Selected Bibliography

A. BOOKS, MONOGRAPHS, PAMPHLETS

Associazione Nazionale Industrie Cinematografiche ed Affini, La Coproduzione Cinematografica, Rome, 1966.

Associazione Nazionale Industrie Cinematografiche ed Affini, Coproduzioni di Film, 1950-1960, Rome, no date.

Associazione Nazionale Industrie Cinematografiche ed Affini, Coproduzioni di Film, 1961, Rome, no date.

Associazione Nazionale Industrie Cinematografiche ed Affini, L’Industria Cinematografica Negli Anni 1960 e 1961, Rome, 1962.

Associazione Nazionale Industrie Cinematografiche ed Affini, L’Industria Cinematografica Negli Anni 1964 e 1965, Rome, 1966.

Associazione Nazionale Industrie Cinematografiche ed Affini, La Nuova Legge del Cinema, Rome, 1965.

Balcon, Michael, Ernest Lindgren, Forsyth Hardy, and Roger Manvell, Twenty Years of British Films, 1925-1945, London, Falcon Press, 1947.

Bardèche, Maurice and Robert Brasillach, Histoire du Cinéma, Paris, Les Sept Couleurs, 1964.

Batz, Jean-Claude, A Propos de la Crise de l’Industrie du Cinéma, Institut de Sociologie, l’Université Libre de Bruxelles, 1963.

Bernstein, Irving, Hollywood at the Crossroads: An Economic Study of the Motion Picture Industry, Hollywood, A. F. of L. Film Council, 1957

British Film Producers Association, A Guide to British Film Production, London, 1965.

Conant, Michael, Antitrust in the Motion Picture Industry, Berkeley, University of California Press, 1960.

Film Centre, The Film Industry in Six European Countries, Paris, UNESCO, 1950.

Giannelli, Enrico, Economia Cinematografica, Rome, Reanda Editore, 1956.

Hardy, Forsyth, Scandinavian Film, London, Falcon Press, 1952.

Huaco, George A., The Sociology of Film Art, New York, Basic Books, 1965.

Jarratt, Vernon, The Italian Cinema, New York, Macmillan Company, 1951.

Kelly, Terence, Graham Norton, and George Perry, A Competitive Cinema, London, The Institute of Economic Affairs, 1966.

Kracauer, Siegfried, From Caligari to Hitler, New York, Noonday Press, 1959.

Mayer, Michael F., Foreign Films on American Screens, New York, Arco, 1965.

Mercillon, Henri, Cinéma et Monopoles, Paris, Armand Colin, 1953.

Norman, Albert, Our German Policy: Propaganda and Culture, New York, Vantage Press, 1951.

Pilgert, Henry P., The History of the Development of Information Services Through Information Centers and Documentary Films, Historical Division of the Office of the U. S. High Commissioner for Germany, 1951.

Pilgert, Henry P., Press, Radio and Film in West Germany, 1945-1953, Historical Division of the Office of the U. S. High Commissioner for Germany, 1953.

Plischke, Elmer, History of the Allied High Commission for Germany, Research Project 107, Historical Division of the Office of the U. S. High Commissioner for Germany, 1951.

Political and Economic Planning, The British Film Industry, London, 1952.

Political and Economic Planning, The British Film Industry 1958, London, 1958.

Sadoul, Georges, French Film, London, Falcon Press, 1953.

Schmidt, Georg, Werner Schmalenbach, and Peter Bachlin, The Film: Its Economic, Social, and Artistic Problems, London, Falcon Press, 1948.

Sieklucka, Catherine, Les Aides à l’Industrie Cinématographique, Paris, Presses Universitaires de France, 1967.

Spraos, John, The Decline of the Cinema, London, George Allen and Unwin, 1962.

Svenska Filminstitutet/The Swedish Film Institute, untitled and undated pamphlet.

Wanger, Walter, and Joe Hyams, My Life with Cleopatra, New York, Bantam Books, 1963.

Wollenberg, H. H., Fifty Years of German Film, London, Falcon Press, 1948.

B. DOCUMENTS AND REPORTS

An Act to Provide for the Establishment of a Canadian Film Development Corporation, 14-15-16 Elizabeth II, Ottawa, Queen’s Printer and Controller of Stationery, 1967.

Annuaire du Film Belge, Brussels, Cinémathèque de Belgique.

Annual Reports, Association of Cinematograph, Television and Allied Technicians.

Annual Reports, British Film Fund Agency.

Annual Reports, British Film Producers Association.

Annual Reports, Federation of British Film Makers.

Annual Reports, National Film Finance Corporation.

Annual Reports, Nederlandsche Bioscoop-Bond.

Association Professionnelle des Cinéastes, Measures Recommended by L’Association Professionnelle des Cinéastes to the Government of Canada in Order to Encourage the Development of a Feature Film Industry Compatible with the Country’s Economic and Cultural Aspirations, Montreal, March, 1964.

Association Professionnelle des Cinéastes, Twenty-Two Reasons Why the Canadian Government Should Encourage the Establishment of a Feature Film Industry in Canada, Montreal, February, 1964.

Associazione Nazionale Industrie Cinematografiche ed Affini, Ordinamento Legislativo della Cinematografia, Rome, 1962.

Batz, Jean-Claude, Action Syndicale et Politique Européenne du Film, Institut de Sociologie, l’Université Libre de Bruxelles, mimeo, no date.

Batz, Jean-Claude, Le Problème de la Production de Films en Belgique, Rapport sur le sous-développement de la production de films en Belgique et l’assistance financière et administrative de l’état, Institut de Sociologie, l’Université Libre de Bruxelles, mimeo, no date.

Bilan de l’Activité Cinématographique Française, Paris, Centre National de la Cinématographie.

Bulletin d’Information, Paris, Centre National de la Cinématographie.

Le Cinéma Français, Notes et Études Documentaires, November 29, 1966, No. 3341, La Documentation Française, Secrétariat Général du Gouvernement, Paris.

Colloque Sur le Problème de la Production de Films en Belgique, Compte Rendu des Travaux, 2 au 6 décembre 1963, Institut de Sociologie, l’Université Libre de Bruxelles, mimeo, no date.

Des Mesures Institutionnelles Destinées à Promouvoir la Production et la Diffusion du Film Belge, Texte presenté à la session plénière de la commission chargée d’examiner les mesures institutionnelles destinées à promouvoir la production du film en Belgique (Sessions plénières des 19 et 20 mars 1964), Institut de Sociologie, l’Université Libre de Bruxelles, mimeo, no date.

Developing Information Media in Africa—Press, Radio, Film, Television, Reports and Papers on Mass Communications, No. 37, Paris, UNESCO, 1962.

Die Deutschen Filme, Wiesbaden, Spitzenorganisation der Filmwirtschaft.

Film og Kino Arbok, Oslo, Kommunale Kinematografers Landsforbund.

Films Act, 1960, 8 & 9 Elizabeth II, Ch. 57, London, Her Majesty’s Stationery Office.

The Film Co-Production Agreement (France), Order 1965, No. 1856, London, Her Majesty’s Stationery Office, 1965.

Films—A Report on the Supply of Films for Exhibition in Cinemas, The Monopolies Commission, London, Her Majesty’s Stationery Office, 1966.

Filmstatistisches Taschenbuch, Wiesbaden, Spitzenorganisation der Filmwirtschaft.

Gazzetta Ufficiale della Repubblica Italiana, Rome.

Germany—Unfinished Business, Office of Public Affairs, Department of State, mimeo, February, 1946.

Germany 1947-49: The Story in Documents, Department of State Publication, No. 3556, Washington, Government Printing Office, March, 1950.

Impact of Imports and Exports on Employment, Part 8, Subcommittee on the Impact of Imports and Exports on American Employment, Committee on Education and Labor, House of Representatives, 87th Congress, 1st and 2nd Sessions, Washington, Government Printing Office, 1962.

Les Industries Cinématographiques de l’Europe des Six et le Marché Commun, Notes et Études Documentaries, March 10, 1966, No. 3271, La Documentation Française, Secrétariat Général du Gouvernement, Paris.

Italian Film Production, Rome, Unitalia.

Memorandum of Agreement Between His Majesty’s Government in the United Kingdom of Great Britain and Northern Ireland and the Motion Picture Industry of the United States of America, dated 1st October 1950, Cmd. 8113, London, His Majesty’s Stationery Office, 1950.

Motion Picture Distribution Trade Practices, Select Committee on Small Business, United States Senate, 83rd Congress, 1st Session, Washington, Government Printing Office, 1953.

Motion Picture Distribution Trade Practices—1956, Select Committee on Small Business, United States Senate, 84th Congress, 2nd Session, Washington, Government Printing Office, 1956.

Overseas Information Programs of the United States, Part 2, Committee on Foreign Relations, United States Senate, 83rd Congress, 1st Session, Washington, Government Printing Office, 1953.

Problems of Independent Motion Picture Exhibitors, Report of the Select Committee on Small Business, United States Senate, August 3, 1953, Washington, Government Printing Office, 1953.

Report on Germany, 1949-1952, Office of the U. S. High Commissioner for Germany, Washington, Government Printing Office.

The Spanish Cinema, Madrid, Uniespana.

Textes du Cinéma Français, Paris, Centre National de la Cinématographie.

Textes Réglementaires du Cinéma Français, Paris, Centre National de la Cinématographie.

Thiel, Reinold E., “Lebenslauf eines Ungeborenen—Eine Chronologie des Martin-Plans,” Filmreport, Munich, mimeo, no date.

United States Foreign Policy, Compilation of Studies Prepared Under the Direction of the Committee on Foreign Relations, United States Senate, 87th Congress, 1st Session, Washington, Government Printing Office, 1961.

United States Information Service in Europe, Report of the Committee on Foreign Relations, United States Senate, 80th Congress, 2nd Session, Washington, Government Printing Office, 1948.

C. PERIODICAL LITERATURE

Breccia, Gastone, “Forms of State Intervention in the Cinema Business in Several Producing Countries,” Lo Spettacolo, Vol. 5, No. 1, January-March, 1955, pp. xii-xvii.

“Les Capitaux Américains et l’Industrie Française,” Enterprise (special edition), August 11-18, 1962.

“Le Cinéma Espagnol Face au Marché Commun,” Revue du Marché Commun, Vol. 7, No. 69, May, 1964, pp. 307-309.

“Colloques sur le Cinéma Européen,” Revue du Marché Commun, Vol. 7, No. 73, October, 1964, pp. 465-467.

“Conférence Européenne du Cinéma et de la Télévision,” Revue du Marché Commun, Vol. 4, No. 32, January, 1961, pp. 11-12.

Dawson, Anthony H., “Motion Picture Economics,” The Quarterly of Film, Radio and Television, Vol. 3, No. 3, Spring, 1948, pp. 217-240.

Degand, Claude, “Le Cinéma dans le Marché Commun,” Revue du Marché Commun, Vol. 6, No. 55, February, 1963, pp. 76-83.

Degand, Claude, “Le Cinéma et les Problèmes du Marché Commun,” Revue du Marché Commun, Vol. 2, No. 10, January, 1959, pp. 33-39

Degand, Claude, “La Crise de l’Industrie du Cinéma et Son Financement à l’Echelle Européenne,” Revue du Marché Commun, Vol. 7, No. 72, September, 1964, pp. 381-389.

Degand, Claude, “L’Industrie Cinématographique Prépare Son Insertion dans la C. E. E.,” Revue du Marché Commun, Vol. 3, No. 26, June, 1960, pp. 226-232.

Degand, Claude, “Le Marché Commun du Cinéma,” Revue du Marché Commun, Vol. 9, No. 94, September, 1966, pp. 686-695.

Frenay, Henri, “Shall We Have a European Film Market?” Lo Spettacolo, Vol. 6, No. 1, January-March, 1956, pp. vii-xiii.

Guback, Thomas, “American Interests in the British Film Industry,” The Quarterly Review of Economics and Business, Vol. 7, No. 2, Summer, 1967, pp. 7-21.

Joesten, Joachim, “The German Film Industry, 1945-1948,” New Germany Reports, No. 3, May, 1948.

Jones, Dorothy B., “Hollywood’s International Relations,” The Quarterly of Film, Radio and Television, Vol. 11, No. 4, Summer, 1957, pp. 362-374.

Lawrence, Eric, “The Motion Picture Industry in Sweden,” The Quarterly of Film, Radio and Television, Vol. 5, No. 2, Winter, 1950, pp. 182-188.

Montero, R. Romero, “Aspects of the Spanish Cinema Market,” Lo Spettacolo, Vol. 7, No. 1, January-March, 1957, pp. viii-xii.

Neergaard, Ebbe, “The Rise, the Fall, and the Rise of Danish Films,” Hollywood Quarterly, Vol. 4, No. 3, Spring, 1950, pp. 217-232.

de Pirro, Nicola, “Post-War Expansion of the Italian Film Abroad,” Lo Spettacolo, Vol. 5, No. 3, July-September, 1955, pp. xii-xxxiv.

de Pirro, Nicola, “Italian Cooperation with France, Germany and Spain in the Production of Cinema Films from 1949 to 1958,” Lo Spettacolo, Vol. 9, No. 2, April-June, 1959, pp. x-xiii.

Puente, Antonio Cuevas, “The Present Status of the Spanish Cinema,” Lo Spettacolo, Vol. 6, No. 3, July-September, 1956, pp. x-xiv.

Sadoul, Georges, “The Postwar French Cinema,” The Quarterly of Film, Radio and Television, Vol. 4, No. 3, Spring, 1950, pp. 233-244.

Schulberg, Stuart, “The German Film: Comeback or Setback?” The Quarterly of Film, Radio and Television, Vol. 8, No. 4, Summer, 1954, pp. 400-404.

Verdone, Mario, “The Italian Cinema from Its Beginnings to Today,” Hollywood Quarterly, Vol. 5, No. 3, Spring, 1951, pp. 270-281.

de Vergottini, Mario, “Gross Income of Films According to Some Social-Economic Characteristics,” Lo Spettacolo, Vol. 10, No. 4, October-December, 1960, pp. iii-xv.

Willemetz, Lucy, “Projet d’Autofinancement pour la Production de Films dans le Cadre de la C. E. E.,” Revue du Marché Commun, Vol. 6, No. 56, March, 1963, pp. 113-125.

D. OTHER PERIODIC PUBLICATIONS

Board of Trade Journal

E. E. C. Bulletin

The Film Daily

The Film Daily Year Book of Motion Pictures

The Journal of the Producers Guild of America

Variety