INDEX

Abel, Elizabeth, 238n6

Abel, Richard, 250nl2, nl3, nl8

Activity and passivity, 125, 149. See also Agency; Subject and object; Subjectivity

Advertising, and cinema, 14, 16

Affiliation complex, 235n3

Agency, female, 8, 42, 91, 94, 99, 125, 132, 203, 217. See also Activity and passivity; Subject and object

Akerman, Chantal, 2, 8, 9, 125, 127-35, 142, 154, 185, 202, 205, 210, 223, 225

The All-Round Reduced Personality (Redupers) [1977], 8, 49, 50, 51-59, 83, 86, 89, 223, 224, 225, 227

Althusser, Louis, 23, 96

Ambivalence, 24, 25, 32, 35, 36, 41, 43, 44, 50, 51, 68, 74, 77, 83, 85, 95, 100, 125, 203-207, 224

An Anagram of Ideas on Art, Form, and Film (1946), 187

And the Villain Still Pursued Her, or The Author’s Dream (1906), 169

Anna O., 220

Annabelle Butterfly Dance (1895), 161, 163-64

Annabelle Serpentine Dance (1895), 161, 163

Anne Trister (1986), 225

Antiessentialism, and feminist theory, 7, 84, 90-91. See also Essentialism

Apparatus, cinema as, 18, 37, 39, 41, 105, 160

Armatage, Kay, 73

Arzner, Dorothy, 2, 8, 93, 98-118, 122-23, 124, 149, 190, 201, 227

As Seen Through a Telescope (1900), 158

Asparagus (1974), 9, 184, 191-93

Astruc, Alexandre, 94

At Land (1944), 190

Audé, Françoise, 243n7

Austen, Jane, 93

Auteurism, 94-96, 98-99

Bacall, Lauren, 20, 26, 28, 67

Baillargeon, Paule, 68

Balzac, Honore de, 99

Barthes, Roland, 94, 99

Bateson, Gregory, 185

Baudrillard, Jean, 14-15

Baudry, Jean-Louis, 16, 18, 37-40, 44, 230nl0

Bellour, Raymond, 20, 22, 23, 41, 96, 178

Berger, John, 17, 18, 166

Bergman, Ingmar, 43

Bergstrom, Janet, 204, 240n31

Berzon, Judith R., 235nll

The Big Sleep (1946), 13-14, 20-33, 36, 38, 42, 44, 46, 50, 67, 224

Bildnis einer Trinkerin. See Ticket of No Return

Bisexuality, 19, 118, 121

Black Widow (1987), 46-48, 49

Blonde Venus (1932), 180

Blood of a Poet (Le Sang d’un poète), 179

The Blue Angel (1930), 147-49

The Bluest Eye, 64-65

Blumenschein, Tabea, 135-38, 141, 144, 146

Bogart, Humphrey, 20, 26, 28, 67

Bonitzer, Pascal, 234n63

Bordwell, David, 118, 250n11

Bovenschen, Silvia, 207

Branigan, Edward, 247nl7

Brent, George, 77

Breuer, Josef, 190; and Anna O., 220

The Bride Retires (1904), 166, 174

Bringing Up Baby (1938), 20

Britton, Andrew, 99

Brown, Trisha, 76, 78

Bunch, Charlotte, 18, 230nll

Bunuel, Luis, 76, 77

Burch, Noel, 31, 158-59, 164, 166, 178, 180, 182, 207-208, 232n36, 246nl, n8, 247nl0, 248n22, 249n39

Burke, Billie, 114

Butler, Judith, 152

Cahiers du cinema, 23, 197

Camera Obscura, 231nl7

caméra-stylo, 94

Les Carabiniers (1963), 197

Carby, Hazel, 235nll

Cardinale, Claudia, 126

Carroll, Noël, 236nl8

Caughie, John, 238n8

Caught (1949), 42

Censorship, 26

Chabrol, Claude, 197

Chandler, Raymond, 21, 26, 237n31

The Cheat (1915), 33-36, 38, 42, 44, 50, 66-67

Un Chien Andalou, 76, 77, 80

Chodorow, Nancy, 150-53, 245n29

Choosing a Husband (1909), 174

Christian, Barbara, 235nll

Christopher Strong (1933), 99, 105, 110-12

Cinémathèque Française, 196

Citizen Kane (1941), 118

Citron, Michelle, 2

Clark, VèVè, 249n4

Classical Hollywood cinema: 4, 5, 6, 14-48, 49-50, 61, 66, 76, 85, 93, 96, 99-100, 214, 224; and auteurism, 113; and “primitive” cinema, 157-58, 164, 178-79, 181, 195; and French cinema, 197, 199, 201

The Classical Hollywood Cinema, 118

Clement, Catherine, 220

Cleo from 5 to 7 (Cleo de 5 a 7) [1962], 9, 184, 198-202, 211, 222

Cocteau, Jean, 179

Comolli, Jean-Louis, 99

Consumerism: and the cinema, 13, 16; culture of, 17; and women, 18

Contradiction, 25, 50, 83, 96, 102, 218, 224; and feminist theory, 124-25

Conversation, 82, 84, 227, 228

Cook, Elisha, Jr., 27

Cook, Pam, 98, 107, 231n22

Copjec, Joan, 230nl0, 233n46

Corinne, or Italy, 5

Correction, Please (1979), 166

Coyote, Peter, 126

Craig’s Wife (1936), 105, 113-14

Cripps, Thomas, 235n8

Dali, Salvador, 76

Dance, Girl, Dance (1940), 100-103, 105, 113; racism in, 116-17, 190, 201

Dark Victory (1939), 77

Dash, Julie, 8, 49, 59, 61, 62, 86, 89, 223

Davis, Bette, 77, 93

De Lauretis, Teresa, 6, 7, 20, 36-37, 40, 62, 85, 97-98, 122, 152, 227, 233n46, 237n27, n30, 239n23, 243n2

De Mille, Cecil B., 33

Debord, Guy, 14

Defamiliarization, 99-100, 102

Deitch, Donna, 123

DeJean, Joan, 5

Deren, Maya, 9, 90, 104, 184, 185 -91, 192, 193, 222

Derrida, Jacques, 45-46

Dervin, Daniel, 37

Desert Hearts (1985), 123, 125

Desperately Seeking Susan (1985), 123

Deux Fois (1970), 115

Dietrich, Marlene, 146-49, 180

Doane, Mary Anne, 2-4, 18-19, 20, 42-43, 229n4, 233n42, n46, 238n6

Documentary cinema, 213-16

Dora: An Analysis of a Case of Hysteria, 120-21, 220, 252-53n56

Dozoretz, Wendy, 250nl7, nl8

Dubroux, Daniele, 204

Dulac, Germaine, 9, 90, 184, 185, 194, 202

DuPlessis, Rachel Blau, 85

Eckert, Charles, 14, 15, 18

L’ecriture feminine, 202

Eisenstein, Sergei, 183

Eliot, George, 93, 98

Entre Nous (Coup de foudre) [1983], 126-27

Enunciation, 96, 97

Essentialism, 90-91, 93-94, 150-54, 186. See also Antiessentialism; Feminist theory

The Executioner (1972), 55

Exhibitionism, 165, 178, 183, 185, 186. See also Voyeurism

Export, Valie, 55

Fell, John, 246n2, 247n21, 248n24

Fellini, Federico, 146

Felman, Shoshana, 41, 102

Female authorship, 89-123

Female communities, 101, 104, 110, 112, 115, 122, 227

Female Crook and Her Victim (1905), 160

Femininity, 6; and masculinity, 18, 101; and homosexuality, 110

Feminism, 18, 24, 25, 41, 45

Feminist aesthetics, 54, 202, 207-208

Feminist film theory and criticism, 3, 7, 24, 90, 97-98, 117, 124, 178, 186

Feminist literary theory and criticism, 90, 93, 150

Feminist theory, 10, 103-104, 124-25, 223. See also Feminist film theory and criticism; Feminist literary theory and criticism

La Femme de 1’hôtel (A Woman in Transit) [1984], 225

Fetishism: female, 5; and feminism, 107, 110; and film, 110, 166. See also Voyeurism

Fick, Thomas H., 236n14

Fields, Connie, 2

Film About a Woman Who . . . (1972), 55

Fischer, Lucy, 3, 24, 76, 85, 159, 172, 237n27, n29, n34, 240n34

Fischetti, Renate, 244nl8

Flitterman-Lewis, Sandy, 198, 250nl4, nl5, nl6, n18

Ford, John, 95-96

Frampton, Hollis, 77

French feminism, 95, 100

Freud, Sigmund: 19, 40, 119, 186, 190, 192; “The Psychogenesis of a Case of Homosexuality in a Woman” (1920), 119-22; Dora: An Analysis of a Case of Hysteria (1905), 120-21, 220, 252-53n56; the uncanny, 204

Fuchs, Cindy, 236n21

Gaines, Jane, 230n2

Gaudreault, Andre, 164, 167, 200, 248n35

Gay sexuality, 104. See also Homoeroticism; Homophobia; Homosexuality; Homotextuality; Lesbianism

The Gay Shoe Clerk (1903), 160, 161, 164

Gaze, and film, 9, 19, 36, 40, 41, 42, 50, 76, 93, 101, 103, 115, 118, 160

Gentile, Mary, 234n2

Getting Evidence (1906), 168

Gilbert, Sandra, 235n3, 239n11

Gilda (1946), 78

Godard, Jean-Luc, 197, 200, 201, 202, 206-207, 218

The Golden Notebook, 91-92

Goo Goo Eyes (1903), 160, 161, 163, 164

Gorbman, Claudia, 201

Gordon, Linda, 6, 230n14

Grandma’s Reading Glass (1900), 158

Griffith, D. W., 158, 167-68

Gubar, Susan, 235n3, 239n11

Gunning, Tom, 158-59, 160, 164-66, 167, 178, 179, 181, 183, 184, 185, 187, 189, 248n22, n23, n26, n27, 249n39

Hagan, John, 160

Hagen, Nina, 137, 148

Hake, Sabine, 144, 245n21

Hall, Radclyffe, 104, 115

Halprin, Sarah, 104, 110, 112

Hamlet, 142

Hammer, Barbara, 125

Hammid, Alexander, 184, 189, 190

Hansen, Miriam, 245n24

Haraway, Donna, 102

Haskell, Molly, 2, 4

Hawks, Howard, 20, 21, 95-96

Heath, Stephen, 39, 41, 230n7, 233n47

Heckerling, Amy, 2

Hepburn, Katharine, 99, 110-12

Hess, John, 239n25

Heterosexual contract, 67, 117-18, 119

Heterosexual romance, 21, 28, 103

Heterosexuality, 46, 67, 76, 110, 112-13, 125, 226; and the homosocial, 83; and lesbianism, 104, 150-54

Hitchcock, Alfred, 3, 42, 96

Hodson, Millicent, 249n4

Homans, Margaret, 91

Homoerotic desire, 67, 126

Homophobia, 84, 117

Homosexuality, 26-27, 28, 45, 46, 119; and heterosexual desire, simultaneity of, 67, 68; and hom(m)o-sexuality (Irigaray), 119, 122

Homotextuality, 27, 46

Hooligan in Jail (1903), 164-65

Houston, Beverle, 112

How Men Propose (1913), 174, 175

Hudson, Rock, 3

Huppert, Isabelle, 126

Hurst, Fannie, 64

Hymen, 45-46, 234n65

Hysteria, 187, 203, 219-21

Identification, 17, 36, 37, 39, 67

Identity politics, 62

The Iliad, 118

Illusions (1982), 8, 49, 50, 51, 59-67, 86, 225, 227

Imaginary, 37, 84

Imitation of Life (film), 63

Imitation of Life (novel), 64

Impressionism, 194

In a Lonely Place (1950), 78

The Indiscreet Bathroom Maid (1902), 177, 193

The Innocent Bridegroom (1913), 174

The Inquisitive Boots (1905), 169-70, 176, 182

Inside Daisy Clover (1965), 63

Institution, cinema as, 13, 16, 18, 103

Intertextuality, 24

Intolerance (1916), 167

Invisible Adversaries (1976), 55

Irigaray, Luce, 3, 26, 45, 46, 119, 122, 229n7, 232n28, 234n65

Irony, 62, 81, 83, 102-103, 114-17, 194-95, 201, 202, 211. See also Lesbian irony

Itard, Jean, 197

It’s a Shame to Take the Money (1905), 160, 161

I’ve Heard the Mermaids Singing (1987), 8, 49, 50, 51, 67-75, 86, 89, 225, 227

Jacobs, Lea, 240n30

Jaehne, Karen, 236n23

Jardine, Alice, 45, 46, 234n64

Jayamanne, Laleen, 9, 185, 204, 216, 217, 220, 224, 251-52n35, 252n54

Je tu il elle (1974), 8, 125, 127-35, 142, 149, 150, 153, 210, 226, 227

Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975), 9, 133, 185, 202-211, 227

Johnston, Claire, 95-96, 98-102, 105, 107, 203

Kamuf, Peggy, 239nl3

Kaplan, E. Ann, 19, 229n4

Karina, Anna, 200

Katon, Rosanne, 59

Kawin, Bruce, 74

Kay, Karyn, 104, 240n35, 242n56

Kelley, George, 113-14, 242n56

Kinder, Marsha, 203

Kirby, Lynne, 159, 249n40

Klein, Melanie, 37

Klinger, Barbara, 231n25

Kort, Melissa Sue, 241n41, 242n57

Kracauer, Siegfried, 252n45

Kristeva, Julia, 15, 100, 151-52

Kuhn, Annette, 26-27, 231n19, 232n33

Kurys, Diane, 126-27

Lacan, Jacques, 19, 40, 151

Lacanian psychoanalysis, 37, 38, 40-42, 62

Lafayette, Madame de, 5

LaPlace, Maria, 238n7

Larkin, Alile Sharon, 63

Lecturer, in early cinema, 167-68

Lesage, Julia, 113

Lesbian authorship, 124-54, 223, 225, 227

The Lesbian Body, 135

Lesbian continuum, 83, 113, 154. See also Rich, Adrienne

Lesbian irony, 113-16, 122-23, 124-25, 127-49, 226

Lesbianism, 8, 48, 70, 73-74, 83, 85, 104-123, 124-25. See also Gay sexuality; Homoeroticism; Homophobia; Homosexuality; Homotextuality

Lessing, Doris, 91

Let Me Dream Again! (1900), 169

The Letter (1940), 180

Life of an American Fireman (1903), 200

The Living Playing Cards (Les Cartes Vivantes) [1905], 168, 199

Loader, Jayne, 203

Logocentrism, 26

Longfellow, Brenda, 203, 243n6, 244nl2, 251n26

Love, Myra, 238n4

Lumière brothers, 39, 157, 182, 197, 213, 214

Lupino, Ida, 2

Lutze, 137-42, 146

Madame X: An Absolute Ruler (1977), 144

Magnificent Obsession (1954), 3

Male authorship, 97

Mallarmé, Stéphane, 45-46

A Man in Love (1987), 126-27

The Man Who Envied Women (1986), 8, 49, 50, 51, 75-83, 86, 89, 225, 227

Mangolte, Babette, 78

Mannoni, Octave, 110

Marchand, Guy, 126

Marcus, Jane, 241n51

Marie, Michel, 182-83

Marks, Elaine, 135

A Married Woman (Une Femme Mariée) [1965], 218

Masquerade, 20

McCarthy, Sheila, 68

McKee, Lonette, 59

McLaughlin, Sheila, 225

Mead, Margaret, 185

Medusa, 36

Méliès, Georges, 158, 159, 160, 168, 169, 172, 185, 194, 199, 213, 214

Mellencamp, Patricia, 237n27, 238n6

The Melomaniac (Le Mélomane) [1903], 168, 172

Mémoire et rapport sur Victor de l’Aveyron, 197

Merck, Mandy, 242-43n69, 243n70

Meshes of the Afternoon (1943), 9, 184, 185, 187-90, 193, 227

Metz, Christian, 37-40, 44, 110, 165, 179, 182, 183

A Midwinter’s Night Dream (1906), 169

Mildred Pierce (1945), 100

Miller, Nancy K., 5, 91, 96, 239nl3, 242n59

The Mind Cure (1912), 174-75

Miner, Madonne M., 236nl3

Miou-Miou, 126

Mirror stage, 37-38

Mitchell, Lynette, 243n3

Modern Language Association, 90

Modleski, Tania, 3, 179, 231n17, 239nl7

Moore, Dickie, 180

Morocco (1930), 146-47

Morrison, Toni, 64-66, 104

Mrs. Schultze’s Revenge (1905), 177

Mulvey, Laura, 7, 17, 19, 20, 22, 36, 67, 118, 176, 179, 224, 236nl9, 242n61, 245n25

Narboni, Jean, 99, 243n5, 244n9, n11

Narcissism, 39, 47, 127, 130, 136, 146. See also Orality

Narration, first person, 72

Narrator, 32, 35, 52, 166-67. See also “Primitive” cinema, narrator in

National Association for the Advancement of Colored People (NAACP), 59

Neale, Steve, 232n37

Negative oedipus complex, 153-54

Neiman, Catrina, 249n4

Nelson, Roy Jay, 251n23, n24

Nestle, Joan, 124-25

New Wave of French cinema, 185, 196-98

News from Home, 133

Obeyesekere, Gananath, 217-21

Objectification, 16, 102, 103

O’Brien, Sharon, 241n44

Oedipal desire, 20, 32, 38, 41, 120, 154

O’Hara, Maureen, 100

Onodera, Midi, 225, 226

Ophuls, Max, 42

Orality, 133, 140, 150. See also Narcissism

Orr, Christopher, 232n32

Otherwise Unexplained Fires, 77

Ottinger, Ulrike, 8, 125, 138, 142-46, 149, 154, 223, 225

Parkerson, Michelle, 2

Peary, Gerald, 104, 240n35, 242n56

Peeping Tom (1901), 169-70, 176, 177

Peeping Tom (1960), 43-44

Penley, Constance, 230nl0, 231n27, 233n46, 249n43

Peppermint Soda (Diablo Menthe) [1977], 127

Perception, 16

Performance, 94, 102, 217-18, 220-21

Perlmutter, Ruth, 252n40

Perseus, 36

Persona (1966), 43, 47

Phelan, Peggy, 237n27, n33

The Photographer (La Chute de cinq étages) [1906], 169

Photographing a Female Crook (1904), 164-65

A Pipe Dream (1905), 172

Pitt, Suzan, 9, 184

Polan, Dana, 15

Pool, Léa, 225

Porter, Edwin S., 200

Postmodernism, 13, 15

Potter, Sally, 2

Powell, Michael, 43

Pre-aesthetic, 207

Pre-oedipal configurations, 84, 150-54, 173, 202. See also Chodorow, Nancy

Primal scene, 32, 37-38; and “primitive” cinema, 182-83, 208-210

“Primitive” cinema, 8, 31-33, 157-83, 197, 200; and avant-garde cinema, 158-59, 183, 184, 186, 187, 207-208, 221; narrator in, 168-78, 191-93, 199, 201; and racism, 173-74, 180, 182, 190-91, 199-200, 201; and social class, 182, 211; and psychoanalysis, 182-83, 192, 208-210; and women’s cinema, 184-222, 223, 224, 226-27; and documentary cinema, 212-16

La Princesse de Clèves, 5

“Primitivism”, 185, 186-87; and anthropology, 212-21; and psychoanalysis, 208-211

Psychoanalysis, 5, 37-42; and feminism, 150, 202

Pull Down the Curtains, Suzie (1903), 169

Quart, Barbara Koenig, 240n36, n37

Raab, Kurt, 142

Race and racism, 33-36, 50, 116-17; and women, 61, 190, 199-200, 201; and feminism, 61, 222

Rafelson, Bob, 46

Rainer, Yvonne, 8, 49, 55, 75, 77, 80, 82, 85, 86, 89

Raynal, Jackie, 115

Reading against the grain, 98

Rear Window (1954), 179

Reassemblage (1982), 9, 185, 212-17, 227

Rebecca (1940), 42

Redupers. See The All-Round Reduced Personality

Regression, 37-39, 44, 133, 193

Repas de bébé, 197

Repression, 27, 79, 82

Reuter-Christiansen, Ursula, 55

Revision, 93

Reynaud, Bérénice, 237n27

Reynolds, Debbie, 63

Rich, Adrienne, 2, 83, 150-51, 154, 229nl, 242n55

Rich, B. Ruby, 203

Riefenstahl, Leni, 2

Ritual in Transfigured Time (1945-46), 190-91, 192

Rivette, Jacques, 197

Rohmer, Eric, 197

Rose, Jacqueline, 119, 150-51, 230nl0, 233n46

Rosei, Peter, 143-44

Rosier, Martha, 80, 82

Rousseau, Henri, 181

Rozema, Patricia, 8, 49, 67, 86, 89, 236n23

Russell, Rosalind, 107, 113-14

Russell, Theresa, 46

Russo, Vito, 104

Sand, George, 5

Sander, Helke, 2, 8, 49, 56, 58, 64, 83, 89, 223

Scacchi, Greta, 126

Scenes on Every Floor (Un coup d’oeil par étage) [1904], 176-77, 182

Schor, Naomi, 5, 241n51

Screen, in cinema, 8, 38-48, 50-86, 224, 225-26. See also Threshold; Subject and object

A Search for Evidence (1903), 170-71, 177, 178

Sedgwick, Eve Kosofsky, 232n31, 238n38

Seidelman, Susan, 123

Self and other, 36. See also Subject and object

Sexual difference, 39, 117

Seyrig, Delphine, 203

Shatzkin, Roger, 231n20

She Must Be Seeing Things (1987), 225

Silverman, Kaja, 96-97, 153-54, 230n7, 233n55, 234n57, n58, 239n24, 246n32

Simulacra, 15

Singin’ in the Rain (1952), 63

Sitney, P. Adams, 250n6, n8

The Smiling Madame Beudet (La Souriante Madame Beudet) [1922], 9, 184, 194-96, 211

Smith, Barbara, 104, 238n37

Snow, Michael, 77

A Song of Ceylon (1985), 9, 185, 216-22, 227

The Song of Ceylon (1935), 217

Spectacle and narrative, 7, 13-86, 122

Spectator-within-the-film, 32, 160

Spectatorship, 13, 42-43; female, 3, 17, 19; black female, 66, 227; male, 101, 125

Spivak, Gayatri, 234n64

Stacey, Jackie, 241n49, 245n27

Staël, Madame de, 5

Staiger, Janet, 118

Stanton, Domna, 95

Stanwyck, Barbara, 2

Stein, Gertrude, 144

Stella Dallas (1937), 2, 229n4

Stewart, Susan, 179

The Story the Biograph Told (1903), 169

A Subject for the Rogue’s Gallery (1904), 161, 163, 164, 171, 173, 175, 193

Subject, theories of, 16, 19, 37, 117, 132, 154

Subject and object, 9, 13, 18, 25, 45, 67-68; and gender, 8, 14, 18-19, 21, 28, 36, 103, 159, 163-64, 171-72, 175, 179, 202; relations among women, 98, 127, 130-35, 143, 146, 199, 227; and race, 116. See also Activity and passivity; Agency; Screen; Threshold

Subjectivity, 17; female, 3, 6, 55, 85; male, 45

Sula, 65-66, 104

Suter, Jacqueline, 99, 112

Suture, 17

Symptomatic reading, 96

Ten Cents a Dance (Parallax) [1985], 225-28

Terrible Ted (1907), 171-72, 180

Textual analysis, 96-97

Thompson, Kristin, 118, 181

Threshold, 9, 31, 32, 33, 36, 57, 131, 142, 146, 171-72, 188-89, 190, 191, 193, 227, 228; and race, 66-67, 173-74, 177. See also Screen; Subject and object

Ticket of No Return (Bildnis einer Trinkerin) [1979], 8, 125, 127, 135-49, 150, 153, 226, 227

Tie-ins, 14, 230n

“Tragic mulatto,” 63, 235nll

Transvestism, 20, 218

Trapeze Disrobing Act (1901), 161, 163, 169

Trinh T. Minh-ha, 8, 9, 185, 212, 213, 215, 216, 224

Truffaut, François, 197-98

Uncle Josh at the Moving Picture Show (1902), 31-33, 35, 36, 38, 42, 44, 46-47, 50, 63, 67, 70, 75, 183, 197

Varda, Agnès, 9, 184, 198, 199, 201, 202

Voice, female, 51, 53, 79

Von Sternberg, Josef, 146-49, 180

Voyeurism, 9, 44, 47, 70, 158, 169-70, 176, 177, 179; and fetishism, 3, 4, 5, 24, 36, 103, 165-66, 176, 178; and exhibitionism, 44, 165, 178; female voyeurism, 176-78, 193

Watermotor, 78

Wavelength, 77

Weber, Lois, 93

Weekend, 207

Weill, Claudia, 2

Weiss, Andrea, 243n2

Wertmüller, Lina, 2

What Happened in the Tunnel (1903), 173-74, 182, 190

What Happened on 23rd Street, New York City (1901), 161, 163, 164, 175, 193

White, Patricia, 245n21

The Wild Child (L’Enfant Sauvage) [1970], 197-98

Wilde, Oscar, 144, 146

Williams, Linda, 44, 159, 229n4, 238n6

Wills, David, 234n63

Winger, Debra, 46

Witness for the Prosecution (1957), 148

Witte, Karsten, 245n23

Wittig, Monique, 67, 85, 119, 122, 134-35

Wolf, Christa, 55, 57-58, 64, 92-93

Wollen, Peter, 95-96, 207, 238-39n9, 239n16

Woman, Native, Other, 216

Woman’s film, 2-6

Working Girls (1930), 105

Worth, Fabienne, 244n8, nl0

Wright, Basil, 217

Wrinkles Removed (1902), 160, 161

Wyler, William, 180

Wyman, Jane, 3

Young Mr. Lincoln (1939), 99

Zimmerman, Bonnie, 104

Zita, Jacquelyn, 243n2