INDEX

Abrams, M. H., 5, 73

Adonis, 6

Aims of Interpretation, The, 57

Aldridge, A. Owen, 105-107

Analects of Confucius, The, xii

Apollinaire, Guillaume, 80

applicatio, 57

Ariel, 6

Aristotle, 2

Art of Chinese Poetry, The, xvi

Auerbach, Erich, 52

Austin, J. L., 2

Ayling, Alan, 40

Ba Mountain, 80

Barrett, Elizabeth (Browning), 2

Beida (Beijing Daxue), xiv

Benjamin, Walter, 40

Bible, 40, 50

Blake, William, xiv, 20

Book of Poetry, The (Shijing), 19, 28-30, 48

Book of Snobs, The, xiii

Bowra, Sir (Cecil) Maurice, xv

Bristol, University of, xiv

British Council, xiv

Brontë, Emily, 2

Brooks, Cleanth, 107

Browning, Robert, 2, 40

Bynner, Witter, 38

Camus, Albert, 50

Cao Cao, 48

Chang’an, 28

Chang’e, 41

Chapman, George, 40

Chaucer, Geoffrey, xiv

Chaves, Jonathan, 38

Chen Zi’ang, 83

cheng (“city wall”), 19

chi (Chinese “foot”), 59

Chicago, University of, xv

Ch’ien Chung-shu, 71

Chijiao Daxian, 18

Chinese Theories of Literature, xvii

ci (“lyric”), xi, 34, 63, 73

cipu (manual on lyric metres), 63

Clemen, W. H., 55

Coleridge, S. T., 22, 55

Collingwood, R. G., xvi, 5, 68

Confucius, 52, 53

Conrad, Joseph, xii

Copperfield, David, 6

corrigible schemata, 61

creativity, 69

Croce, Benedetto, 34

Cui Hao, 32, 99

cultural relativism, 54, 65-66

da Vinci, Leonardo, 10

Dante, 50, 59

Dewey, John, 10

Diana (goddess of the moon), 41

Dickens, Charles, xiii

Dickinson, Emily, 60, 87

Doctrine of the Mean, The, xii

Donne, John, xiv

Dostoevsky, Fedor, xiii

Dream of the Red Chamber, 50

Dryden, John, 40

Du Fu, 19, 22, 24-27, 31, 43, 59, 61-63, 69. 92-94, 97, 100-102

Dufrenne, Mikel, xvi, xvii, 5, 7, 8, 67

Ecke, Gustav, xiv

Eliot, T. S., xiv, xvi, 59, 69

Ellis, John M., 17

Elizabethan and Yuan, xv

Empson, William, xiv, xvi

Erlich, Victor, 73

Etièmble, René, 105

Eurocentrism, 51, 53, 54, 65

fengwei (“flavor”), 8

FitzGerald, Edward, 40

Fokkema, D. W., 51, 54, 55, 65-66, 105

Four Books, The, xii

Frankel, Hans, 38, 101

Freud, Sigmund, 50, 51, 54, 59, 60

Frizer, Ingram, xii

Frodsham, J. D., 54

Frye, Northrop, 15

fu (“rhymeprose”), xiii

Fu Jen University, xiii

Giles, H. A., 40

Goethe, J. W. von, 50, 55

Gongan School, 70

Gorky, Maxim, xiii

Graham, A. C., 38

Great Learning, The, xii

guti shi (“Ancient Style Poetry”), 33, 79

Hamlet, 7

Hamlet, 55, 68

Han Yu, 9, 69, 81-82

Hardy, Thomas, xiii

Hawaii, University of, xv

Hawkes, David, 38, 41, 101

He Zhizhang, 89

He Zhu, 71

Heidegger, Martin, xvii

Henry VIII, 6

hermeneutical circle, 4, 53, 61

hermeneutical spiral, 61-63

Hightower, J. R., 88

Hillary, Sir Edmund, 10

Hirsch, E. D., Jr., 12, 33, 54, 57, 61, 65, 75

historical relativism, 52, 54-55, 65

historicism, 51-53, 65

Homer, 6, 50

Hong Kong, Chinese University of, xv

Hong Kong, University of, xv

Horace, 73

Hotson, Leslie, xii

huaigu shi (“poems recalling antiquity”), 33

Huang Tingjian, 69

Huangfu Shi, 9

Huis Clos, 55

Husserl, Edmund, xvi, 21, 22

Ibsen, Henrik, 50

Ingarden, Roman, xvi, xvii, 5-7, 10, 14-15, 20, 47, 66

interpretatio, 57

Iser, Wolfgang, 20, 21

James, Henry, xii, xv

Jauss, Hans Robert, 56

Jian’an ti (“Jian’an style”), 33

Jiang Kui, 7, 8, 32

jing (“scene”), xvii, 9

Jing Ke, 90, 95

jingjie (“world”), 5, 6, 7

Jingmen, 100-101

Jingting Mountain, 45-46

jinti shi (“Recent Style poetry”), 33

Jiubian (“Nine Arguments”), 92

jueju. See Quatrain

Joseph, Bertram M., xiv

Juliet, 47

Julius Caesar, xiv, 6

junzi (“young lord”), 41

Kant, Immanuel, 65

Karlgren, Bernhard, 38

King Lear, 69

Knight, G. Wilson, xvi

Kott, Jan, 55

Laertes, 68

Lefevere, André, 105

Legge, James, 40

Lenin, 50

Li Bi, 71

Li Bo, 27-28, 31, 35-36, 45, 79-80, 96-97, 102-103

Li He, 9, 58, 91

Li Shangyin, 23-24, 31-32, 34, 53, 59, 60, 73, 80-81

Lin, Shuen-fu, 32

Liuzhi (Willow Branch), 31-32

Lo, Irving, 43, 101

London, University of, xv

Lowell, Amy, 38

Lu Hongzhi, 24

Lu Ji, 8, 9, 108

Luo Binwang, 95

Macbeth, 6, 80

Mackintosh, Duncan, 40

MacLeish, Archibald, 10

Mallarmé, Stéphane, xvi

Mansfield, Katherine, xiv

Mao Zedong, 50

Maritain, Jacques, 6

Marvell, Andrew, 86

Marlowe, Christopher, xii, xiv, 6

Marx, Karl, 50, 51

meaning, 12, 20-22, 57, 59

Mencius, The Book of, xii

Merleau-Ponty, Maurice, xvi

Milton, John, 19

Ming Fei, 100-102

Mona Lisa, 10

Moore, Marianne, 40

Morozov, M. M., 55

Mrs. Dalloway, xiv

New Asia College, xv

noema, xvii

noesis, xvii

Ophelia, 7

originality, 68-73

Orlando, xiv

Ouyang Xiu, 73-74

Owen, Stephen, 38, 82

Oxford University, xv

Pannwitz, Rudolph, 40

Pearce, Roy Harvey, 53

Pengzu, 91

perspectivism, 52, 55

phenomenology, xvii, 21

Piaget, Jean, 61

Pittsburgh, University of, xv

Pope, Alexander, 40

Poulet, Georges, 20

Pound, Ezra, 38, 52

Pushkin, Alexander, 73

Qian Zhongshu, 71

qing (“feeling” or “emotion”), xvii, 9

qixiang (“atmosphere”), 7

qu (dramatic poetry), xi

Quatrain (jueju), xiii, 35, 74

Queen Mother of the West, 91

Red Mansion Dream, A, 56, 60

Rexroth, Kenneth, 38

Richard II, 6

Richards, I. A., xvi

Ricoeur, Paul, 11, 20, 56, 61, 103

Rimbaud, Arthur, xviii

roman à clef, 60

Romeo, 47

Rossetti, Christina, 81

Saint George, 6

Sartre, Jean-Paul, 7, 55

Schlegel, A. W., 55

School of Oriental and African Studies, xv

Seven Types of Ambiguity, xiv

Shakespeare, William, xiv, xv, 6, 13, 20, 31, 55, 60, 69, 82

Shen Deqian, 35

Shen Yue, 72

shenyun (“spirit and tone”), 8

shi (“poetry”), xi, 77

shi (“event”), 9

significance, 12, 57, 59

Sima Xiangru, 59

sincerity, 68, 73-74

Sinocentrism, 51, 52-53, 65

Snyder, Gary, 38

Songshi xuanzhu, 71

Song Yu, 92

Sonnets from the Portuguese, 2

Southampton, Earl of, 13

Stanford University, xv

Steiner, George, xi, 76

“Stone-moat Village Officer,” 25-27, 43

Story of the Stone, The, 50

Su Duan, 62-63

Su Shi, 34, 84-86

Symonds, J. A., 40

Szondi, Peter, 51

Taibo ti (Li Bo’s style), 33

Tale of Genji, The, 50

Tao, xvii

Tao Qian, 86-88, 90, 95

Taoism, xvii

Taste, 67-68

tastes, 67-68

Thackeray, W. M., xiii

ti (“genre” or “style”), 33

Tianwu, 91

timian (“countenance”), 7

Timur, 6

To the Lighthouse, xiv

Tolstoy, Leo, xiii, 50

transculturism, 55-56, 64, 66, 105

transhistoricism, 55-56, 64, 66, 105

Tsing Hua University, xiv

Turgenev, Ivan, xiii

Validity in Interpretation, 57

Vaughan, Henry, 83

Vergil, 19

Voltaire, 6

Wadham College, xiv

Waley, Arthur, 38, 40

Wallenstein, 6

Wang Anshi, 71

Wang Fuzhi, xvi

Wang Guowei, xvi, 5, 6, 7

Wang Qiang (Wang Zhaojun), 101

Wang Shizhen, xvi, 8

Wang Wei, 2, 44, 46, 71-72, 74, 97-98

Wangshu, 81

Watson, Burton, 38, 46, 48

Wellek, René, xvi, xvii, 52-53, 55, 56, 65, 66

wen (“literature”), 107

Wilde, Oscar, xiii, xiv

Wimsatt, W. K., Jr., xvi, 12

wo (“subject”), xvii

wo cunzi (“I exist”), xviii

wo shi (“I am”), xviii

Woolf, Virginia, xii, xiv

wu (“object”), xvii

Wuning, 24

Wuxian, 91

Xianzhong, Monk, 71-72, 74

xianglian ti (“style of boudoir verse”), 34

Xie Shang, 96

Xie Tiao, 35

Xie Tiao’s Pavilion, 79

Xie Zhen, 9

Xihe, 81

Xikun ti (“style of the Xikun School”), 34

Xuanzhou, 79

Xue Fu, 62-63

Xue Hua, 62

xuemuo (“veins”), 7

Yan, Prince Dan of, 90, 95

Yan Yu, xvi, 7

Ye Xie, 9

Yellow Crane Tower, 98-99

Yellow River, 102-103

yinyi (“recluse”), 94

Yip, Wai-lim, 42

yongshi shi (“poems on history”), 90

yongwu shi (“poems on objects”), 33

Youzhou, 83

Yuan Hong, 96

Yuan Hongdao, 70

Yuan Zhongdao, 70

Yuan Zongdao, 70

yuanyang (“mandarin duck”), 46

yuefu (“Music Department songs”), 35

Yuguan (Jade Pass), 28

Yujie yuan (“Grievance on the Marble Steps”), 35-36

yundu (“tone”), 7

yunsheng (“tone”), 8

Zhao Yi, 69

zhiji (“one who appreciates you”), 90

Zhongnan, 97

Zhou (dynasty), 59

Zhuangzi, 86-87, 88