BIBLIOGRAPHY

A. Works in Chinese

Du Fu . A Concordance to the Poems of Tu Fu . Harvard-Yenching Sinological Index Series, Supplement 14.

——. Du Gongbu shiji (Sibu beiyao ).

——. Du shi xiangzhu . Edited by Qiu Zhao’ao .

Han Yu . Han Changli quanji (Sibu beiyao).

Ji Yun et al., eds. Siku quanshu zongmu . Taibei: Yiwen yinshuguan .

Jiang Kui . Baishi shishuo . In He Wenhuan, ed., Lidai shihua , .

Li Bo (Li Bai) . Li Taibo shiji (Sibu beiyao).

Li He . Li Changji geshi . Edited by Wang Chi et al. Shanghai: Zhonghua shuju , 1959.

Li Shangyin . Yuxisheng shi jianzhu . Edited by Feng Hao (Sibu beiyao).

——. Li shangyin shi xuan . Edited by Anhui Shida Zhong-wenxi Peking: Renmin wenxue chubanshe , 1978.

Lu Ji . Wenfu . In Lu Shiheng ji (Sibu beiyao).

Luo Binwang . Lu Cheng ji (Congshu jicheng ).

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Qu Wanli . Shijing shiyi . Taibei: Huagang chubanshe , 1953.

Su Shi . Dongpo ji (Sibu Beiyao).

Tao Qian . Jingjie xiansheng ji (Sibu beiyao).

Wang Anshi . Linchuan xiansheng wenji . Shanghai: Zhonghua shuju, 1959.

Wang Shizhen . Daijingtang shihua . 1760, rep. Shanghai, n.d.

Wang Wei . Wang Youcheng ji zhu . Edited by Zhao Diancheng (Sibu beiyao).

Xie Tiao . Xie Xuancheng ji jiaozhu . Edited by Hong Shunlong . Taibei: Zhonghua shuju, 1969.

Xie Zhen . Siming shihua . In Ding Fubao, ed., Xu lidai shihua , .

Yan Yu . Canglang shihua . In He Wenhuan, ed., Lidai shihua.

Ye Xie . Yuan shi . In Ding Fubao, ed., Qing shihua .

Yü Shouzhen , ed. Tang shi sanbaishou xiangxi . Hong Kong: Zhonghua shuju, 1959.

Zhao Yi . Oubei shihua . Peking: Denmin wenxue chubanshe, 1963.

B. Works in Western Languages

Abrams, M. H. The Mirror and the Lamp. New York: Oxford University Press, 1958.

Aldridge, A. Owen. “East-West Relations: Universal Literature, Yes; Common Poetics, No,” Tamkang Review, 10, Nos. 1 and 2 (1979), 17-33

Alston, William P. Philosophy of Language. Englewood Cliffs, N.J.: Prentice-Hall, 1964.

Apollinaire, Guillaume. Alcools. Paris, Éditions de la Nouvelle Revue Française, 1920.

Austin, J. L. How to Do Things with Words. New York: Oxford University Press, 1962.

Benjamin, Walter. Illuminations. Ed. with an introduction, Hannah Arendt. Trans. Harry Zohn. New York: Harcourt, Brace, and World, 1968.

Birch, Cyril, ed. An Anthology of Chinese Literature. Vol. I. New York: Grove Press, 1965.

Collingwood, R. G. The Principles of Art. Oxford: Clarendon Press, 1938.

Cooper, Arthur, trans. Li Po and Tu Fu. Harmondsworth, Middlesex, England: Penguin Books, 1971.

Croce, Benedetto. Aesthetics as Science of Expression and General Linguistic. Trans. Douglas Ainslie. London: Macmillan and Co., 1929.

Davis, A. R. Tu Fu. New York: Twayne Publishers, 1971.

Dewey, John. Art as Experience. New York: Minton, Balch and Co., 1934.

Dickinson, Emily. The Poems of Emily Dickinson. Ed. Thomas H. Johnson. Cambridge, Mass.: The Belknap Press of Harvard University Press, 1955.

Dufrenne, Mikel. Le Poétique. Paris: Presses Universitaires de France, 1963.

——. Language and Philosophy. Trans. H. B. Veatch. Bloomington: Indiana University Press, 1963.

——. Phénoménologie de l’expérience esthétique. 2d ed. Paris: Presses Universitaires de France, 1967. The Phenomenology of Aesthetic Experience. Trans. Edward S. Casey et al. Evanston: Northwestern University Press, 1973.

Eliot, T. S. Notes Towards the Definition of Culture. New York: Harcourt, Brace, 1949.

Ellis, John M. The Theory of Literary Criticism: A Logical Analysis. Berkeley, Los Angeles and London: University of California Press, 1974.

Eoyang, Eugene. “The Tone of the Poet and the Tone of the Translator.” Yearbook of Comparative and General Literature, No. 24 (1975), 75-83.

Erlich, Victor. “Limits of the Biographical Approach.” Comparative Literature, 6 (1954), 130-37.

Fang, Achilles. “Some Reflections on the Difficulty of Translation.” In Reuben A. Brower, ed., On Translation. Cambridge, Mass.: Harvard University Press, 1959.

Fish, Stanley E. “How Ordinary is Ordinary Language?” New Literary History, 5, No. 1 (1973), 41-54.

——. “What is Stylistics and Why Are They Saying Such Terrible Things About It?” In Seymour Chatman, ed., Approaches to Poetics. New York and London: Columbia University Press, 1973.

Fokkema, D. W. “Cultural Relativism and Comparative Literature,” Tamkang Review, 3, No. 2 (1972), 59-71.

——. “Chinese and Renaissance Artes Poeticae.” Comparative Literature Studies, 15, No. 2 (1978), 159-65.

——. Rev. of Chinese Theories of Literature by James J. Y. Liu. Dutch Quarterly Review of Anglo-American Letters, 8 (1978), 157-59.

——. “New Strategies in the Comparative Study of Literature and Their Application to Contemporary Chinese Literature,” in William Tay, Ying-hsiung Chou, and Heh-hsiang Yuan, eds., China and the West: Comparative Literature Studies. Hong Kong: The Chinese University Press, 1980.

Frankel, Hans H. “Yüeh-fu poetry.” In Cyril Birch, ed., Studies in Chinese Literary Genres. Berkeley, Los Angeles and London: University of California Press, 1974.

——. The Flowering Plum and the Palace Lady. New Haven and London: Yale University Press, 1976.

Frodsham, J. D. New Perspectives in Chinese Literature. Canberra: Australian National University Press, 1970.

Frye, Northrop. Anatomy of Criticism. Princeton: Princeton University Press, 1957. Rpt. New York: Atheneum, 1970.

Graham, A. C., trans. Poems of the Late T’ang. Harmondsworth, Middlesex, England: Penguin Books, 1965.

——. “ ‘Being’ in Classical Chinese.” In John W. M. Verhaar, ed., The Verb “Be” and Its Synonyms. Dordrecht: D. Reidel, 1967.

Hawkes, David. A Little Primer of Tu Fu. Oxford: Clarendon Press, 1967.

——. Rev. of Chinese Rhyme-prose by Burton Watson. Asia Major, 18, pt. 2 (1973), 253.

Hightower, James R. “The Wen Hsüan and Genre Theory.” Harvard Journal of Asiatic Studies, 20, Nos. 3-4 (1957), 512-33.

——, trans. The Poetry of T’ao Ch’ien. Oxford: Clarendon Press, 1970.

Hirsch, E. D., Jr. Validity in Interpretation. New Haven and London: Yale University Press, 1967.

——. The Aims of Interpretation. Chicago: University of Chicago Press, 1976.

Hung, William. Tu Fu: China’s Greatest Poet. Cambridge, Mass.: Harvard University Press, 1952.

Husserl, Edmund. Logical Investigations. Trans. J. N. Finlay. New York: Humanities Press, 1970.

Ingarden, Roman. The Literary Work of Art. Trans. George G. Grabowicz. Evanston: Northwestern University Press, 1973.

——. The Cognition of the Literary Work of Art. Trans. Ruth Ann Crowley and Kenneth R. Olson. Evanston: Northwestern University Press, 1973.

——. “Artistic and Aesthetic Values.” In Harold Osborne, ed., Aesthetics. London: Oxford University Press, 1972.

Iser, Wolfgang. “The Reading Process: A Phenomenological Approach.” New Literary History, 3, No. 2 (1972), 279-99. Rpt. in his The Implied Reader. Baltimore and London: Johns Hopkins University Press, 1974.

——. The Act of Reading. Baltimore and London: Johns Hopkins University Press, 1978.

Jakobson, Roman. “Linguistics and Poetics.” In Thomas A. Sebeok, ed., Style in Language. Cambridge, Mass.: MIT Press, 1960.

Jauss, Hans Robert. “The Alterity and Modernity of Medieval Literature.” New Literary History, 10, No. 2 (1979), 181-227.

Kao, Yu-kung, and Tsu-lin Mei. “Syntax, Diction, and Imagery in T’ang Poetry.” Harvard Journal of Asiatic Studies, 31 (1971), 49-135.

Karlgren, Bernhard, trans. The Book of Odes. Stockholm: Museum of Far Eastern Antiquities, 1974.

Kierkegaard, Søren, Either/Or. Trans. D. F. and L. M. Swenson. London: Oxford University Press, 1946.

Lefevere, André. “Some Tactical Steps Toward a Common Poetics.” In William Tay, Ying-hsiung Chou, and Heh-hsiang Yuan, eds., China and the West: Comparative Literature Studies. Hong Kong: The Chinese University Press, 1980.

Levin, Samuel. “Concerning What Kind of Speech Act a Poem Is.” In T. A. Van Dijk, ed., Pragmatics of Language and Literature. Amsterdam: North-Holland Publishing Co., 1976.

Lin, Shuen-fu. The Transformation of the Chinese Lyrical Tradition: Chiang K’uei and Southern Sung Tz’u Poetry. Princeton: Princeton University Press, 1978.

Liu, James J. Y. Elizabethan and Yuan. London: China Society, 1955.

——. The Art of Chinese Poetry. London: Routledge and Kegan Paul; Chicago: University of Chicago Press, 1962. Phoenix Books ed., University of Chicago Press, 1966; 4th impression, 1974.

——. “Towards a Chinese Theory of Poetry.” Yearbook of Comparative and General Literature, No. 15 (1966), 159-65.

——. The Chinese Knight-Errant. London: Routledge and Kegan Paul; Chicago: University of Chicago Press, 1967.

——. The Poetry of Li Shang-yin. Chicago: University of Chicago Press, 1969.

——. Major Lyricists of the Northern Sung. Princeton: Princeton University Press, 1974.

——. “Polarity of Aims and Methods: Naturalization or Barbarization?” Yearbook of Comparative and General Literature, No. 24 (1975), 60-68.

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——. “The Study of Chinese Literature in the West: Recent Developments, Current Trends, Future Prospects.” Journal of Asian Studies, 35, No-1 (1975), 21-30.

——. “Language—Literature—Translation: A Bifocal Approach in a Tetradic Framework.” In T. C. Lai, ed., The Art and Profession of Translation. Hong Kong: Hong Kong Translation Society, n.d.

——. “Towards a Synthesis of Chinese and Western Theories of Literature.” Journal of Chinese Philosophy, 4 (1977), 1-24.

——. Essentials of Chinese Literary Art. North Scituate, Mass.: Duxbury Press, 1979.

——. “Time, Space, and Self in Chinese Poetry.” Chinese Literature: Essays, Articles, Reviews, 1, No. 2 (1979), 137-56.

Liu, Wu-chi, and Irving Yucheng Lo, eds. Sunflower Splendor. Bloomington: Indiana University Press; New York: Anchor Press/Doubleday, 1975.

Magliola, Robert. Phenomenology and Literature. W. Lafayette: Purdue University Press, 1977.

Maritain, Jacques. Creative Intuition in Art and Poetry. New York: Pantheon Books, 1953.

Ohmann, Richard. “Speech Acts and the Definition of Literature.” Philosophy and Rhetoric, 4 (1971).

——. “Literature as Act.” In Seymour Chatman, ed. Approaches to Poetics. New York and London: Columbia University Press, 1973.

Owen, Stephen. The Poetry of Meng Chiao and Han Yü. New Haven and London: Yale University Press, 1975.

Pearce, Roy Harvey. Historicism Once More. Princeton: Princeton University Press, 1969.

Poulet, Georges. “Phenomenology of Reading.” New Literary History, 1, No. 1 (1969), 53-68.

Pratt, Mary Louise. Toward a Speech Act Theory of Literary Discourse. Bloomington: Indiana University Press, 1977.

Quiller-Couch, Sir Arthur, ed. The Oxford Book of English Verse. Oxford: Clarendon Press, 1939.

Ricoeur, Paul. “The Model of the Text.” New Literary History, 5, No. 1 (1973), 91-117.

——. The Conflict of Interpretations. Evanston: Northwestern University Press, 1974.

——. Interpretation Theory. Fort Worth: Texas Christian University Press, 1976.

Sartre, Jean-Paul. Psychology of Imagination. New York: Philosophical Library, 1948.

Searle, John R. Speech Acts: An Essay in the Philosophy of Language. London: Cambridge University Press, 1969.

Selver, Paul. The Art of Translating Poetry. Boston: The Writer, Inc., 1966.

Steiner, George. Language and Silence. New York: Atheneum, 1967.

——. After Babel. New York: Oxford University Press, 1975.

——. “Critic/Reader.” New Literary History, 10, No. 3 (1979), 423-52.

Szondi, Peter. “Introduction to Literary Hermeneutics.” New Literary History, 10, No. 1 (1978), 17-29.

Todorov, Tzvetan. “The Notion of Literature.” New Literary History, 5, No. 1 (1973), 5-16.

Traugott, Elizabeth Closs. “On the Expression of Spatio-temporal Relations in Language.” In Joseph H. Greenberg, Charles A. Ferguson, and Edith A. Moravcsik, eds., Universals of Human Language, Vol. III. Stanford: Stanford University Press, 1978.

Waley, Arthur. The Poetry and Career of Li Po. London: Allen and Unwin, 1950.

Walls, Jan W. “The Craft of Translating Poetic Structures and Patterns: Fidelity to Form.” Yearbook of Comparative and General Literature, No. 24 (1975), 68-75.

Watson, Burton, trans. Su Tung-p’o: Selections from a Sung Dynasty Poet. New York and London: Columbia University Press, 1965.

——. Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century. New York and London: Columbia University Press, 1971.

Wellek, René. Concepts of Criticism. New Haven and London: Yale University Press, 1963.

Wellek, René, and Austin Warren. Theory of Literature. 3d ed. New York: Harcourt, Brace, and World, 1962.

Wimsatt, W. K., Jr. The Verbal Icon. Lexington: University of Kentucky Press, 1967.

Yip, Wai-lim. Chinese Poetry: Major Modes and Genres. Berkeley, Los Angeles, and London: University of California Press, 1976.