“Contents” in “Meter In Music,” | Open Indiana

Contents

	INTRODUCTION
I.	The Origins of the Measure in the Seventeenth Century
II.	Time Signatures in the Eighteenth Century
III.	Rhythmopoeia: Quantitative Meters in Poetry and Music
IV.	Quantitas Intrinseca: The Perception of Meter
V.	Articulation of Quantitative Meter
VI.	Accent as Measure Articulation and as Measure Definition
	APPENDIX: Rhythmopoeia According to Johann Mattheson and Wolfgang Caspar Printz

	NOTES
	BIBLIOGRAPHY
	INDEX