Benton, Rita. Ignace Pleyel: A Thematic Catalogue of His Compositions. New York: Pendragon Press, 1977- |
| Benton/RESUMÉ | Benton, Rita. “A Resumé of the Haydn-Pleyel ‘Trio Controversy’ with Some Added Contributions.” HSt IV/2 (May 1978) : 114-16. |
| Bernouilli/SAMMLUNG | Bernouilli, Johann. Sammlung kurzer Reisebeschreibungen. Description by G. F. von R. [Rotenstein.] IX (1783): 294—98. |
| Bertuch/BEMERKUNGEN | Bertuch, Carl. Bemerkungen auf einer Reise aus Thüringen nach Wien im Winter 1805 bis 1806.Weimar: Landes-Industrie-Comptoir, 1808—10. |
| Biba/PÜRK [Birck] | Biba, Otto. “Wenzel Raimund Pürk.” MGG XVI: cols. 1522-23. |
| Bilson/SCHUBERT | Bilson, Malcolm. “Schubert’s Piano Music and the Pianos of His Time.” PQ XXVII (Winter 1978—79):56-61. |
| BJb | Beethoven-Jahrbuch |
| Blümml/MOZART | Blümml, Emil Karl. Aus Mozarts Freundes-und Familienkreis. Vienna: Strache, 1923. |
| Bonta/SONATA DA CHIESA | Bonta, Stephen. “The Uses of the Sonata da Chiesa.” JAMS XXII/1 (Spring 1969): 54-84. |
| Botstiber/ARTARIA | Artaria, Franz, and Botstiber, Hugo. Joseph Haydn und das Verlagshaus Artaria. Nach den Briefen des Meisters an das Haus Artaria & Compagnie dargestellt. Vienna: Artaria & Co., 1909. |
| Braun/Gerlach/BARYTONTRIOS | Braun, Jürgen, and Gerlach, Sonja, eds. Joseph Haydn: Barytontrios. Nr. 1—24. XIV/1 of JHW-Hl.Munich: G. Henle, 1980. |
| Brook/BREITKOPF | Brook, Barry S., ed. The Breitkopf Thematic Catalogue. The Six Parts and Sixteen Supplements, 1762-1787. New York: Dover, 1966. |
| Brown/BACH | Brown, A. Peter. “Joseph Haydn and C. P. E. Bach: The Question of Influence.” Kongress Washington/1975. Pp. 158-64. |
| Brown/CELERIO | ———. “‘Celerio, Le Dieu de Clavecin’; An Appraisal of Clementi?” MT CXX/1638 (August 1979); 645-47. |
| Brown/CRITICAL | ———. “Critical Years for Haydn’s Instrumental Music: 1787-1790.” MQ LXII/3 (July 1976): 374-94. |
| Brown/EARLIEST ENGLISH | ———. “The Earliest English Biography of Haydn.” MQ LIX/3 (July 1973):339-54. |
| Brown/EXPOSITION | ———. “The Structure of the Exposition in Haydn’s Keyboard Sonatas.” MR XXXVI/2 (May 1975): 102-29. |
| Brown/GENESIS | ———. “Tommaso Traëtta and the Genesis of a Haydn Aria.” Chigiana XXXVI/16 (1979): 101—42 |
| Brown/HAYDN-HOFMANN | ———. “Joseph Haydn and Leopold Hofmann’s ‘Street Songs.’” JAMS XXXIII/2 (Summer 1980):356-83. |
| Brown/MARTINES | ———. “Marianna Martines’ Autobiography as a New Source for Haydn’s Biography during the 1750’s.” Haydn-Studien VI/1. |
| Brown/NOTES | ———. “Notes on Some Eighteenth-Century Viennese Copyists.” JAMS XXXIV/2 (Summer 1981): 325-38. |
| Brown/PROBLEMS | ———. “Problems of Authenticity in Two Haydn Keyboard Works (Hoboken XVI :47 and XIV : 7).” JAMS XXV/1 (Spring 1972):85-97. |
| Brown/RAIGERN | ———. “Haydn’s Keyboard Idiom and the Raigern Sonatas.” Kongress Washington/ 1975. Pp. 111—15. |
| Brown/REALIZATION | ———. “Realization of an Idiomatic Keyboard Style in Sonatas of the 1770s.” Kongress Washington/1975. Pp. 394-400. |
| Brown/RE-INTRODUCTION | ———. “A Re-introduction to Joseph Haydn’s Keyboard Works.” PQ XXI/79 (Fall 1972):42-47. |
| Brown/SOLO AND ENSEMBLE | ———. “The Solo and Ensemble Keyboard Sonatas of Joseph Haydn. A Study of Structure and Style.” Ph.D. diss., Northwestern University, 1970. |
| Brown/UNDERSTANDING | ———. “Approaching Musical Classicism—Understanding Styles and Style Change in Eighteenth-Century Instrumental Music.” College Music Symposium XX/1 (Spring 1980):7-48. |
| Brown/WACKERNAGEL | ———. Review of Joseph Haydns frühe Klaviersonaten, by Bettina Wackernagel. NOTES XXX-III/1 (September 1976):69-71. |
| Brown/Berkenstock/HAYDN | ———, and Berkenstock, J. T. Joseph Haydn in Literature: A Bibliography. Munich: G. Henle, 1974 (H-St III/3-4). |
| Brusatti/HOB. XVI:49 | Brusatti, Otto, ed. Joseph Haydn. Klaviersonate in Es-Dur, Hob. XVI :49, Vollständige Faksimile Ausgabe. Graz: Akademische Druck- und Verlagsanstalt, 1982. |
| BullSIM | Bulletin de la société française des amis de la musique. Revue musicale S.l.M. |
| Burney/HISTORY | Burney, Charles. A General History of Music from the Earliest Ages to the Present Period, to Which is Prefixed a Dissertation on the Music of the Ancients, 4 vols. London: 1776-89. |
| Burney/PRESENT STATE | ———. The Present State of Music in Germany, the Netherlands and United Provinces, 2 vols. London: Becket, Robson & Robinson, 1773. |
| Burney/REES (HAYDN) | ———. “Franz Joseph Haydn.” The Cyclopaedia: or Universal Dictionary of Arts, Sciences and Literature, 39 vols. Edited by Abraham Rees. London: Longman, Hurst, Rees, Orme & Brown, 1819. |
| BzMw | Beiträge zur Musikwissenschaft |
| Carpani/HAYDINE | Carpani, Giuseppe. Le Haydine, ovvero lettere su la vita e le opere del celebre maestro Giuseppe Haydn.Milan: C. Buccinelli, 1812. |
| Chapman/MODULATION | Chapman, Roger E. “Modulation in Haydn’s Piano Trios in the Light of Schoenberg’s Theories.” Kongress Washington/ 1975. Pp. 471—75. |
| Chew/NIGHT-WATCHMAN’S | Chew, Geoffrey. “The Night-Watchman’s Song Quoted by Haydn and Its Implications.” H-St III/2 (April 1974): 106-24. |
| Churgin/GALEAZZI | Churgin, Bathia. “Francesco Galeazzi’s Description (1796) of Sonata Form.” JAMS XXI/2 (Summer 1968): 181-99. |
| COBBETT’S | Cobbett’s Cyclopedic Survey of Chamber Music.Edited by Walter Willson Cobbett. 2d ed. London: Oxford University Press, 1963. |
| Cole/DEVELOPMENT | Cole, Malcolm S[tanley]. “The Development of the Instrumental Rondo Finale from 1750-1800.” Ph.D. diss., Princeton University, 1964. |
| Cole/RONDO | ———. “Rondos, Proper and Improper.” ML LI/4(October 1970):388-99. |
| Cole/VOGUE | ———. “The Vogue of the Instrumental Rondo in the Late Eighteenth Century.” JAMS XXII/3 (Fall 1969):425-55. |
| Cone/FORM | Cone, Edward T. Musical Form and Musical Performance. New York: W. W. Norton, 1968. |
| Cooper/CLAVICHORD | Cooper, Kenneth. “The Clavichord in the Eighteenth Century.” Ph.D. diss., Columbia University, 1971. |
| CRAMER’S | Cramer’s Magazin der Musik |
| Crotch/LECTURES | Crotch, William. Substance of several courses of lectures on music, read in the University of Oxford, and in the Metropolis, 1831. |
| Cudworth/Brennecke/SCHRÖTER | Cudworth, Charles, and Brennecke, Wilfried. “Johann Samuel Schröter.” MGG XII: cols. 89-90. |
| Daffner/ENTWICKLUNG | Daffner, Hugo. Die Entwicklung des Klavierkonzerts bis Mozart. (Publikationen der Internationalen Musikgesellschaft. Beihefte. Zweite Folge, 4). Leipzig: Breitkopf und Härtel, 1906. |
| Dart/INTERPRETATION | Dart, Thurston. The Interpretation of Music. London: Hutchinson & Co., 1954. |
| Davis/HOB. XVIII :F3 | Davis, Shelley G. “Regarding the Authenticity of the ‘Haydn’ Keyboard Concerto Hoboken XVIII: F3.” Kongress Washington/1975. Pp. 121—26. |
| Davis/KOCH | ———. “H.C. Koch, the Classic Concerto, and the Sonata-Form Retransition.” JM 11/1 (Winter |
| Davis/LANG | ———. “The Keyboard Concertos of Johann Georg Lang (1722-1798).” Ph.D. diss., New York University, 1972. |
| Davis/MOZART | ———. “Harmonic Rhythm in Mozart’s Sonata Form.” MR XXVII/1 (February 1966): 25—43. |
| Deutsch/HOBOKEN | Deutsch, Otto Erich. Review of Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis, by Anthony van Hoboken. MR XVIII/4 (November 1957):330-36. |
| Dickinson/HANDBOOK | Dickinson, George Sherman. A Handbook of Style in Music. New York: Vassar College, 1965. |
| Dies/NACHRICHTEN | Dies, Albert Christoph. Biographische Nachrichten von Joseph Haydn. Nach mündlichen Erzählungen desselben entworfen und herausgegeben von Albert Christoph Dies, Landschaftmahler. Vienna: Came-sinaische Buchhandlung, 1810. All citations from edition by Horst Seeger. Kassel: Bärenreiter, 1964. |
| Drummond/CONCERTO | Drummond, Pippa. The German Concerto. Oxford: Clarendon Press, 1980. |
| Drury/SEVEN | Drury, Jonathan Daniels. “Haydn’s Seven Last Words: An Historical and Critical Study.” Ph.D. diss., University of Illinois, 1975. |
| DTOe | Denkmäler der Tonkunst in Österreich |
| Eibner/KLAVIERFASSUNG | Eibner, Franz. “Die authentische Klavierfassung von Haydns Variationen über ‘Gott erhalte’.” HybVII (1970):281-306. |
| Eibner/KLAVIERSTÜCKE | ———, and Jarecki, Gerschon, eds. Joseph Haydn: Klavierstücke. Mainz: B. Schott’s Söhne [1975]. |
| Einstein/MOZART | Einstein, Alfred. Mozart: His Character and His Work. New York: Oxford University Press, 1962. |
| Eitner/QL | Eitner, Robert. “Haydn, Joseph.” Biographisck bibliographisches Quellen-Lexikon der Musiker und Musikgelehrten der christlichen Zeitrechnung bis zur Mitte des XIX. Jahrhunderts, vol. V. Leipzig: Breitkopf & Härtel, 1901. Pp. 59—72. |
| EK | Entwurf-Katalog (Ms.) Copied by Haydn, Joseph Elssler, Sr., and Johann Schellinger. D-ddr-Bds. |
| EMLR | European Magazine and London Review |
| Engel/QUELLEN | Engel, Hans. “Die Quellen des klassischen Stiles.” Kongress New York/1961. Vol. I, pp. 285-304; vol.II, PP-135-39. |
| Feder/DATIERUNG | Feder, Georg. “Zur Datierung Haydnscher Werke.” Festschrift Hoboken/75th. Pp. 50-54. |
| Feder/GROVE 6 | ———. “Haydn, (Franz) Joseph—Work-list. GROVE 6, vol. 8, pp. 360-401. |
| Feder/HAYDNR | ———. “Franz Joseph Haydn.” Riemann/LEXI-KON. Vol. I, pp. 499-504. |
| Feder/HUMMEL | ———. “Die Eingriffe des Musikverlegers Hummel in Haydns Werken.” Festschrift Fellerer/70. Pp. 88-101. |
| Feder/KB JHW XII/1 | ———. Kritische Bericht. JHW-H1 XII/1. |
| Feder/KLAVIERSONATEN | ———, ed. Joseph Haydn: Klaviersonaten. JHW-HIXVIII/1-3 (1966-70). |
| Feder/KLAVIERTRIOS | ———. “Haydns frühe Klaviertrios. Eine Untersuchung zur Echtheit und Chronologie.” H-St II/4 (December 1970) 1289-316. |
| Feder/KLEINES KONZERT | ———. Review of Joseph Haydn: Kleines Konzert für Klavier/Cembalo. Mf XVII/4 (October/December 1964):461-62. |
| Feder/KORREKTUREN | ———. “Haydns Korrekturen zum Klavierauszugder ‘Jahreszeiten’.” Festschrift Dadelsen/6oth. Pp. 101—12. |
| Feder/MANUSCRIPT | ———. “Manuscript Sources of Haydn’s Works and Their Distribution.” Translated by Eugene Hartzell. HYb IV (1968): 102-39. A translation of Feder/QUELLEN. |
| Feder/MENSCH | ———. “Joseph Haydn als Mensch und Musiker.” JböK II (1972):43—56. |
| Feder/NICHT IDENTIFIZIERTEN | ———. “Über Haydns Skizzen zu nicht identifizierten Werken.” Festschrift Hüschen/65. Pp. 100—11. |
| Feder/ORGELKONZERTE | ———. “Wieviel Orgelkonzerte hat Haydn geschrieben?” Mf XXIII/4 (October—December 1970):440-44. |
| Feder/OSTIGLIA | ———. “Eine Haydn-Skizze in Ostiglia.” Studien zur italienisch-deutschen Musikgeschichte, VIII. Edited by Friedrich Lippmann. Cologne: Arno Volk, 1973. Pp. 224—26. |
| Feder/PROBLEME | ———. “Probleme einer Neuordnung der Klaviersonaten Haydns.” Festschrift Blume/70th. Pp. 92-103. |
| Feder/QUELLEN | ———. “Die Überlieferung und Verbreitung derhandschriftlichen Quellen zu Haydns Werken (Erste Folge).” H-St I/1 (June 1965):3—42. |
| Feder/SK III | ——— ed., Joseph Haydn: Sämtliche Klaviersonaten.Band III. Munich: Henle, 1972. |
| Feder/SKIZZEN | ———. Bemerkungen zu Haydns Skizzen.” BJb 1973-77. pp.69-86. |
| Feder/SOURCES | ———. “The Sources of the Two Disputed Raigern Sonatas.” Kongress Washington/1975.Pp. 107-11. |
| Feder/TYPISCHES | ———. “Typisches bei Haydn. Eine Methode der Stiluntersuchung.” ÖMz XXIV/1 (January 1969): 11 —17. |
| Feder/ZWEI HAYDN | ———. “Zwei Haydn zugeschriebene Klaviersonaten.” Kongress Kassel/1962. Pp. 181-84. |
| Federhofer/Riedel/FUX | Federhofer, Hellmut, and Riedel, Friedrich Wilhelm. “Quellenkundliche Beiträge zur Johann Joseph Fux-Forschung.” AfMw XXI/2 (August 1964): 111-40. |
| Fellerer/KLAVIERBEARBEITUNG | Fellerer, Karl Gustav. “Klavierbearbeitungen Haydnscher Werke im frühen 19. Jahrhundert.” Festschrift Larsen/70th. Pp. 301—16. |
| Festschrift Blume/70th | Festschrift Friedrich Blume zum 70. Geburtstag.Edited by Anna Amalie Abert and Wilhelm Pfannkuch. Kassel: Bärenreiter, 1963. |
| Festschrift Dadelsen/60th | Festschrift Georg von Dadelsen zum 60. Geburtstag.Edited by Thomas Kohlhase und Volker Scherliess. Neuhausen: Hanssler, 1978. |
| Festschrift Davison | Essays on Music in Honor of Archibald Thompson Davison by His Associates. Cambridge: Harvard University Department of Music, 1957. |
| Festschrift Fellerer/70th | Musicae Scientiae Collectanea. Festschrift Karl Gustav Fellerer zum siebzigsten am 7 Juli 1972.Edited by Heinrich Hüschen. Cologne: Volk, 1973. |
| Festschrift Geiringer/70th | Studies in Eighteenth-Century Music. A Tribute to Karl Geiringer on His Seventieth Birthday. Edited by H. C. Robbins Landon and Roger E. Chapman. New York: Oxford University Press, 1970. |
| Festschrift Grout | New Looks at Italian Opera. Essays in Honor of Donald J. Grout. Edited by William W. Austin. Ithaca: Cornell University Press, 1968. |
| Festschrift Hoboken/75th | Anthony van Hoboken. Festschrift zum 75. Geburtstag. Edited by Joseph Schmidt-Görg. Mainz: B. Schott’s Söhne, 1962. |
| Festschrift Hüschen/70th | Ars Musica. Musica Scientia. Festschrift Heinrich Hüschen zum 65. Geburtstag. Edited by Detlef Altenburg. Cologne: Gitarre & Laute Verlagsgesellschaft, 1980. |
| Festschrift King | Music and Bibliography. Essays in Honour of Alec Hyatt King. Edited by Oliver Neighbour. New York: Clive Bingley, 1980. |
| Festschrift Kodály/75th | Zenetudományi tanulmányok Kodály Zoltán 75. születésnapjára (Zenetudományi Tanulmányok, VI). Edited by Bence Szabolcsi and Denes Bartha. Budapest: Akadémiai Kiadó, 1957. |
| Festschrift Larsen/70th | Festkrift Jens Peter Larsen 14. VI. 1902—1972.Edited by Nils Schiørring, Henrik Glahn, and Carsten E. Hatting. Copenhagen: Wilhelm Hansen Musik-Forlag, 1972. |
| Festschrift Schmidt-Görg/60th | Festschrift Joseph Schmidt-Görg zum 60. Geburtstag. Edited by Dagmar Weise. Bonn: Beethovenhaus, 1957. |
| Festschrift Schmidt-Görg/70th | Colloquium Amicorum. Joseph Schmidt-Görg zum 70. Geburtstag. Edited by Siegfried Kross and Hans Schmidt. Bonn: Beethovenhaus, 1967. |
| Festschrift Vötterle/65th | Musik und Verlag. Karl Vötterle zum 65. Geburtstag am 12 April 1968. Edited by Richard Baum and Wolfgang Rehm. Kassel: Bärenreiter, 1968. |
| Fillion/ACCOMPANIED | Fillion, Michelle. “Joseph Haydn’s Early Accompanied Keyboard Music and Its Position in Austrian Chamber Music, 1750—1770.” Ph.D. diss. Cornell University, 1982. |
| Fillion/HOB. XV:C1 | ———. “Eine bisher unbekannte Quelle für Haydns frühes Klaviertrio Hob. XV : C1.” H-St V/1 (31 March 1982): 59—63. |
| Fillion/SONATA-EXPOSITION | ———. “Sonata-Exposition Procedures in Haydn’s Keyboard Sonatas.” Kongress Washington/1975.Pp. 475-81. |
| Finscher/STREICHQUARTETTS | Finscher, Ludwig. Studien zur Geschichte des Streichquartetts. Vol. 1: Die Entstehung des klassischen Streichquartetts. Kassel: Bärenreiter, 1974. |
| Fischer/ENTWICKLUNG | Fischer, Wilhelm. “Zur Entwicklungsgeschichte des Wiener klassischen Stils.” StMw III (1915): 24-84. |
| Fischer/VARIATION | Fischer, Kurt von. “Variation.” MGG XIII: cols. 1274-1309. |
| Fischer/WIENER | Fischer, Wilhelm. Wiener Instrumentalmusik vor und um 1750. 2 Auswahl: Matthias Georg Monn, Johann Christoph Mann. Jahrg. XIX/2, Band 39 of DTOe. |
| Forer/ORGELN | Forer, Alois. Orgeln in Österreich. Vienna and Munich: Schroll, 1973. |
| Framery/NOTICE | Framery, Nicolas Étienne. Notice sur Joseph Haydn. . . . Contenant quelques particularités de sa vie privée, relatives à sa personne ou à ses ouvrages. Paris: Barba, 1810. |
| Franz/MOZARTS KLAVIERBAUER | Franz, Gottfried von. Mozarts Klavierbauer Anton Walter. MJb I (1941):211 — 17. |
| Freeman /MELK | Freeman, Robert Norman. “The Practice of Music at Melk Monastery in the Eighteenth Century.” Ph.D. diss., University of California, 1971. |
| Froggatt/TRIOS | Froggatt, Arthur T. “Haydn’s Trios.” MT LXXIII/ 1074 (August 1932): 741-42. |
| Fruewald/HAYDN | Fruewald, Scott. “Authenticity Problems in Franz Joseph Haydn’s Early Instrumental Works: A Stylistic Investigation.” Ph.D. diss., CUNY, 1984. |
| Fuchs/VERZEICHNISS 1839 | Fuchs, Aloys [Alois]. “Thematisches Verzeichniss der sämmtlichen Compositionen von Joseph Haydn . . . 1839.” (Ms.) D-brd-Mbs. |
| Fuchs/VERZEICHNISS 1840 | ———. “Thematisches Verzeichniss der sämmtliehen Compositionen von Joseph Haydn . . . Wien 1840.” (Ms.) D-ddr-Bds. |
| Fuller/ACCOMPANIED | Fuller, David. “Accompanied Keyboard Music.” MQ LX/2 (April 1974): 222-45. |
| Geiringer/HAYDN | Geiringer, Karl. Haydn. A Creative Life in Music.Berkeley: University of California Press, 1982. |
| Gerber/ATL | Gerber, Ernst Ludwig. “Joseph Haydn.” Historisch-biographisches Lexikon der Tonkünstler. . . , vol. I. Leipzig: J. G. I. Breitkopf, 1790-92. Cols. 609—12. |
| Gerber/NTL | ———. “Joseph Haydn.” Neues historisch-biographisches Lexikon der Tonkünstler, welches Nachrichten von dem Leben und den Werken musikalischer Schriftsteller, berühmter Komponisten, Sänger (etc.) . . . enthält, vol. II. Leipzig: A. Kühnei, 1812.pp. 535-605. |
| Gericke/MUSIKALIENHANDEL | Gericke, Hannelore. Der Wiener Musikalienhandel von 1700 bis 1778 (Wiener musikwissenschaftliche Beiträge, 5). Graz and Cologne: Hermann Böhlaus, 1960. |
| Gerlach/Hob. XVIIa: 1 | Gerlach, Sonja, ed. Joseph Haydn: Divertimento II maestro e lo scolare. Munich: G. Henle, 1982. |
| Gerlach/KLAVIERSTÜCKE | ———, ed. Joseph Haydn: Klavierstücke. Munich:G. Henle, 1969. |
| Gerlach/ORDNUNG | ———. “Die chronologische Ordnung von HaydnsSinfonien zwischen 1774 und 1782.” H-St 11/1 (March 1969): 34-66. |
| Gerlach/RAIGERN | ———. “Remarks on the Structure and Harmonyof the Raigern Sonatas.” Kongress Washington/1975• Pp-115-17. |
| Gerlach/RECONSTRUCTED | “The Reconstructed Original Version ofHaydn’s Baryton Trio Hob. XI: 2.” Kongress Washington/1975. Pp. 84-87. |
| Gerlach/Hill/LAUFWERK | Gerlach, Sonja, and Hill, George R., eds. Joseph Haydn: Stücke für das Laufwerk [Flötenuhrstücke). JHW-HI XXI (1984). |
| Göthel/STEIN | Göthel, Folker. “Familie Stein.” MGG XII: cols. 1230-34. |
| Gotwals/TCP | Gotwals, Vernon. Haydn: Two Contemporary Portraits. Madison: University of Wisconsin Press, 1968. |
| Graue/HAYDN | Graue, Gerald. “Haydn and the London Pianoforte School.” Kongress Washington/1975. Pp. 422—31. |
| Grave/DITTERSDORF | Grave, Margaret Grupp. “First-movement Form as a Measure of Dittersdorfs Symphonic Development.” Ph.D. diss., New York University, 1977. |
| Griesinger/NOTIZEN | Griesinger, Georg August. “Biographische Notizen über Joseph Haydn.” AMZ (Lpzg) XI/41-47, 49 (July 12—August 23, 1809; September 6, 1809): 641-49, 657-68, 673-81, 689-99, 705-13, 721—33, 737—47, 776—81. All citations from the Franz Grasberger edition. Vienna: Kaltschmid, 1954. |
| GROVE 2 | Grove’s Dictionary of Music and Musicians. 2d ed. Edited by J. A. Fuller-Maitland. 1900. |
| GROVE 6 | The New Grove Dictionary of Music and Musicians. 6th ed. Edited by Stanley Sadie. 1980. |
| Grundmann/CLAVICEMBALO | Grundmann, Herbert. “Per il Clavicembalo o Piano-Forte.” Festschrift Schmidt-Görg/70th. Pp. 100-17. |
| Gyrowetz/AUTOBIOGRAPHY | Gyrowetz, Adalbert. Biographie des Adalbert Gyrowetz. Vienna: Mechitharisten-Buchdruckerei, 1848. |
| Harding/PIANO-FORTE | Harding, Rosamond Evelyn Mary. The Pianoforte: Its History Traced to the Great Exhibition of 1851.New York: Da Capo Press, 1973. |
| Harich/DOCUMENTA | Harich, János [Johann]. “Haydn Documenta.” HYb II 1963/64 (1964): 2-44; III 1965 (1966): 122-52; IV (1968):39-101; VII (1970):47-168; VIII (1971):70-163. |
| Harich/REPERTOIRE | ———. “Das Repertoire des OpernkapellmeistersJoseph Haydn in Eszterháza (1780-1790).” HYb I (1902):9-110. |
| Hase/BREITKOPF | Hase, Hermann von. Joseph Haydn und Breitkopf & Härtel. Ein Rückblick bei der Veranstaltung der ersten vollständigen Gesamtausgabe seiner Werke.Leipzig: Breitkopf & Härtel, 1909. |
| Haselböck/HAYDN | Haselböck, Franz, ed. Joseph Haydn. Drei Praeambeln h.v. XVII :C2, Andante f-dur h.v. XVII :F2. Hilversum: Harmonia, 1979. |
| Hatting/HAYDN ODER KAYSER? | Hatting, Carsten E. “Haydn oder Kayser?—Eine Echtheitsfrage.” M/XXV/2 (April-June 1972): 82-87. |
| Hatting/KLAVIERMUSIK | ———. “Klaviermusik.” Colloquium Musica Bohemica et Europaea. Brno 1970. N.p.: 1972. Pp. 325-48. |
| HAYDN EMLÉKÉRE | Haydn Emlékére. (Zenetudományi Tanulmányok, VIII). Edited by Bence Szabolcsi and Dénes Bartha. Budapest: Akadémiai Kiadó, 1960. |
| HBV | Haydn Bibliothek Verzeichnis. British Museum Add. Ms. 32070. |
| Helm/BACH | Helm, Ernest Eugene. A New Thematic Catalogue of the Works of Carl Philipp Emanuel Bach. New Haven: Yale University Press, forthcoming. |
| Heussner/HAYDN-FUNDE | Heussner, Horst. “Zwei neue Haydn-Funde.” MfXIII/4 (October—December 1960):451—55. |
| Heussner/HOB XV: 40 | ———, ed. “Joseph Haydn: Trio in F major.” Hob.XV:40, Diletto Musicale No. 4. Vienna: Döblinger, 1959. |
| Heussner/KONZERT | ———. “Joseph Haydns Konzert (Hoboken XVIII:5). Marginalien zur Quellenüberlieferung.” MfXXII/4 (October—December 1969): 478—80. |
| Hill/GASSMANN | Hill, George R. “The Concert Symphonies of Florian Leopold Gassmann.” Ph.D. diss., New York University, 1975. |
| Hiller/ENTWURF | Hiller, J. A. “Entwurf einer musikalischen Bibliothek.” Unterhaltung (Hamburg), VII (1769): 270. |
| Hiller/NACHRICHTEN | ———. “Wien.” Wöchentliche Nachrichten und Anmerkungen die Musik betreffe, no. 13 (September 23, 1766):97-100. |
| HNV | Haydn Nachlass Verzeichnis. Archiv der Stadt Wien, Persönlichkeiten, 4/1-4. |
| Hoboken/DISCREPANCIES | Hoboken, Anthony van. Discrepancies in Haydn Biographies. Translated by Donald Mintz. Washington, D.C.: The Library of Congress, 1962. |
| Hoboken/WERKVERZEICHNIS | ———. Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis. Vol. I: Instrumentalwerke. Vol. II: Vokalwerke. Vol. III: Register, Addenda und Corrigenda. Mainz: B. Schott’s Söhne, 1957—78. |
| Hofer/REUTTER | Hofer, N. Thematisches Verzeichnis der Werke Georg Reutters d.J. (Ms.) A-Wn. |
| Hoffmann-Erbrecht/DEUTSCHE UND ITALIENISCHE | Hoffmann-Erbrecht, Lothar. Deutsche und italienische Klaviermusik zur Bachzeit. Leipzig: Breitkopf & Härtel, 1954. |
| Hoffmann-Erbrecht /H AFFNER | ———. “Der Nürnberger Musik Verleger: JohannUlrich Haffner” and “Nachträge.” AMu, XXVI (1954): 114-26; XXVII (1955): 141-42. |
| Hogwood/HAYDN | Hogwood, Christopher. Haydn’s Visits to England.London: The Folio Society, 1980. |
| Hollis/INSTRUMENTS | Hollis, Helen R. The Musical Instruments of Joseph Haydn: An Introduction. Washington, D.C.: Smithsonian Institution Press, 1977. |
| H-St | Haydn-Studien |
| Hughes/HAYDN | Hughes, Rosemary. Haydn. Rev. ed. London: J. M. Dent; New York: Farrar, Straus, and Cudahy, 1962. |
| HV | “Verzeichniss aller derjenigen Compositionen welche ich mich beyläufig erinnere von meinem 18ten bis in das 73ste Jahr verfertiget zu haben.” (Ms.) Copied by Johann Elssler [1805]. |
| HYb | The Haydn Yearbook |
| Iffland/FISCHER PROFESSOR | Iffland, August Wilhelm. “Fischer Professor, Bildhauer, und Maler Maurer in Wien. (Besuch bei Joseph Haydn den 8. September 1808.)” Almanack fürs Theater (Berlin, 1811): 181 — 207. |
| J/NEUE FUNDE | J., V. “Neue Funde an Haydn’schen Kompositionen.” ZfM C/4 (April 1933): 376. |
| James/CLAVICHORD | James, Philip. “Haydn’s Clavichord and a Sonata Manuscript.” MT LXXI/1046 (April 1930): 314-16. |
| JAMS | Journal of the American Musicological Society |
| JböK | Jahrbuch für österreichische Kulturgeschichte. I/2 (1971): Beiträge zur Musikgeschichte des 18. Jahrhunderts. II (1972): Joseph Haydn und seine Zeit. |
| JbTWP | Schönfeld, Johann Ferdinand, Ritter von. Jahrbuch der Tonkunst von Wien und Prag. Vienna: Im von Schönfeldischen Verlag, 1796; facsimile edition, Munich: E. Katzbichler, 1976. |
| JHW-BH | Joseph Haydns Werke. Erste kritisch durchgesehene Gesamtausgabe. Leipzig: Breitkopf & Härtel [1907-33]. |
| JHW-Hl | Joseph Haydn Werke. Edited by the Joseph HaydnInstitut, Cologne, under the direction of Jens Peter Larsen (1958-61) and Georg Feder (1962—). Munich and Duisburg: G. Henle Verlag, 1958-. |
| JM | Journal of Musicology |
| JMT | Journal of Music Theory |
| Johannson/FRENCH | Johansson, Cari. French Music Publishers’ Catalogues of the Second Half of the Eighteenth Century. 2 vols. Stockholm: Almquist & Wiksell, 1955. |
| Johnson/LIVES | Johnson, Samuel. Lives of the English Poets, vol. 2. London: Oxford University Press [1906]. |
| Kamien/HOB. XVI: 36 | Kamien, Roger. “Aspects of Motivic Elaboration in the Opening Movement of Haydn’s Piano Sonata in C-Sharp Minor.” Aspects of Schenkerian Theory.Edited by David Beach. New Haven: Yale University Press, 1983. Pp. 77-93. |
| Kamien/SONATA ALLEGRO | ———. “The Opening Sonata-Allegro Movementsin a Randomly Selected Sample of Solo Keyboard Sonatas Published in the Years 1742—1744 (inclusive).” Ph.D. diss., Princeton University, 1964. |
| Karajan/HAYDN | Karajan, Th. G. von. J. Haydn in London: 1791 und 1792. Vienna: Karl Gerolds Sohn, 1861. |
| Keller/K. 503 | Keller, Hans. “K.503: The Unity of Contrasting Themes and Movements.” MR XVII (1956): 4858, 120-29. |
| Kelly/REMINISCENCES | [Kelly, Michael.] Reminiscences of Michael Kelly, of the King’s Theatre and Theatre Royal, Drury Lane, Including a Period of Nearly Half a Century; with Original Anecdotes of Many Distinguished Persons, Political, Literary, and Musical. 2d ed. London: H. Colburn, 1826. New edition by Roger Fisk. London: Oxford University Press, 1975. |
| Kinsky/HAMMERKLAVIER | Kinsky, Georg. “Haydn und das Hammerklavier.” ZfMwX III/9-10 (June—July 1931):500-501. |
| Kirkendale/FUGUE | Kirkendale, Warren. Fugue and Fugato in Rococo and Classical Chamber Music. 2d ed. Durham: Duke University Press, 1979. |
| Klier/VOLKSLIEDTHEMA | Klier, Karl M. “Das Volksliedthema eines HaydnCapriccios.” Das deutsche Volkslied, XXXIV/7—8 (September-October 1932): 88-95, 100-104. |
| Knight/AUTOBIOGRAPHY | [Knight, Ellis Cornelia.] The Autobiography of Miss Knight. Edited by Roger Fulford. London: William Kimber, 1960. |
| Koch/VERSUCH | Koch, Heinrich Christoph. Versuch einer Anleitung zur Composition. 3 vols. Leipzig: A. F. Böhme, 1782-1793. |
| Köchel/MOZART /6 | Köchel, Ludwig Ritter von. Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts. 6th ed. Edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. |
| Koller/WERKSTATT | Koller, Walter. Aus der Werkstatt der Wiener Klassiker: Bearbeitung Haydns, Mozarts und Beethovens. Edited with an introduction by Helmut Hell. Münchner Veröffentlichungen zur Musikgeschichte, No. 23. Tutzing: Hans Schneider, 1975. |
| Kollman/ESSAY | Kollman, Augustus Frederic Christopher. An Essay on Practical Musical Composition. London: N.p., 1799; reprint edition, New York: Da Capo Press, 1973. |
| Kollpacher/MATIELLI | Kollpacher, Ingrid. “Giovanni Antonio Matielli.” MGG VIII: cols. 1789—90. |
| Kollpacher/MONN | ———. “Mathias Georg Monn.” MGG IX: cols.470-72. |
| Kongress Graz/1970 | Der junge Haydn. Wandel von Musikauffassung und Musikaufführung in der österreichischen Musik zwischen Barock und Klassik. Bericht der internationalen Arbeitstagung des Instituts für Aufführungspraxis der Hochschule für Musik und darstellende Kunst in Graz, 29. 6.-2. 7. igjo. (Beiträge zur Aufführungspraxis, 1). Edited by Vera Schwarz. Graz: Akademische Druck- und Verlagsanstalt, 1972. |
| Kongress Kassel/1962 | Gesellschaft für Musikforschung. Bericht über den Internationalen Musikwissenschaftlichen Kongress Kassel, 1962. Edited by Georg Reichert and Martin Just. Kassel: Bärenreiter, 1963. |
| Kongress New York/1961 | International Musicological Society. Report of Eighth Congress. Edited by Jan LaRue. New York: American Musicological Society; Kassel: Bärenreiter, 1961. |
| Kongress Washington/1975 | Haydn Studies. Proceedings of the International Haydn Conference, Washington, D.C., 1975. Edited by Jens Peter Larsen, Howard Serwer, and James Webster. New York: W. W. Norton, 1981. |
| Kramer/TWO ASPECTS | Kramer, Richard. “On the Dating of Two Aspects in Beethoven’s Notation for Piano.” Österreichische Gesellschaft für Musik. Beiträge 76—78: BeethovenKolloquium ig77. Kassel: Bärenreiter, 1978. Pp. 160-73. |
| Kunsthistorisches Museum/ SAITENKLAVIERE | Katalog der Sammlung alter Musikinstrumente. Vol. 1: Saitenklaviere. Vienna: Kunsthistorisches Museum, 1966. |
| Landon/C&W | Landon, H. C. Robbins. Haydn: Chronicle and Works. 5 vols. Bloomington: Indiana University Press, 1976-80. |
| Landon/CCLN | ———, ed. The Collected Correspondence and London Notebooks of Joseph Haydn. London: Barrie and Rockliff; Fair Lawn, N.J.: Essential Books, 1959. |
| Landon/DIVERTIMENTO | ———, ed. “Joseph Haydn: Divertimento in Dmajor.” [Hob. deest.] Diletto Musicale Nr. 86. Vienna: Doblinger, 1960. |
| Landon/ESSAYS | ———. Essays on the Viennese Classical Style. NewYork: Macmillan, 1970. |
| Landon/FOREWORD | ———. The Piano Trios of Joseph Haydn. Foreword to the First Critical Complete Edition. Vienna: Doblinger, 1970. |
| Landon/KLAVIERSONATEN | Landon, Christa. Joseph Haydn: Sämtliche Klaviersonaten, vols. I—III. (Wiener Urtext Ausgabe). Vienna: Universal, 1963. |
| Landon/KLAVIERSONATEN KA | ———. Haydn sämtliche Klaviersonaten. Kritische Anmerkungen. Vienna: Universal Edition, 1982. |
| Landon/LETTERS | Landon, H. C. Robbins. “Four New Haydn Letters” HYb XIII (1982): 213-19. |
| Landon/ORGAN | Landon, H. C. Robbins, ed. “Joseph Haydn: Concerto per l’organo, Nr. 2.” [Hob. XVIII: 8 in C major.] Diletto Musicale Nr. 80. Vienna: Döblinger, 1962. |
| Landon/PIANOSONATAS | ———. “Haydn’s Piano Sonatas.” Landon/ESSAYS. Pp. 44-67. |
| Landon/RT VIb | Landon, Christa. Kongress Washington! 1975. Pp. 118-20. |
| Landon/SKETCH | Landon, H. C. Robbins. “Joseph Haydn: A Sketch to Piano Trio No. 30 (Hob. XV: 17).” HYb XIII(1982):220-27. |
| Landon/SYMPHONIES | ———. The Symphonies of Joseph Haydn. London:Universal Edition, Rockliff, 1955; New York: Macmillan, 1956. |
| Landon/SYMPHONIES-SUPPLEMENT | ———. The Symphonies of Joseph Haydn: Supplement. London: Barrie & Rockliff, 1961. |
| Landon/TRIO | ———, ed. “Joseph Haydn: Trio in D major.”[Hob. XV: deest.] Diletto Musicale Nr. 533. Vienna: Doblinger, 1976. |
| Lang/HAYDN-KLAVIER | Lang, Gerhard M. “Das Haydn-Klavier im nö. Landesmuseum.” Kulturberichte aus Niederösterreich (Vienna) 5 (May 15, 1956): 37. |
| Lang/OPERA | Lang, Paul Henry. “Haydn and the Opera.” MQXVIII/2 (April 1932):274-81. |
| Langley/ENGLISH | Langley, Leanne. “The English Musical Journal in the Early Nineteenth Century.” Ph.D. diss., University of North Carolina, 1983. |
| Larsen/CONTRACT | Larsen, Jens Peter. “A Haydn Contract.” MTCXVII/1603 (September 1976): 737-38. |
| Larsen/DHK1 and 2 | ———, ed. Drei Haydn Kataloge in Faksimile mit Einleitung und ergänzenden Themenverzeichnissen. 2d ed. Copenhagen: Einar Munksgaard, 1941. Three Haydn Catalogues. New York: Pendragon, 1979. |
| Larsen/DISKUSSION | ———. “Diskussion.” Kongress Grazhgyo. P. 248. |
| Larsen/ECHTHEITSPROBLEM I | ———. “Das Echtheitsproblem in der Musik des18. Jahrhunderts.” JböK II (1972): 25—39. |
| Larsen/ECHTHEITSPROBLEM II | ———. “Über Echtheitsprobleme in der Musikder Klassik.” MfXXVI 1 (January-March 1972): 4-16. |
| Larsen/HÜB | ———. Die Haydn-Überlieferung. Copenhagen:Einar Munksgaard, 1939. |
| Larsen/KLAVIERSONATE | ———. Joseph Haydn. Klaviersonate A-dur. Munich and Duisburg: G. Henle Verlag, 1958. |
| Larsen/QUELLE | ———. “Eine bisher unbeachtete Quelle zu Haydnsfrühen Klavierwerken.” Festschrift Schmidt-Görg/ 6oth. Pp. 188-95. |
| Larsen /SONATENFORM PROBLEME | ———. “Sonatenform-Probleme.” FestschriftBlume/70th. Pp. 221-30. |
| Larsen / Landon / HAYDN | ———, and Landon, H. C. Robbins. “Franz Joseph Haydn.” MGG V: cols. 1857—1933. |
| LaRue/AUTHENTICATION | LaRue, Jan. “Mozart Authentication by Activity Analysis: A Progress Report.” MJb (1978-79): 209-14. |
| LaRue/BEETHOVEN | ———. “Harmonie Rhythm in the Beethoven Symphonies.” MR XVIII/1 (February 1957):8-20. |
| LaRue/BIFOCAL | ———. “Bifocal Tonality: an Explanation for Ambiguous Baroque Cadences.” Festschrift Davison. Pp. 173-84. |
| LaRue/GUIDELINES | ———. Guidelines for Style Analysis. New York:W. W. Norton, 1970. |
| LaRue/MAJOR AND MINOR | ———. “Major and Minor Mysteries of Identification in the 18th-Century Symphony.” JAMS XIII (1960), 181-96. |
| LaRue/MOZART | ———. “Mozart or Dittersdorf.” MJb (1971—72), 40-49. |
| LaRue/MULTISTAGE | ———. “Multistage Variance: Haydn’s Legacy toBeethoven.” JM 1/3 (July 1982): 265-74. |
| LaRue/ON STYLE | ———. “On Style Analysis.” JMT VI/1 (Spring1962):gi-io7. |
| LaRue/SIGNIFICANT | ———. “Significant and Coincidental Resemblance Between Classical Themes.” JAMS XIV/2 (Summer 1961): 224-34. |
| Latrobe/SELECTION | Latrobe, Christian Ignatz. A Selection of Sacred Music from the Work of Some of the Eminent Composers of Germany and Italy. London, 1806—26. |
| Loesser/PIANOS | Loesser, Arthur. Men, Women and Pianos: A Social History. New York: Simon and Schuster, 1954. |
| Longyear/BINARY-VARIANTS | Longyear, R. M. “Binary Variants of Early Classic Sonata Form.” JMT XIII/2 (Winter 1969): 162-85. |
| Lowinsky/MOZART | Lowinsky, Edward E. “On Mozart’s Rhythm.” MQXLII/2 (April 1956): 162-86. |
| Luithlen/EISENSTÄDTER WALTERFLÜGEL | Luithlen, Victor. “Der Eisenstädter Walterflügel,” MJb V (1954):206-208. |
| Luithlen/HAYDN-ERINNERUNGEN | ———. “Haydn-Erinnerungen in der Sammlung alter Musikinstrumente des Kunsthistorischen Museums zu Wien.” Festschrift Hoboken/75th. Pp. no-14. |
| Luithlen/HAYDN-INSTRUMENTE | ———. “Haydn-Instrumente der Gesellschaft derMusikfreunde in Wien.” ÖK III/3-4 (MarchApril 1932):40, 43. |
| Mann/ELEMENTARBUCH | Mann, Alfred. “Haydn’s Elementarbuch: A Document of Classic Counterpoint Instruction.” Music Forum III (1973): 197-237. |
| Mann/STUDENT | ———. “Haydn as Student and Critic of Fux.”Festschrift Geiringer/70th. Pp. 323—32. |
| Mann/TEXTREVISION | ———. “Eine Textrevision von der Hand JosephHaydns.” Festschrift Vötterle/Ö5th. Pp. 433-37. |
| Martines/AUTOBIOGRAPHY | Martines, Marianna. [Autobiography] Letter of 16 December 1773 in the Martini Collection (Schnoebelen No. 3801). I-Bc. |
| MB | Musikalische Bibliothek |
| MC | Musikalische Correspondence der teutschen Filarmonischen Gesellschaft |
| Mersmann/VERSUCH | Mersmann, Hans. “Versuch einer Phänomenologie der Musik.” ZfMw V/4-5 (January-February 1923): 226—69. |
| Mf | Die Musikforschung |
| MGG | Die Musik in Geschichte und Gegenwart |
| Mitchell/ESSAY | Mitchell, William J., trans. and ed. Carl Philipp Emanuel Bach: Essay on the True Art of Playing Keyboard Instruments. New York: W. W. Norton, 1949. |
| Mitchell/SONATAS | ———. “The Haydn sonatas.” PQ XV/58 (Winter1966-67):g, 20-23. |
| MJb | Mozart-Jahrbuch |
| ML | Music and Letters |
| Moritz/REISER | Moritz, Karl Philipp. Anton Reiser. Berlin: Friedrich Maurer, 1785; new ed., Stuttgart: Philipp Reclam jun., 1972. |
| Mörner/SCHWEDEN | Mörner, C. G. Stellan. “Haydniana aus Schweden um 1800.” H-St II/1 (March 1969): 1-33. |
| Mörner/WIKMANSON | ———. Johan Wikmanson und die Brüder Silverstolpe. Einige Stockholmer Persönlichkeiten im Musikleben des Gustavianischen Zeitalters. Uppsala: Almquist & Wiksell, 1952. |
| Morrow/VIENNA | Morrow, Mary Sue. “Concert Life in Vienna 1780-1810.” Ph.D. diss., Indiana University, 1984. |
| Moss/HOB. XVI: 52 | Moss, Lawrence K. “Haydn’s Sonata Hob. XVI: 52 (ChL. 62) in E-flat Major: An Analysis of the First Movement.” Kongress Washington/197 5. Pp. 496-501. |
| Mozart/DOCUMENTA ADDENDA | Mozart, Wolfgang Amadeus. Mozart: Die Dokumente seines Lebens: Addenda und Corrigenda.Edited by Joseph Heinz Eibl. Neue Ausgabe sämtlicher Werke. Kassel: Bärenreiter, 1956—. Serie X: 31/1. |
| MQ | The Musical Quarterly |
| MR | The Music Review |
| MRz | Musikalische Realzeitung |
| MT | The Musical Times |
| Munro/ARRANGEMENT | Munro, Kathleen. “Haydn’s Keyboard Arrangement of Symphony No. 96 in D.” Bericht über den Siebenten Internationalen Musikwissenschaftlichen Kongress, Köln 1958. Edited by Gerald Abraham et al. Kassel: Bärenreiter, 1959. Pp. 197—98. |
| NB-Jb | Neues Beethoven-Jahrbuch |
| Neubacher/KOMPOSITIONS-PROZESS | Neubacher, Jürgen. “‘Idee’ und ‘Ausführung.’ Zum Kompositionsprozess bei Joseph Haydn.” AfMw XLI/3 (1984): 187-207. |
| Neumann/ORNAMENTATION | Neumann, Frederick. Ornamentation in Baroque and Post-Baroque Music: With Special Emphasis on J. S. Bach. Princeton: Princeton University Press, 1978. |
| Newman/ACCOMPANIED | Newman, William S. “Concerning the Accompanied Clavier Sonata.” MQ XXXIII/3 (July 1947): 327-49. |
| Newman/BACH | ———. “Emanuel Bach’s Autobiography.” MQLI/2 (April 1965):363-72. |
| Newman/COMMUNICATIONS | ———. “Communications.” JAMS XX/3 (Fall 1967):513-15. |
| Newman/PIANISM | ———. “The Pianism of Haydn, Mozart, Beethoven, and Schubert . . . Compared.” PQ XXVII (Spring 1979): 14-30. |
| Newman/RECOGNITION | ———. “The Recognition of Sonata Form byTheorists of the 18th and 19th Centuries.” PAMS (1941):21—29. |
| Newman/REVIEW C&W | ———. Review of Haydn: Chronicle and Works, byH. C. Robbins Landon. PQ XXVI (Winter 1977—78) :43-46. |
| Newman/SCE | ———. The Sonata in the Classic Era. Chapel Hill:University of North Carolina Press, 1963. |
| Newman/SSB | ———. The Sonata since Beethoven. Chapel Hill:Universitv of North Carolina Press, 1969. |
| N iemetschek/MOZART | Niemetschek, Franz. W. A. Mozarts Leben nach Originalquellen. Facsimile edition of first edition with additions from the second of 1808 and an introduction by Dr. Ernst Rychnovsky. Prague: T. Taussig, n.d. |
| Niemöller/SCHMITTBAUR | Niemöller, Klaus Wolfgang. “Joseph Aloys Schmittbaur.” MGG XI: cols. 1878-81. |
| NOHM/7 | New Oxford History Of Music. Vol. 7: The Age of Enlightenment: 1745-1790. Edited by Egon Wellesz and Frederick Sternfeld. London: Oxford University Press, 1973. |
| NOTES | Music Library Association Notes |
| Novello/MOZART PILGRIMAGE | [Novello, Vincent and Mary.] A Mozart Pilgrimage. Being the Travel Diaries of Vincent and Mary Novello in the Tear 182g. Transcribed and compiled by Nerina Medici Di Marignano. Edited by Rosemary Hughes. London: NoVello, 1955. |
| ÖK | Österreichische Kunst |
| ÖMz | Österreichische Musikzeitschrift |
| Olleson/GRIESINGER | Olleson, D. Edward. “Georg August Griesinger’s Correspondence with Breitkopf & Härtel.” HYbIII, 1965 (1966):5-53. |
| Olleson/ZINZENDORF | ———. “Haydn in the Diaries of Count Karl vonZinzendorf.” HYb 11, 1963/4 (1964): 45-63. |
| Palm/UNBEKANNTE | Palm, Albert. “Unbekannte Haydn-Analysen.” HYb IV(1968): 169-94. |
| PAMS | Papers of the American Musicological Society |
| Parke/MEMOIRS | Parke, William Thomas. Musical Memoirs; Comprising an Account of the General State of Music in England, from . . . 1784, to the Tear 1830. 2 vols. London: H. Colburn and R. Bentley, 1830. |
| Parrish/EARLY PIANO | Parrish, Carl. “The Early Piano and Its Influence on Keyboard Technique and Composition in the Eighteenth Century.” Ph.D. diss., Harvard University, 1939. |
| Parrish/HAYDN | ———. “Haydn and the Piano.” JAMS I/3 (Fall 1948): 27-34. |
| Päsler/KLAVIERWERKE | Päsler, Karl, ed. Joseph Haydn: Klavierwerke. JHW-BH XIV/1-3 [1918]. |
| Päsler/NOTIZ | ———. “Zur Notiz. Th. de Wyzewa’s Publikation‘Une sonate oubliée de Joseph Haydn.’” ZIMG XI/6 (March 1910): 203—204. |
| Picton/STEFFAN | Picton, Howard. “Joseph Anton Steffan: Concerto in D Major.” London: Oxford University Press, 1976. |
| Pohl/HAYDN | Pohl, Cari Ferdinand. Joseph Haydn. Vol. I, Berlin: A. Sacco, 1875; Leipzig: Breitkopf & Härtel, 1878. Vol. II, Leipzig: Breitkopf & Härtel, 1882. Vol. III (Unter Benutzung der von C. F. Pohl hinterlassenen Materialien weitergeführt von Hugo Bot-stiber), Leipzig: Breitkopf & Härtel, 1927. |
| Pohl/SCHRÖTER | ———. “Johann Samuel Schröter.” GROVE 2, IV: 278-79. |
| Polák/ZIMMERMAN | Polák, Pavol. “Zur Erforschung der Lebensdaten von Anton Zimmerman.” Musicologica Slovaca VII (1978): 171-211. |
| Pollack/VIENNESE | Pollack, Carla. “Viennese Solo Keyboard Music, 1740-1770: A Study in the Evolution of the Classical Style.” Ph.D. diss., Brandeis University, 1984. |
| Poole/ENGRAVING | Poole, H. Edmund. “Music Engraving Practice in Eighteenth-Century London.” Festschrift King. Pp. 98-131. |
| Poštolka/KOŽELUCH | Poštolka, Milan. Leopold Koželuch. Život a dilo.[Life and Works.] Prague: Státni Hudební Vydavatelstvi, 1964. |
| PQ | Piano Quarterly |
| PRMA | Proceedings of the Royal Musical Association |
| Prohászka/HOFMANN | Prohászka, Hermine. “Leopold Hofmann.” MGGVI:cols. 561-65. |
| PZ | Pressburger Zeitung |
| Radcliffe/KEYBOARD | Radcliffe, Philip. “Keyboard Music,” in The Age of Enlightenment: 1745-90. NOHM/7. Pp. 574-610. |
| Radice/PUBLISHERS | Radice, Mark A. “Haydn and his Publishers: A Brief Survey of the Composer’s Publishing Activities.” MR XXXXIV/2 (May 1983): 87—94. |
| Ratner/ARS COMBINATORIA | Ratner, Leonard. “Ars Combinatoria: Chance and Choice in Eighteenth-Century Music.” Festschrift Geiringer/7oth. Pp. 343-63. |
| Ratner/CLASSIC | ———. Classic Music. Expression, Form, and Style.New York: Schirmer Books, 1980. |
| Ratner/HARMONIC | ———. “Harmonic Aspects of Classic Form.” JAMS II/3 (Fall 1949): 159-68. |
| Reichardt/BRIEFE-WIEN | Reichardt, Johann Friedrich. Vertraute Briefe geschrieben auf einer Reise nach Wien und den Österreichischen Staaten zu Ende des Jahres 1808 und zu Anfang 1809. 2 vols. Amsterdam: Im Kunst und Industrie-Comtoir, 1810. |
| Reti/THEMATIC PROCESS | Reti, Rudolph Richard. The Thematic Process in Music. New York: Macmillan, 1951. |
| Riedel/FUX | Riedel, Friedrich Wilhelm, ed. Johann Joseph Fux: Werke für Tasteninstrumente. Kassel: Bärenreiter and Graz: Akademische Druck- und Verlagsanstalt, 1964. |
| Riedel/GÖTTWEIG | ———, ed. Der Göttweiger Thematische Katalog von 1830. 2 vols. Munich: Emil Katzbichler, 1979. Studien zur Landes- und Sozialgeschichte der Musik.Nr. 2. |
| Riemann/LEXIKON | Riemann Musik Lexikon. Ergänzungsband. Edited by Carl Dahlhaus. 2 vols. Mainz: B. Schott’s Söhne, 1972-75. |
| Riemann/UMSTATT | “Joseph Umstatt.” Riemann/LEXIKON, II: 815. |
| Rifkin/BOSSLER | Rifkin, Joshua. “Ein Haydn-Zitat bei Bossier.” HSt IV/1 (May 1976):55-56. |
| RILM | Répertoire international de littérature musicale |
| Ripin/KEYBOARD | Ripin, Edwin M. “Haydn and the Keyboard Instruments of His Time.” Kongress Washington/1975. Pp-323-308. |
| RISM | Répertoire international des sources musicales |
| Ritzel/ENTWIC KLUN G | Ritzel, Fred. Die Entwicklung der “Sonatenform” im musiktheoretischen Schrifttum des 18. und ig. Jahrhunderts. 2d ed. Wiesbaden: Breitkopf & Härtel, 1969. |
| RMl | Revue de musicologie |
| Rochlitz/FREUNDE | Rochlitz, Friedrich. Für Freunde der Tonkunst. 4 vols. Leipzig: Carl Cnobloch, 1824—32. |
| Roscoe/HAYDN AND LONDON | Roscoe, Christopher. “Haydn and London in the 1780s.” ML XLIX/3 (July 1968): 203-12. |
| Rosen/CLASSICAL | Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: Viking Press, 1971. |
| Rosen/SONATA FORMS | ———. Sonata Forms. New York: W. W. Norton, 1980. |
| Rück/MOZARTS HAMMERFLÜGEL | Rück, Ulrich. “Mozarts Hammerflügel erbaute Anton Walter, Wien.” MJb VI (1955):246-62. |
| Rudolf/STORM | Rudolf, Max. “Storm and Stress in Music.” Bach III (1972) 2:3-13; 3:3-II;4:8-16. |
| Saint-Foix/HISTOIRE | Saint-Foix, Georges de. “Histoire de deux trios ignores de Michel Haydn. Leur influence sur Mozart.” RMl XII/38 (May 1931): 81-88. |
| Salzer/HAYDN FANTASIA | Salzer, Felix. “Haydn’s Fantasia from the String Quartet, Opus 76, No. 6.” Music Forum IV (1976): 161-94. |
| Sandberger/EINBÜRGERUNG | Sandberger, Adolf. “Zur Einbürgerung der Kunst Josef Haydns in Deutschland.” NB-Jb VI (1935): 5-25. |
| Sandys/Forster/VIOLIN | Sandys, William, and Forster, Simon Andrew. The History of the Violin, and Other Instruments Played on with the Bow from the Remotest Times to the Present. Also, an Account of the Principal Makers, English and Foreign, with Numerous Illustrations.London: J. R. Smith, 1864. |
| Saslav/TEMPOS | Saslav, Isidor. “Tempos in the String Quartets of Joseph Haydn.” D.M. document, Indiana University, 1969. |
| Schenk/AUTOBIOGRAPHY | Schenk, Johann Baptist. “Autobiographische Skizze.” StMw XI (1924): 75-85. |
| Schenker/BEITRAG | Schenker, Heinrich. Ein Beitrag zur Ornamentik. Als Einführung zu Ph. Em. Bachs Klavierwerken. Mitumfassend auch die Ornamentik Haydns, Mozarts und Beethovens etc. Vienna: Universal-Edition, 1903. |
| Schenker/C DUR | ———. “Haydn: Sonate C Dur.” Der Tonwille II/4(1923): 15-18. |
| Schenker/ES DUR | ———. “Haydn: Sonate Es Dur.” Der Tonwille I/3(ig22):3-21. |
| Sehen ker/FIVE | ———. Five Graphic Music Analyses. Introductionand glossary by Felix Salzer. New York: Dover, 1969. |
| Schenker/ORGANIC | ———. “Organic Structure in Sonata Form.”Translated by Orin Grossman. II/2 (1968): 164-83. |
| Schenker/SCHÖPFUNG | ———. “Haydn: Die Schöpfung. Die Vorstellungdes Chaos.” Das Meisterwerk in der Musik II (1926): 159-70. |
| Schmid/GÖTTWEIGER | Schmid, Ernst Fritz. “Die Göttweiger Sonaten von Joseph Haydn.” ZfM CIV/4 (April 1937) :42g. |
| Schmid/HAYDN UND BACH | ———. “Joseph Haydn und Carl Philipp EmanuelBach.” ZfMw XIV/6 (March 1932): 299-312. |
| Schmid/HOFFMEISTER | ———. “Franz Anton Hoffmeister und die ‘Gött-weiger Sonaten.’” Zßi CIV/7—10 (July—October 1937):767. 889-95, 992-1000, 1109-17. |
| Schmidt/DENKSTEINE | Schmidt, August. Denksteine. Vienna: n.p., 1848. |
| Schnapper/BUC | Schnapper, Edith B. The British Union-Catalogue of Early Music. 2 vols. London: Butterworths Scientific Publications, 1957. |
| Schnerich/ORGELWERK | Schnerich, Alfred. “Haydns Orgelwerk.” AltWiener Kalender (1926): 139—43. |
| Scholz-Michelitsch/WAGENSEIL | Scholz-Michelitsch, Helga. “Georg Christoph Wagenseil.” MGG XIV:cols. 68-74. |
| Scholz-Michelitsch/WWV | ———. Das Klavierwerk von Georg Christoph Wagenseil. [and] Das Orchester- und Kammermusikwerk von Georg Christoph Wagenseil: Thematischer Katalog. Vienna: Hermann Böhlaus, 1966 and 1972. |
| Schubart/IDEEN | Schubart, Christian Friedrich Daniel. Ideen zu einer Ästhetik der Tonkunst. Vienna: J. V. Degen, 1806; new edition, Leipzig: Philipp Reclam jun., 1977. |
| Schubert/HAYDN G-DUR | Schubert, Kurt, ed. Joseph Haydn: Konzert in G-Dur. Kassel: Nagels Verlag, 1954. |
| Schultz/HAYDN F-DUR | Schultz, Helmut, ed. Joseph Haydn: Konzert in F-Dur. Kassel: Bärenreiter, 1927. |
| Schwarting/ECHTHEIT | Schwarting, Heino. “Über die Echtheit dreier Haydn-Trios.” AfMw XXII/3 (September 1965): 169-82. |
| Schwarz/CEMBALOS | Schwarz, Vera. “Die Rolle des Cembalos in Österreich nach 1760.” Kongress Grazhgyo. Pp. 249-58. |
| Scott/CHAMBER | Scott, Marion M. “Haydn’s Chamber Music.” MTLXXIII/1069 (March 1932):213—17. |
| Scott/FANCIES | ———. “Haydn: Fresh Facts and Old Fancies.” PRMA LXVII (1941-42): 87-105. |
| Šetková/ŠTĚPÁN | Šetková, Dana. “Josef Antonín Štěpäán.” MGG XII: cols. 1257—61. |
| Šetková/ŠTĚPÁNA | ———. Klavírní Dilo Josefa Antonína Štěpána.Prague: Státní Hudebni Vydavatelstvi, 1965. |
| Šetková/Straková/ŠTĚPÁN | Šetková, Dana, and Straková, Theodora, eds. Josef Antonín Štěpán: Composizioni per piano. Musica Antíqua Bohemica, vol. 64. Prague: Státní Hudebni Vydavatelství, 1964. |
| Shamgar/RHYTHMIC | Shamgar, Beth. “Rhythmic Interplay in the Retransitions of Haydn’s Piano Sonatas.” JM III/i (Winter 1984):55-68. |
| Sisman/HYBRID | Sisman, Elaine R. “Haydn’s Hybrid Variations.” Kongress Washington!ig? 5. Pp. 509-13. |
| Sisman/SMALL | ———. “Small and Expanded Forms: Koch’sModel and Haydn’s Music.” MQ LXVIII/4 (October 1982): 444-75. |
| Sisman/VARIATIONS | ———. “Haydn’s Variations.” Ph.D. diss., Princeton University, 1978. |
| Sliwinski/WARIACJE | Śliwiński, Zbigniew, ed. Joseph Haydn: Wariacje na fortepian. N.p.: Polskie Wydawnictwo Muzyczne, n.d. |
| Soldan/KLAVIERSTÜCKE | Soldan, Kurt, ed. Joseph Haydn: Klavierstücke.Leipzig: Peters, 1939. |
| Somfai/BAROCK | Somfai, László. “Vom Barock zur Klassik. Umgestaltung der Proportionen und des Gleichgewichts in zyklischen Werken Joseph Haydns.” JböK II (1972):64-72. |
| Somfai/ENHARMONIC | ———. “A Bold Enharmonic Modulatory Modelin Joseph Haydn’s String Quartets.” Festschrift Geiringer/7oth. Pp. 370—81. |
| Somfai/ISMERETLEN | “Ismeretlen Haydn-kéziratok az eszterházaiszinház operarepertoárjából.” HAYDN EMLEKERE. Pp. 507-26. |
| Somfai/KEYBOARD | ———. Haydn: The Complete Keyboard Music.Notes to the Hungaroton recording of The Complete Keyboard Solo Music. SLPX-i 1614-22, 11625-27, 11800-802. 1975-76. |
| Somfai/LONDON | ———. “The London Revision of Haydn’s Instrumental Style.” PRMA C (1973-74): 159-74. |
| Somfai/OPUS 3 | ———. “Zur Echtheitsfrage des Haydn’schen‘Opus 3.”’ HYb III 1965 (1966): 153-65. |
| Somfai/PICTURES | ———. Joseph Haydn: His Life in Contemporary Pictures. Translated by Mari Kuttna and Károly Ravasz. London: Faber, 1969. |
| Somfai/STILFRAGEN | ———. “Stilfragen der Klaviersonaten von Haydn.” ÖMz XXXVII/3-4 (1982): 147-53. |
| Somfai/ZONGORASZONÁTÁI | ———. Joseph Haydn Zongoraszonátái. Budapest:Zenemükiadó, 1979. |
| Spitzer/AUTHORSHIP | Spitzer, John. “Authorship and Attribution in Western Art Music.” Ph.D. diss., Cornell University, 1983. |
| Stadler/GESCHICHTE | [Stadler, Maximilian.] Abbé Maximilian Stadler: seine “Materialien zur Geschichte der Musik unter den österreichischen Regenten.” Edited with commentary by Karl Wagner. Kassel: Bärenreiter, 1974. |
| Steglich/DRESDNER | Steglich, Rudolph. “Karl Philipp Emanuel Bach und der Dresdner Kreuzkantor Gottfried August Homilius im Musikleben ihrer Zeit.” Bach Jahrbuch XII (1915):39-145. |
| Steglich/KADENZEN | ———. “Kadenzen in Haydns Klaviersonaten.” ZfM XCIX/4 (April 1932): 295-97. |
| Steglich/SCHWANBERGS | ———. “Eine Klaviersonate Johann GottfriedSchwanbergs (Schwanenberg[er]s) in der Joseph Haydn Gesamtausgabe.” ZfMw XV/2 (November 1932) : 77-79. |
| Steinberg/TRIOS | Steinberg, Lester. “Sonata Form in the Keyboard Trios of Joseph Haydn.” Ph.D. diss., New York University, 1976. |
| Stern/SCHÖPFUNG | Stern, Martin. “Haydns ‘Schöpfung.’ Geist und Herkunft des van Swietenschen Librettos. Ein Beitrag zum Thema ‘Säkularisation’ im Zeitalter der Aufklärung.” H-St I/3 (October 1966): 121-98. |
| Stevens/CONCERTO | Stevens, Jane R. “An 18th-Century Description of Concerto First-Movement Form.” JAMS XXIV/1 (Spring 1971):85-95. |
| Stevens/THEME | ———. “Theme, Harmony, and Texture in Classic-Romantic Descriptions of Concerto First-Movement Form.” JAMS XXVII/1 (Spring 1974): 25-60. |
| Stieglitz/KLAVIERMUSIK | Stieglitz, Olga. “Josef Haydns Klaviermusik im Lichte der Gegenwart.” Der Klavierlehrer XXXII/ 10-11 (May 15-June 1, 1909): 145-47, 161-64. |
| StMw | Studien zur Musikwissenschaft |
| Stockmeier/KB JHW XVII/1 | Stockmeier, Wolfgang. Kritischer Bericht. JHW-HIXVII/1 (1971). |
| Stockmeier/KB JHW XVII/2 | ———. Kritischer Bericht. JHW-HI XVII/2 (1974). |
| Stockmeier/KLAVIERTRIOS | ———, ed. Joseph Haydn: Klaviertrios. JHW-HI XVII/1-2 (1970-74). |
| Straková/ŠTĚPÁN | Straková, Theodora. “Josef Antonín Štěpán a Haydn ovo Divertimento Es Dur.” Časopis Moravs-kého Musea v Brně XLVI (1961): 127—36. |
| Struck/HAYDN-KONZERT | Struck, Gustav. “Ein neues Haydn-Konzert.” Musica XI/3 (March 1957): 159—60. |
| Strunk/NOTES | Strunk, William Oliver. “Notes on a Haydn Autograph.” MQ XX/2 (April 1934): 192-205. |
| Sýkora/DUŠEK | Sýkora, Václav Jan. František Xaver Dušek: Život a Dílo. Prague: Státní Nakladetelství Krásné Literatury, Hudby a Uměni, 1958. |
| Szabolcsi/UNGARISCHE | Szabolcsi, Bence. “Joseph Haydn und die ungarische Musik.” BzMw I/2 (1959): 62—73. |
| Tangeman/TRANSITION | Tangeman, Robert S. “The Transition Passage in Sonata-Form Movements of the Viennese Classical Period (With Special Reference to the Works of Haydn, Mozart, and Beethoven).” Ph.D. diss., Harvard University, 1947. |
| Tank/DOKUMENTE | Tank, Ulrich. “Die Dokumente der EsterhazyArchive zur fürstlichen Hofkapelle in der Zeit von 1761 bis 1770.” H-St IV/3-4 (May 1980):129—333. |
| Taves/EDITIONS | Taves, Jeanette. “A Study of Editions of Haydn’s Piano Sonata Hob. XVI:52 (ChL. 62) in E-flat Major.” Kongress Washington/1975. Pp. 142—44. |
| Taylor/ANDANTE | Taylor, Robert S., ed. Andante in B\> with Variations for piano. Attributed to Joseph Haydn. Bryn Mawr: Theodore Presser, 1974. |
| Taylor/VARIATIONS | ———. “An Unknown Theme and Variations byHaydn.” The American Music Teacher XXIV/6 (June—July 1975):33-35. |
| Temperley/TESTING | Temperley, N. “Testing the Significance of Thematic Relationships.” MR XXII/3 (August 1961): 177-80. |
| Tenschert/FRAUEN | Tenschert, Roland. Frauen um Haydn. Vienna: Donau-Verlag, 1946. |
| Terry/BACH | Terry, Charles Sanford. John Christian Bach. 2d ed. London: Oxford University Press, 1967. |
| Thomas/GRIESINGER | Thomas, Günter. “Griesingers Briefe über Haydn. Aus seiner Korrespondenz mit Breitkopf & Härtel.” H-St I/2 (February 1966): 49-114. |
| Todd/HAYDN | Todd, R. Larry. “Joseph Haydn and the Sturm und Drang: A Revaluation.” MR ILI/3 (August 1980): 172-96. |
| Tovey/HOB. XVI: 52 | Tovey, Donald Francis. “Haydn Pianoforte Sonata in E Flat, No. 1 (1900).” Essays in Musical Analysis: Chamber Music. London: Oxford University Press, 1944. Pp. 93-105. |
| Tovey/MAINSTREAM | ———. The Main Stream of Music and Other Essays. Collected by Hubert Foss. London: Oxford University Press, 1949. |
| Tovey/TRIO A | ———, ed. “Joseph Haydn: Pianoforte Trio in Amajor.” [Hob. XV: 18.] London: Oxford University Press, 1939. |
| Tovey/TRIO F SHARP | ———, ed. “Joseph Haydn: Pianoforte Trio inF-sharp minor.” [Hob. XV: 26.] London: Oxford University Press, 1951. |
| Tyson/CLEMENTI | Tyson, Alan. Thematic Catalogue of the Works of Muzio Clementi. Tutzing: Hans Schneider, 1967. |
| Tyson/NEW LIGHT | ———. “New Light on a Haydn Trio (Hob. XV:32).” HYb I (1962): 203-205. |
| Tyson/REVIEW C&W | ———. “On Behalf of Haydn.” Times Literary Supplement, May 26, 1978, p. 589. |
| Tyson/STOLEN | ———. “Haydn and Two Stolen Trios.” MR XXII/1 (February 1961):21-27. |
| Uldall/KLAVIERKONZERT | Uldall, Hans. Das Klavierkonzert der Berliner Schule.Sammlung musikwissenschaftlicher Einzeldarstellungen No. 10. Leipzig: Breitkopf & Härtel, 1928; reprint edition, Nendeln/Liechtenstein: Kraus Reprint, 1976. |
| Ullrich/PARADIES | Ullrich, Hermann. “Maria Theresia von Paradies.” MGG X: cols. 743-44. |
| Unverricht/BOSSLER | Unverricht, Hubert. “Haydn und Bossier.” Festschrift Larsen/70th. Pp. 285—300. |
| Unverricht/STREICHTRIOS | ———. Geschichte des Streichtrios. Tutzing: HansSchneider, 1969. |
| Valkó/HAYDN I | Valkó, Arisztid. “Haydn magyarországi műkődése a levéltári akták tűkrében.” Festschrift Kodály/75th. Pp. 627-67. |
| Valkó/HAYDN II | ———. “Haydn magyarországi műkődése a level-tári akták tűkrében II.” HAYDN EMLEKERE. Pp. 527-668. |
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| Wade/BACH | Wade, Rachel W. “The Keyboard Concertos of Carl Philipp Emanuel Bach: Sources and Style.” Ph.D. diss., New York University, 1979. |
| Wainwright/BROADWOOD | Wainwright, David. Broadwood By Appointment: A History. London: Quiller Press, 1982. |
| Walker/PORPORA | Walker, Frank. “A Chronology of the Life and Works of Nicola Porpora.” Italian Studies VI. Cambridge, 1951. |
| Walter/CONCERTINI | Walter, Horst, ed. Joseph Haydn: Concertini. Munich: G. Henle, 1969. |
| Walter/KEYBOARD | ———. “Haydn’s Keyboard Instruments.” Kongress Washington/1975. Pp. 213—16. |
| Walter/KLAVIERE | ———. “Haydns Klaviere.” H-St II/4 (December1970): 256-88. |
| Walter/KLAVIERKONZERTE | ———, ed. Joseph Haydn: Konzerte für Klavier (Cembalo) und Orchester. JHW-HI XV/2 (1983). |
| Walter/TASTENINSTRUMENT | ———. “Das Tasteninstrument beim jungenHaydn.” Kongress Graz/1970. Pp. 237-48. |
| WD | Wienerisches Diarium |
| Webster/BASS PART | Webster, James. “The Bass Part in Joseph Haydn’s Early String Quartets and in Austrian Chamber Music, 1750—1780.” Ph.D. diss., Princeton University, 1973. |
| Webster/CHAMBER | ———. “Towards a History of Viennese Chamber Music in the Early Classical Period.” JAMS XXVII/2 (Summer 1974):212-47. |
| Webster/CHRONOLOGY | ———. “The Chronology of Haydn’s String Quartets.” MQ LXI/1 (January 1975): 17-46. |
| Webster/EXTERNAL | ———. “External Criteria for Determining the Authenticity of Haydn’s Music.” Kongress Washington/1975. Pp. 75-78. |
| Webster/FINSCHER | ———. Review of Fin TETTS. JAMS XXVIII/3 (Fall 1975): 543-49. |
| Webster/VIOLONCELLO | ———. “Violoncello and Double Bass in the Chamber Music of Haydn and his Viennese Contemporaries, 1750-1780.” JAMS XXIX/3 (Fall 1976): 413-38. |
| Weinmann/CAPRICCI | Weinmann, Alexander, ed. Joseph Anton Steffan: Capricci. Munich: G. Henle, 1971. |
| Weinmann/TRAEG | ———. “Johann Traeg.” AfGG XIII: cols. 612-13. |
| Weinmann/TRAEG FAC | ———. Beiträge zur Geschichte des Alt-Wiener Musikverlages. Vol. 2, no. 17: Johann Traeg: Die Musikalienverzeichnisse von 1799 und 1804. Vienna: Universal, 1973. |
| Weinmann/WIENER-ZEITUNG | ———. “Die Wiener Zeitung als Quelle für dieMusikbibliographie.” Festschrift Hoboken/75th. Pp. 153-60. |
| Weismann/HAYDN B-DUR | Weismann, Wilhelm, ed. Joseph Haydn: Divertimento B-Dur. Munich: F. E. C. Leuckart, 1954. |
| Weiss/COMMUNICATIONS | Weiss, Piero. “Communications.” JAMS XXI/2 (Summer 1968): 233—34. |
| Wellesz/Sternfeld/CONCERTO | Wellesz, Egon, and Sternfeld, Frederick. “The Concerto,” in The Age of Enlightenment: 1745-90.NOHM/7. Pp. 434-502. |
| Wellesz/Sternfeld/SYMPHONY | ———. “The Early Symphony,” in The Age of Enlightenment: 1745—90. NOHM/7. Pp. 366—433. |
| Wesley/REMINISCENCES | Wesley, Samuel. “Reminiscences.” Ca. 1836. British Museum Ms. Add. 27593, f. 70. |
| Wessely/MARTINEZ | Wessely, Helene. “Marianne von Martinez.” MGGVIII: cols. 1716-18. |
| Wiesel/PRESENCE | Wiesel, Meir. “The Presence and Evaluation of Thematic Relationships and Thematic Unity.” Israel Studies in Musicology I (1978):77—91. |
| Winter/Carr/BEETHOVEN | Winter, Robert, and Carr, Bruce, eds. Beethoven, Performers, and Critics. The International Beethoven Congress, Detroit 1977. Detroit: Wayne State University Press, 1980. |
| Wolf/AUTHENTICITY | Wolf, Eugene K. “Authenticity and Stylistic Evidence in the Early Symphony: A Conflicting Attribution between Richter and Stamitz,” in A Musical Offering. Edited by Edward H. Clinkscale and Claire Brook. New York: Pendragon Press, 1977. pp. 273-94. |
| Wolf/RECAPITULATIONS | ———. “The Recapitulations in Haydn’s LondonSymphonies.” MQ LII/1 (January 1966): 71-89. |
| Wolf/STAMITZ | ———. “The Symphonies of Johann Stamitz: Authenticity, Chronology, and Style.” 3 vols. Ph.D. diss., New York University, 1972. |
| Wotquenne/C. P. E. BACH | Wotquenne, Alfred, ed. Thematisches Verzeichnis der Werke von Carl Philipp Emanuel Bach)17141788). Wiesbaden: Breitkopf & Härtel., 1964. |
| Wurzbach/LEXIKON | Wurzbach, Constant von. “Haydn, Franz Joseph.” Biographisches Lexikon des Kaiserthums Österreich, vol. VIII. Vienna: k. k. Hof- und Staatsdruckerei, 1862. Pp. 108-41. |
| WWV | Wagenseil Werkverzeichnis. See Scholz-Michelitsch/ WWV. |
| Wyzewa/CENTENAIRE | Wyzewa, M. Théodore de. “A propos du centenaire de la mort de Joseph Haydn.” Revue des deux MondesLXXIX/51 (June 15, 1909): 935-46. |
| Wyzewa/Saint-Foix SONATE | Wyzewa, [M.] Théodore de, and Saint-Foix, Georges de. “Une sonate oubliée.” BullSIM, VI/i (January 15, 1910): 34-37. |
| Zeller/ABWEICHUNGEN | Zeller, Hans Rudolf. “Abweichungen vom Thema.” Musik-Konzepte 41 (1985), Joseph Haydn: 47—67. |
| ZfM | Zeitschrift für Musik |
| ZfMw | Zeitschrift für Musikwissenschaft |
| ZIMG | Zeitschrift der Internationalen Musikgesellschaft |
| Zinzendorf/DIARIES | Zinzendorf, Count Karl von. “Tagebuch.” (Ms.) Vienna, Haus-, Hof- und Staatsarchiv. |
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