BIBLIOGRAPHY

Works by Mao Tun

Novels

Huan-mieh (Disillusionment). Shanghai: K’ai-ming shu-tien , 1930.

Tung-yao (Vacillation). Shanghai: K’ai-ming shu-tien, 1930.

Tsui-ch’iu (Pursuit). Shanghai: K’ai-ming shu-tien, 1930.

Shih (Eclipse). Shanghai: K’ai-ming shu-tien, 1930. Reprinted Peking: jen-min wen-shüeh ch’u-pan-she , 1954. Collected in Mao Tun Wen Chi (Collected Works of Mao Tun) in ten volumes. Peking, Jen-min wen-hsüeh ch’u-pan-she, 1957.

Hung (Rainbow). Shanghai: K’ai-ming shu-tien, 1930.

San-jen-hsing (In Company of Three). Shanghai: K’ai-ming shu-tien, 1931.

Lu (The Road). Shanghai: Kuang-hua shu-chü , 1932.

Tzu-yeh (Midnight). Shanghai: K’ai-ming shu-tien, 1933.

Tuo-chiao-kuan-hsi (Polygonal Relations). Shanghai: Sheng-huo shu-tien , 1937.

Ti-i chieh-tuan ti ku-shih (Story of the First Stage of the War). Shanghai: K’ai-ming shu-tien, second printing, 1939.

Fu-shih (Putrefaction). Shanghai: Hua-hsia shu-tien , 1941

Shuang-yeh hung-shih erh-yüeh hua (Frosty Leaves Red as February Flowers) Kuei-lin : Hua-hua shu-tien , 1943.

Tuan-lien (Discipline). Peking: Wen-hua i-shu ch’u-pan-she , 1980. First serialized in Wen-hui-pao (Hongkong, September 9 - December 29, 1948).

Collections of Short Stories

Yeh Hsiang-wei (The Wild Roses). Shanghai: Ta-chiang shu-p’u , 1929.

Su-mang . Shanghai: K’ai-ming shu-tien, 1935.

Mao Tun tuan-p’ien hsiao-shuo chi (Collections of Short Stories by Mao Tun) in 2 volumes. Shanghai: K’ai-ming shu-tien, in 1935.

Mao Tun hsüan-chi (Selected Works of Mao Tun). Shanghai: Wan-hsiang shu-wo , 1935.

Mao Tun ch’uang-tso hsüan (A Selection of Creative Writing by Mao Tun). Shanghai: Wen-hua sheng-huo ch’u-pan-she , 1936.

P’ao-muo (Foams and Other Stories). Shanghai: Sheng-huo ch’u-pan-she , 1936.

Hsiao-ch’eng ch’un-ch’iu (Story from a Small Town). Shanghai: Wen-hua sheng-huo ch’u-pan-she, 1937.

Shao-nü-ti hsin (Heart of the Maiden). Shanghai: Wen-hua sheng-huo ch’u-pan-she, 1937.

Kuling chih-ch’iu (Autumn in Kuling). Shanghai: Wen-hua sheng-huo ch’u-pan-she, 1937.

Ts’an-tung (Winter Days). Shanghai: Wen-hua sheng-huo ch’u-pan-she, 1937.

Mao Tun tai-piao-tso (Representative Works of Mao Tun). Shanghai: Ch’un-ch’iu shu-tien , 1937. Reprinted by Shanghai: Ch’en-kuang ch’u-pan-kung-ssu , 1946.

Yen-yün-chi (Misty Clouds and Other Stories). Shanghai: Ch’en-kuang ch’u-pan kung-ssu, 1937.

Shen-ti mieh-wang (The Death of God), n.p. Liang-yu t’u-shu-kung-ssu , 1944.

Wei-ch’ü (Grievance and Other Stories). Chungking, Chien-kuo shu-tien , 1944

T’ ien-shu-hua (Flower from the Barren Tree). Shanghai: Wen-hua sheng-huo ch’u-pan-she, 1945.

Yeh-su chih-ssu The Death of Jesus). Shanghai: Tso-chia shu-wo , 1945

Mao Tun Wen Chi Collected Works of Mao Tun). Shanghai; Ch’un-ming shu-tien , 1947.

Mao Tun hsüan-chi , (Selected Works of Mao Tun). Peking: K’ai-ming shu-tien, 1952.

Mao Tun tuan-p’ien hsiao-shuo hsüan A Selection of Short Stories by Mao Tun). Peking: Jen-min wer-hsüeh ch’u-pan-she, 1955.

Mao Tun tzu-hsüan-chi (Works Selected by Mao Tun Himself). Hongkong: Hsin-yüeh ch’u-pan-she 1962.

Mao Tun tuan-p’ien hsiao-shu-chi (Collections of Short Stories by Mao Tun) in 2 volumes. Peking: en-min wen-hsüeh ch’u-pan-she, 1980. This set includes practically all the stories in the 1934 K’ai-ming shu-tien edition of Collections with the exceptions of “Tzu-sha” (“Suicide”), “Hsi-chü” (“Comedy”), “Kuling chih-ch’iu” (“Autumn in Kuling”) and “Kuang-ming tao-lai ti shih-hou” (“when the Light Is Here”). It also includes a dozen or so stories written after 1933.

Essays

Hua-hsia-tzu (Chatter Box). Shanghai, Liang-yu t’u-shu kung-ssu, 1934.

Mao Tun san-wen-chi (Collected Essays of Mao Tun). Shanghai: T’ien-ma shu-tien, , 1933.

Su-hsieh yü sui-pi (Sketches and Notes). Shanghai: K’ai-ming shu-tien, 1935.

Chung-kuo-ti i-jih (One Day in China and Other Essays). Shanghai: Sheng-huo shu-tien, 1936.

Yin-hsiang, kan-hsiang, hui-i (Impressions, Reflections, Reminiscences). Shanghai: Wen-hua sheng-huo ch’u-pan-she, 1936.

P’ao-huo-ti hsi-li (Baptism by Gunfire). Chungking: Feng-huo-she , 1939.

Chieh-hou shih-i (Pieces Picked-up after the Calamity). Kuei-lin: Hsüeh-i ch’u-pan-she , 1942.

Chien-wen tsa-chi (Miscellaneous Notes on What I see and Hear). n.p. Wen-kuang shu-tien 1945.

Mao Tun wen-hsüen (Selected Essays by Mao Tun). Shanghai: Ch’ing-ch’un ch’u-pan-she , 1946.

Pai-yang li-tsan (Odes to the Poplar Trees). Shanghai: Hsin-hsin ch’u-pan-she , 1946

Fang-sheng wei-ssu chih-chien (Between Coming to Life and Death). Nanking, Hsiao-ya shu-tien , 1947.

Su-lien chien-wen-lu (Travels in the Soviet Union). Shanghai: Chih-yung shu-tien , 1949.

Mao Tun tzu-hsüan san-wen-chi (Essays Selected by Mao Tun Himself). Hongkong, Hsien-tai-wen-chiao-she .; 954.

Yeh-tu ou-chi (Notes While Reading at Night). T’len-ching Pai-hua wen-i ch’u-pan-she , 1958.

Ku-ch’uei-chi (Essays 1949-1958). Peking: 1959.

Ku-ch’uei-hsü-chi (More Essays 1958-1961). Peking: Tso-chia-ch’u-pan-she , 1962

Others

Ch’u Tz’u hsüan-chu (Annotated Selections from the Songs of Ch’u). Shanghai: Commercial Press , 1928.

Chung-kuo shen-hua yen-chiu A.B.C. (Introduction to the Study of Chinese Mythology). Shanghai: Shih-chieh shu-chü 1929.

Ch’i-shih wen-hsüeh ABC (Introduction to Chivalric Literature). Shanghai: Shih-chieh shu-chü, 1929.

Shen-hua tsa-lun (Miscellaneous Notes on Mythology). Shanghai: Shih-chieh shu-chü, 1929.

Hsi-yang wen-hsüeh t’ung-lun (Outline of Western Literature). Shanghai: 1929? 1933? Pseudonym, Fang Pi .

Chung-kuo wen-hsüeh pien-ch’ien-shih (History of the Development of Chinese Literature). Shanghai: Hsin-wen-hua ch’u-pan-she , 1934.

Ch’uang-tso-ti chun-pei (Preparation for Creative Writing). Shanghai: 1937 (Second edition). Reprinted by Peking, San-lien shu-tien , 1951.

Kuan-yü li-shih ho li-shih-chü (On History and Historical Plays). Peking: Tso-chia ch’u-pan-she, n.d..

Autobiographical, Bibliographical Works and Recent Collections of Mao Tun’s Works

Autobiographical Works:

Hui-i-lu (“Memoirs”), Hsin-wen-hsüeh-shih-liao (Quarterly) Documents on the [Study of] New Literature). Peking: Jen-min wen-hsüeh ch’u-pan-she, 1978-

Wo tsou-kuo-ti tao-lu (Roads I Have Travelled On). Hongkong: San-lien shu-tien, 1981.

Bibliographical Works:

Matsui Hiromitsu ed. Mao Tun p’ing-lun-chi (Collections of Mao Tun’s Critical Essays), 5 vols, and A Bibliography of Mao Tun’s Critical Essays. Tokyo: Toritsu Daigaku 1957-1666.

____________. MaoTun Ch’uang-tso, P’ing-lun, San-wen Mu-lu I (1892-1935) A Bibliography of Mao Tun’s Creative Writing, Critical Essays and Essays:I). Tokyo Toritsu Daigaku, Jinbun gakuho 98 (1974).

____________. Mao Tun Ch’uang-tso, Ping-lun, San-wen Mu-lu II(1936-1949) (A Bibliography of Mao Tun’s Creative Writing, Critical Essays and Essays; II). Tokyo Toritsu Daigaku, Jinbun gakuho 112 (1976).

Collections of Mao Tun’s Works since 1958

Mao Tun wen-chi (Collected Works of Mao Tun) in ten vols. Peking: Jen-min-wen-hsüeh ch’u-pan she, 1958-1961.

Mao Tun P’ing-lun chi I & II (November 1949-fall, 1962) . (Collection of Mao Tun’s Critical Essays in two vols.) Peking: Jen-min-wen-hsüeh ch’u-pan-she, 1978.

Mao Tun . Shih-chieh ming-chu tsa-lun Essays on Great Works of World Literature). T’ien-ching, Pai-hua wen-i ch’u-pai she, 1980.

Yeh Txu-ming ed . Мао Тun lun ch’uang-tso (Essays by Mao Tun on Creative Writing). Shanghai: Shanghai wen-i ch’u-pan-she , 1980.

Yüeh Tai-yün ed. Mao Tun lun Chung-kuo hsien-tai tso-chia tso-p’ln (Mao Tun on the Works of Contemporary Chinese Writers). Peking: Peking University Press, 1980.

Mao Tun i-wen hsüan-chi (Selection of Mao Tun’s Translated Works). Shanghai: Shanghai I-wen ch’u-pan-she, , 1981.

Mao Tun wen-i p’ing-lun-chi in 2 vols (Essays on Literature and Arts by Mao Tun in 2 vols). Peking: Wen-hua i-shu ch’u-pan-she 1981.

References

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Berdyaev, Nicolas. The Russian Idea. New York: The Macmillan Co., 1948.

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Booth, Wayne. The Rhetoric of Fiction. Chicago: University of Chicago Press, 1961.

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____________. “Ts’ung Tung-ching hui-tao Wuhan” (“Returning from Tokyo to Wuhan) in Fu Chih-ying ed., Mao Tun P’ing-chuan , pp.250-314.

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____________.Ch’ung-ch’u yün-weiti yüeh-liang (The Moon Emerging From the Clouds). Shanghai: Pei-hsin-shu-tien, 1939.

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Chung-kuo hsien-tai-wen-itzu-liao ts’ung-k’an (An Anthology of Modern Chinese Literature Source Materials). Shanghai wen-i-ch’u-pan-she, 1962.

“Mao Tun yen-chiu tzu-liao hui-pien” “Compendium of Research Materials on Mao Tun, Chung-kuo hsien-tai-tso-chia yen-chiu tzu-liao ts’ung-shu (Library of Research Materials on Modern Chinese Writers). Shantung: Shantung Normal College, Department of Chinese , 1960.

Ch’ü Ch’iu-po wen-chi (Collected Works of Ch’ü Ch’iu-po) 4 vols. Peking: jen-min-wen-hsüeh ch’u-pan-she, 1957.

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Doležalová, Anna. “Subject-matters of Short Stories in the Initial Period of the Creation Society’s Activities,” Asian and African Studies(AAS) (Brastislava) 6 (1970), pp.131–144.

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Erlich, Victor. Russian Formalism, History-Doctrine. New Haven: Yale University Press, 1981, third edition.

Ehrmann, Jacques. Literature and Revolution. New Haven: Yale French Studies, 1967.

Fan Chün . “Mao Tun ti Shih ho Hung” (“Mao Tun’s Eclipse and Rainbow), Wen-hsüseh yen-chiu (Quarterly) (Research and Studies in Literature) 4 (1956.11).

____________. “Liang-pen kuan-yü Mao Tun wen-hsüeh-tao-lu ti shu” “Two Books on the Literary Road of Mao Tun”) Wen-hsüeh-p’ing-lun (Literary Review) (1960.2), pp.112–116.

Fang Pi (pseudonym of Mao Tun). Hsi-yang wen-hsüeh t’ung-lun (Outline of Western Literature). Shanghai: 1929? 1933.

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Fu Chih-ying (ed.) Mao Tung P’ing Chuan (Critical and Biographical Essays on Mao Tun). Shanghai: Hsien-tai-shu-chü , 1931.

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____________. The Genesis of Modern Chinese literary Criticism. London: Curzon Press; Bratislava: Veda, Publishing House of the Slovak Academy of Sciences, 1980.

____________. “The Names and Pseudonyms Used by Mao Tun,” Archiv Orientalni (AO) 31 (1963), pp.81-108.

____________. “A Comment on Two Collections of Mao Tun’s Works,” AO 33 (1965), pp.614-638.

____________. “On the Influence of Foreign Ideas on Chinese Literary Criticism, 1894-1904,” Asian and African Studies (AAS)(Bratislava) 2 (1966), pp.38-48.

____________. “A Comment on Two Studies on the Works of Mao Tun,” AAS 1 (1965), pp. 81-101.

____________. “Naturalism: A Changing Concept,” East and West, New Series 16. 3-4 (September-December, 1966), pp.310-328.

____________. “The Expressionistic Criticism of Kuo Mo-jo,” Shinagakuhō (Bulletin of the Tokyo Sinological Society) (Tokyo) 13 (1967), pp.231–243.

____________. “From Chuang-tzu to Lenin, Mao Tun’s Intellectual Development,” AAS 3 (1967), pp.98-109.

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____________. “Studies in Modern Chinese Literary Criticism: VII. Liang Shih-ch’iu and New Humanism,” AAS 9 (1973), pp.29-51.

____________. “A Comment on Recent Books on Chinese Literary Criticism,” AAS 9 (1973), pp.151–169.

____________. “Studies in Modern Chinese Literary Criticism VI: Chiang Kuang-ch’ih’s Concept of Revolutionary Literature,” AAS 8 (1972), pp.43-69.

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Originally published in Wen-hua p’i-pan 3 under the pseudonym Mai-k’e-ang

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____________. “The Search for Synthesis: T’ien Han and Mao Tun in 1920,” in A.R. Davis (ed.) Search for Identity: Modern Literature and the Creative Arts in Asia (Papers presented to the 28th International Congress of Orientalist). Sydney: Angus and R bertson, 1974, pp.225-254.

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