“Literature of the People’s Republic of China”
Across (1949). Tsou Ti-fan.
As the Ice and Snow Melt (1956). Li Chun.
At the Bridge Site (1956). Liu Pin-yen.
Auntie Kuan (1959). Ju Chih-chiian.
Autumn Harvest (1956). Mao Tun.
Autumn Rhymes (1963). Chün Ch’ing.
Battle Fires Spread (1951). Liu Pai-yü.
The Battle of Sha-chia-tien (1953). Liu Ch’ing.
Before Daybreak (1959). Ju Chih-chüan.
Before the New Bureau Director Came. Ho Ch’iu.
Biography of Niu T’ien-szu (1935). Lao She.
The Birth of a Person (1931). Ting Ling.
Bitter Struggle (1963). Ou-yang Shan.
Black Pheonix (1964). Wang Wen-shih.
The Blood-stained Clothes (1962). Chüan Ching.
Blue Sky and the Forest (1942). Tsou Ti-fan.
The Brand (1934). Tsang K’o-chia.
Bright Sunny Sky (1972). Hao Jan.
Broad Road in Golden Light (1972). Hao Jan.
The Builders (1960). Liu Ch’ing.
A Bumper Crop of Short Stories (1963).
Caged Animals (1963). Sha Ting.
The Carpenter Shop (1948). Tsou Ti-fan.
The Carter’s Story (1949). T’ien Chien, -hfl*
Cart Wheel Tracks (1959). Li Chun.
The Changes in Li Village (1950). Chao Shu-li.
Cheers (1959). Tsang K’o-chia.
The Children of Hsi-liu-shui (1956). Chou Erh-fu.
Chin-pao’s Mother (1962). Ma Feng.
Chinese Ballads (1936). T’ien Chien.
City of Cats (1933). Lao She.
Coal Mines in May (1955). Hsiao Chiin.
The Coldest Winter in Peking (1977). Hsia Chih-yen.
Colorful Clouds (1964). Hao Jan.
The Conch-shell Bugle Call (1973). Chang Yung-mei.
The Countryside, on High Tide (1956).
Critical Essays on the Peking Opera “The Red Lantern” (1965).
Critical Introduction of Chinese Writers of the 1930s (1978). Ting Wang.
The Death of a Famous Actor (1960). T’ien Han.
The Death of Li Hsiu-ch’eng (1959). Yang Han-sheng.
Decay (1947). Mao Tun.
Defend Yenan (1954). Tu P’eng-ch’eng.
The Diary of a Suicide (1929). Ting Ling.
Discussion of the Mass Line During Land Reform (1950). Liu Ch’ing.
Disillusionment (1927). Mao Tun.
Divorce (1933). Lao She.
Dripping Water Wears Away the Rock. K’ang Cho.
Drops of Water (1961). Chao P’u-ch’u.
The East (1978). Wei Wei.
East is Red (1963). K’ang Cho.
East Shantung Stories (1959). Chiin Ch’ing.
Enjoying the Short Stories of 1960 (1961). Tu P’eng-ch’eng et al.
Evening Talks at Yenshan (1963). Teng T’o.
The Execution of Mayor Yin (1978). Chen Jo-hsi.
Faded Roses (1929). Ou-yang Shan.
Family Problems (1964). Hu Wan-ch’un.
Farewell to Yenan (1951). Ko Pi-chou.
Field Combat Verses (1951). Li Ying.
Fighting on the Hu-t’o River (1959). Li Ying-ju.
Fighting on the Plain. Chang Yung-mei.
Fish’s Eye (1935). Pien Chih-lin.
Flames Ahead (1952). Liu Pai-yü.
The Flames of Revenge (1962). Wen Chieh.
Flood (1936). T’ien Han.
Flood (1932). Ting Ling.
The Flowering Steppe (1962). Malchinhu.
The Foothills of the Pamir Plateau (1940). Yang Shuo.
Forced Passage (1946). Sha Ting.
From the Grasslands (1960). Rabchai Tsazang.
Fu-kuei (1953). Chao Shu-li.
A Generation of Noble Souls (1959). Ou-yang Shan.
The Goddess (1921). Kuo Mo-jo.
The Gold-panning (1947). Sha Ting.
Great Changes in a Mountain Village (1962-63). Chou Li-po.
Hai Jui’s Dismissal from Office (1962). Wu Han.
The Han Garden (1936). Pien Chih-lin, Ho Ch’i-fang, and Li Kuang-t’ien.
Havana in April (1964). Juan Chang-ching.
The Herald of Dawn (1948). Ai Ch’ing.
Homecoming. Chao Hsün.
Hometown (1947). Ai Wu.
Hsieh Yao-huan. T’ien Han.
Hurricane (1949). Chou Li-po.
In Darkness (1928). Ting Ling.
In Peace Time (1958). Tu P’eng-ch’eng.
In Stable (1963). Hsiao San.
In the Countryside, Forward—March! (1956). Ch’in Chao-yang.
In the Red-Rock Mountain (1972).
It Happened in the Reed Pond (1950). Yang Mo.
It Is Not Yet Dawn (1936). T’ien Chien.
Jujube Tree Village (1972). Li Ying.
Keep the Red Flags Flying (1958). Liang Pin.
Kuan Han-ch’ing (1961). Tien Han.
The Land Beautiful as Brocade (1953). Yang Shuo.
The Lanterns of Nan-shan (1964). Sun Ch’ien.
Leaves of Three Autumns (1933). Pien Chih-lin.
Li Tzu-ch’eng (1978). Yao Hsüeh-yin.
Life is Like Fire (1965). Hsu Ching-hsien.
The Lin Family Store (1961). Hsia Yen. ()
The Lin Family Store (1938). Mao Tun.
The Long Flowing Stream (1963). Liu Chen.
Love and War (1946). Yao Hsüeh-yin.
The May Festival (1959). Li Chi.
Midnight (1933). Mao Tun.
Moonless Night (1954). Yang Shuo.
Morning in Shanghai (1958). Chou Erh-fu.
Morning Lights (1964). Liu Pai-yii.
The Morning Sun (1961). Liu Pai-yü.
Mother (1933). Ting Ling.
Motherland! the Glorious October (1958). Wen Chieh.
Mount Wang-nan (1950). Yang Shuo.
The Mountain Stream (1963). Liang Shang-ch’iian.
Mountain Wilderness (1962). Ai Wu.
The Music Creek (1963). Yen Chen.
My First Superior (1959). Ma Feng.
A New Home (1955). Ai Wu.
New Poetry from Southern Kwangtung (1972).
New Songs of Soldier-Tillers (1973). Hsü Yü, Huo Hua, et al.
New Spring (1956). Chang Yung-mei.
New Year (1965). Hu Wan-ch’un.
Night in South China (1935). Ai Wu.
The Night in the Village (1957). Ho Ching-shih.
The Night of the Snowstorms (1958). Wang Wen-shih.
Night Scenes (1936). Ai Wu.
Niu Ch’uan-te and the Red Carrot (1942). Yao Hsiieh-yin.
Nocturnal Songs (1950). Ho Ch’i-fang.
Northland and South of the River. Yang Han-sheng.
The Offspring (1958). Wang Yüan-chien.
On Poetry (1952). Ai Ch’ing.
On the Kolchin Grasslands (1959). Malchinhu.
On the Writing of Short Stories (1959). Chiin Ch’ing.
One Year (1956). Fei Li-wen.
An Ordinary Laborer (1959). Wang Yüan-chien.
Party Membership Dues (1956). Wang Yüan-chien.
The Past Generation (See The Third Generation)
Pastoral Songs of the T’ien Mountain Range (1956). Wen Chieh.
The Path of Socialist Literature and Art in China (1960). Chou Yang.
Paths in the Woods (1957). Liu Chen.
Peian-Heiho Line (1950). Liu Chen.
People Sing on the Long Island (1972).
The Petrel (1961). Chün Ching.
Pledge (1953). T’ien Chien.
Pledge to Peace (1954). Liu Pai-yii.
Poems of the Last Ten Years (1957). Feng Chih.
Poems of the War of Resistance (1956). T’ien Chien.
Poems on the Seashore (1955). Chang Yung-mei.
Prophecy (1954). Ho Ch’i-fang.
The Quiet Maternity Ward (1962). Ju Chih-chüan.
Rainbow (1929). Mao Tun.
Record of Painted Dreams (1936). Ho Ch’i-fang.
Red Flag Unfurling in the Wind (1972).
Red Flowers All Over the Mountain (1973). Li Ying.
The Red Lantern (1970).
Red Rock Hill (1949). Yang Shuo.
Red Star—A Jewel (1953). Ai Ch’ing.
Red Willow (1965). Li Ying.
Repatriates (1978). Chen Jo-hsi.
Return by Night (1958). Ai Wu.
Rickshaw Boy (1937). Lao She.
Romance of the Coal Mine of Black Stone Hill (1950). K’ang Cho.
The Route (1932). Sha Ting.
The Rhymes of Li Yu-ts’ai (1962). Chao Shu-li.
Sai Chin Hua (1936). Hsia Yen.
San-li-wan (1963). Chao Shu-li.
The Seeds (1965). T’ang K’o-hsin.
Selected Creative Writings by Young Workers, Peasants, and Soldiers (1965).
Selected Plays by Lao She (1959). Lao She.
Selected Poems of Ch’en Yi (1977). Ch’en Yi.
Selected Short Stories (1956).
Selected Works of Mao Tse-tung (1965). Mao Tse-tung.
Seventeen Short Poems (1952). Li Chi.
Shachiapang (1970).
Shansi-Chahar-Hopei Poems (1959). Wei Wei.
Short Songs on the Highland (1949). Chou Erh-fu.
Singing Aloud (1973). Ho Ching-chih.
Slave Girl Chin-chu (1965). Lu Yang-lieh.
Snow and the Village (1943). Tsou Ti-fan.
The Songs of the Kunlun Mountains (1965). Kuo Hsiao-ch’uan.
Songs of the Surveyors (1963). Juan Chang-ching.
The Song of Youth (1960). Yang Mo.
Songs South of the River (1961). Yen Chen.
Sons and Daughters of Hsisha (1974). Hao Jan.
Southern Journeys, II (1964). Ai Wu.
Sowing (1963). Liu Ch’ing.
Sowing Seeds (1946). Sha Ting.
Spring (1956). Ai Ch’ing.
The Spring and Autumn of the Taiping Kingdom of Heaven (1946). Yang Han-sheng.
Spring Famine (1946). Chou Erh-fu.
Spring in the Valley (1955). Chou Erh-fu.
Spring in the Workshop (1956). T’ang K’o-hsin.
Spring Planting, Autumn Harvest (1956). K’ang Cho.
Spring Silkworm (1933). Mao Tun.
Spring Waters (1922). Ping Hsin.
The Stars (1921). Ping Hsin.
Steeled and Tempered (1962). Ai Wu.
The Story in Song of the Horse-headed Fiddle (1956). T’ien Chien.
The Story of Ch’iu Chin (1951). Hsia Yen.
The Story of Li Shuang-shuang (1961). Li Chun.
Sugarcane Forest (1963). Kuo Hsiao-ch’uan.
The Sun Shines Over the Sangkan River (1948). Ting Ling.
Swallow Cliff (1954). Chou Erh-fu.
Taking Tiger Mountain by Strategy (1970).
Tall, Tall Poplars (1964). Ju Chih-chüan.
Teahouse (1959). Lao She
The Third Generation (1937). Hsiao Chiin.
A Thousand Miles of Lovely Land (1953). Yang Shuo.
Thousands of Songs Dedicated to the Party (1971).
Together through Thick and Thin. Yüeh Yeh.
Three-Family Lane (1959). Ou-yang Shan.
Three Years in Huang-fu Village (1956). Liu Ch’ing.
To the Fighters (1954). T’ien Chien.
To Young Citizens (1956). Kuo Hsiao-ch’uan.
Treatises on the Motion Picture (1963).
Triumphal Return (1962). Tsang K’o-chia.
Uncle Kao (1949). Ou-yang Shan.
Under Shanghai Eaves (1946). Hsia Yen.
The Underground Spring (1932). Yang Han-sheng.
Up and Down the Great River (1977). Li Chun.
Village Feud (1956). Ma Feng.
Village in August (1935). Hsiao Chiin.
Village Sketches (1954). Ch’in Chao-yang.
The Visitor (1958). Fang Chi.
Wall of Bronze (1963). Liu Ch’ing.
Wang Kuei and Li Hsiang-hsiang (1949). Li Chi.
Wang Number Nine Speaks Bitterness (1950). Chang Chih-min.
Water (1930). Ting Ling.
We Temper the Steel the Revolution Needs (1975). Feng Ching-yüan.
Wei Hu (1930). Ting Ling.
When Flowers Appear in Warm Spring (1953). Yao Hsüeh-yin.
When the Elephant Grass Blooms Turn White (1957). Li Chun.
When the Grapes Ripen (1953). Sun Ch’ien.
White Cloud Obo Symphony (1964). Juan Chang-ching.
White-haired Girl (1946). Ho Ching-chih.
Who Are the Creators of Miracles? (1962). Hu Wan-ch’un
Who Are the Most Loveable People? (1973). Wei Wei.
Who Dares to Sing a Song that Moves the Earth! (1974).
Wildfire and Wind Vie in an Old City (1962). Li Ying-ju.
Wildness (1974). Ai Ch’ing.
The Wind and Cloud on the Frontier. Yang Han-sheng.
A Woman (1930). Ting Ling.
Young Friends (1962). Tu P’eng-ch’eng.
Youth (1956). Hu Wan-ch’un.
The Zero Degree of Life (1947). Tsang K’o-chia.
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