“Contents” in “Historical Anthology of Music by Women”
Contents
“Augustus, the Monarch,” Byzantine chant
“The Fallen Woman,” Byzantine chant
Hildegard von BingenBarbara Jean Jeskalian
“De Sancta Maria,” chant sequence
“In Evangelium,” chant antiphon
Countess of DiaBeverly J. Evans
“O Deathe, rock me asleepe,” for voice and keyboard or lute (attributed; 1536)
Maddalena CasulanaBeatrice Pescerelli
Francesca CacciniCarolyn Raney
“Laudate Dominum” and “Maria, dolce Maria,” solo songs from Il Primo Libro (1618)
“Aria of the Shepherd,” from the opera La Liberazione di Ruggiero (1625)
Isabella LeonardaBarbara Garvey Jackson
Kyrie and “Crucifixus” (from Credo) of Messa Prima (from Opus 18), for chorus, strings, and continuo (1696)
Elizabeth-Claude Jacquet de la GuerreSusan Erickson
“La Flamande” and “Chaconne,” from Suite in D minor, for harpsichord (1707)
Semelé, cantata for two treble voices, violin, and continuo (1715)
Maria Margherita GrimaniBarbara Garvey Jackson
“Sinfonia,” for strings and continuo, from Pallade e Marte , “opus dramaticum” (1713)
“Adagio,” from Sonata in F major for flute and continuo (ca. 1760)
Marianne von MartinezKarin Pendle
“Allegro,” from Sonata in A major for piano (1765)
Maria Theresia von ParadisKarin Pendle
“Morgenlied eines armen Mannes,” for voice and keyboard (1784-86)
“Sicilienne,” for flute and keyboard
Maria Agata SzymanowskaNancy Fierro, CSJ
“Nocturne,” for piano (1828-31)
Josephine LangMarcia J. Citron
“Frühzeitiger Frühling,” for voice and piano (1830)
Fanny Mendelssohn HenselMarcia J. Citron
“Schwanenlied,” for voice and piano (1846)
“Liebst du um Schönheit,” for voice and piano (1841)
“Allegro Moderato,” from Trio in G minor for violin, cello, and piano (1846)
Variations on a Theme by Robert Schumann, for piano (1853-54)
“Allegro deciso,” from Trio in E minor for flute or violin, cello, and piano (1857-62)
Pauline Viardot-GarciaAustin B. Caswell
“Die Beschwörung,” from Zwölf Gedichte von Pushkin (1865)
Amy Marcy BeachAdrienne Fried Block
“Elle et moi,” for voice and piano (1893)
“Allegro con fuoco,” from Symphony No. 1 (1894)
“A Hermit Thrush at Morn,” for piano (1921)
Cécile ChaminadeJames R. Briscoe
“Andante,” from Sonata in C minor for piano (1895)
Dame Ethel SmythJane A. Bernstein
Scene from Act I of the opera The Wreckers (1904)
Lili BoulangerLéonie Rosenstiel
“Je garde une médaille d’elle” and “Demain fera un an,” from Clairières dans le ciel for voice and piano (1914)
“Der Erkennende,” for voice and piano (1915)
Rebecca ClarkeJane A. Bernstein
“Allegro,” from Trio for violin, cello, and piano (1921)
Germaine TailleferreLéonie Rosentiel
“Modéré sans lenteur,” from Sonata in C-sharp minor for violin and piano (1923)
Ruth Crawford SeegerJudith Tick
Prelude No. 2, for piano (1924)
“Rat Riddles,” from Three Songs for Contralto, Oboe, Percussion, and Orchestral Ostinati (1930)
“Andante” and “Allegro possibile,” from String Quartet (1931)
Miriam GideonBarbara A. Petersen
The Hound of Heaven, for voice, oboe, and string trio (1945)
Grażyna BacewiczAdrian T. Thomas
Sonata No. 2, for piano (1953)
La Corona (Seven Sonnets by John Donne), for mixed chorus (1954-55)
Julia PerryMildred Denby Green
Homunculus C.F., for percussion, harp, and piano (1960)
“The Triumph of Alcestis,” from the ballet Alcestis (1960)
“Preamble,” from Sonata for Alto Saxophone and Piano (1972)
Pauline OliverosHeidi Von Gunden
“Teach Yourself to Fly,” “Tumbling Song,” and “Zina’s Circle,” from Sonic
Meditations (1974)
“Monologue of Mary,” from the opera Mary, Queen of Scots (1977)
Ellen Taaffe ZwilichEllen Taaffe Zwilich with Bruce Creditor
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