BIBLIOGRAPHY

ARCHIVE COLLECTIONS

Graham, Shad. Papers, 1949–1970, Dolph Briscoe Center for American History, University of Texas at Austin

Howlett, Marion Angeline. Papers, 1909–1973, Harvard Theatre Collection, Cambridge, Mass.

Howlett, Marion Angeline. Papers, 1880–1983. Arthur and Elizabeth Schlesinger Library on the History of Women in America, Radcliffe Institute for Advanced Study, Harvard University, Cambridge, Mass.

Norman, Richard. Collection, Black Film Center/Archive, Indiana University

Panama Pacific International Exposition. Records, BANC MSS C-A 190, Bancroft Library, University of California, Berkeley

Sennett, Mack. Collection, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Beverly Hills, Calif.

Waters, H. Lee. Collection, 1936–2005, Duke University Special Collections, Durham, N.C.

SELECTED PERIODICALS

Adams County (Corning, Iowa) Free Press

Adams County (Corning, Iowa) Union Republican

Amateur Movie Makers (New York)

Daily Oklahoman (Tulsa)

Emporia (Kans.) Gazette

Hutchinson (Kans.) News

Montgomery (Ala.) Advertiser

Movie Makers (New York)

McAlester (Okla.) News-Capital

Moving Picture World (New York)

New Brunswick (N.J.) Times

Springfield (Ill.) News Record

Waterloo (Iowa) Evening Courier

Waterloo (Iowa) Evening Courier and Reporter

BOOKS AND ARTICLES

Abel, Charles. Money Making Ideas for Portrait Studios. Cleveland: Charles Abel, 1931.

Abel, Richard. Americanizing the Movies and “Movie Mad” Audiences, 1910–1914. Berkeley: University of California Press, 2006.

——. “Charge and Countercharge: ‘Documentary’ War Pictures in the USA, 1914–1916.” Film History 22, no. 4 (December 2010): 366–388.

——, ed. Encyclopedia of Early Cinema. New York: Routledge, 2010.

——. “Film Discourse in the Heartlands: The Early 1910’s.” Film History 18, no. 2 (2006): 140–153.

——. Menus for Movieland: Newspapers and the Emergence of American Film Culture. Berkeley: University of California Press, 2015.

Abel, Richard, Giorgio Bertellini, and Rob King. Early Cinema and the “National.” New Barnet, Herts, U.K.: John Libbey, 2008.

Alicoate, Jack, ed. Film Daily Year Book. New York: The Film Daily, 1940.

Allen, Robert C. “Manhattan Myopia; or, Oh! Iowa!” Cinema Journal 35, no. 3 (Spring 1996): 75–103.

——. Vaudeville and Film, 1895–1915: A Study in Media Interaction. New York: Arno Press, 1980.

Allen, Robert C., and Douglas Gomery. Film History: Theory and Practice. New York: Knopf, 1985.

Amad, Paula. Counter-Archive: Film, the Everyday, and Albert Kahn’s Archives de la Planète. New York: Columbia University Press, 2010.

American Film Institute Catalog: Feature Films, 1921–1930. Berkeley: University of California Press, 1971.

Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Revised and extended edition. New York: Verso, 1991.

Anderson, Mark Lynn. Twilight of the Idols: Hollywood and the Human Sciences in 1920s America. Berkeley: University of California Press, 2011.

Aronson, Michael. Nickelodeon City: Pittsburgh at the Movies, 1905–1929. Pittsburgh: University of Pittsburgh Press, 2008.

Arvold, Alfred. “The Little Country Theatre.” The Drama: A Quarterly Review, no. 21 (February 1916): 87–98.

Atherton, Lewis. Main Street on the Middle Border. Chicago: Quadrangle Books, 1966.

Bailey, Liberty Hyde. The Country-Life Movement in the United States. New York: Macmillan, 1911.

Balio, Tino, ed. The American Film Industry. Revised edition. Madison: University of Wisconsin Press, 1985.

Balsom, Erika. “Repeat Performance: Kidnappers Foil (1936–1952/2014).” Exhibition Guide for Kidnappers Foil. Kunsthalle Wien, Vienna, Austria, November 13, 2014.

Baron, Jaimie. The Archive Effect: Found Footage and the Audiovisual Experience of History. New York: Routledge, 2014.

Barron, Hal S. Mixed Harvest: The Second Great Transformation in the Rural North, 1870–1930. Chapel Hill: University of North Carolina Press, 1997

Batchen, Geoffrey. Each Wild Idea: Writing, Photography, History. Cambridge, Mass.: MIT Press, 2001.

Bean, Jennifer M., “The Imagination of Early Hollywood: Movie-Land and the Magic Cities, 1914–1916.” In Early Cinema and the “National,” edited by Richard Abel, Giorgio Bertellini, and Rob King, 332–341. New Barnet, Herts, U.K.: John Libbey, 2008.

Bean, Shawn C. The First Hollywood: Florida and the Golden Age of Silent Filmmaking Gainesville: University Press of Florida, 2008.

Beck, John, Writing the Radical Center: William Carlos Williams, John Dewey, and American Cultural Politics. Albany: State University Press of New York, 2001.

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Bernstein, Matthew, and Dana F. White. “‘Scratching Around’ in a ‘Fit of Insanity’: The Norman Film Manufacturing Company and the Race Film Business in the 1920s.” Griffithiana 62–63 (May 1998): 81–127.

Billig. Michael. Banal Nationalism. Thousand Oaks, Calif.: Sage, 1995.

Bledstein, Burton J. The Culture of Professionalism: The Middle Class and the Development of Higher Education in America. New York: Norton, 1978.

Boorstin, Daniel J. The Americans: The National Experience. New York: Vintage Books, 1965.

Bordwell, David, Janet Staiger, and Kristin Thompson, eds. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia University Press, 1985.

Bottomore, Stephen. “From the Factory Gate to the ‘Home Talent’ Drama: An International Overview of Local Films in the Silent Era.” In The Lost World of Mitchell and Kenyon: Edwardian Britain on Film, edited by Vanessa Toulmin, Simon Popple, and Patrick Russell, 33–48. London: British Film Institute, 2004.

Bowers, William L. The Country Life Movement in America, 1900–1920. Port Washington, N.Y.: Kennikat Press, 1974.

Braudel, Fernand. On History. Chicago: University of Chicago Press, 1980.

Braudy, Leo. The Hollywood Sign: Fantasy and Reality of an American Icon. New Haven, Conn.: Yale University Press, 2011.

Brokenshire, Norman. This Is Noman Brokenshire: An Unvarnished Self-Portrait. New York: Van Rees Press, 1954.

Buchloh, Benjamin H. D., and Robert Wilkie, eds. Mining Photographs and Other Pictures, 1948–1968: A Selection from the Negative Archives of Shedden Studio, Glace Bay, Cape Breton. Halifax: Press of the Nova Scotia College of Art and Design, 1983.

Burgin, Victor. The Remembered Film. London: Reaktion Books, 2004.

Cameron, James R. The Taking and Showing of Motion Pictures for the Amateur. New York: Cameron, 1927.

Cecelski, David S., and Timothy B. Tyson, eds. Democracy Betrayed: The Wilmington Race Riot of 1898 and Its Legacy. Chapel Hill: University of North Carolina Press, 1998.

Chansky, Dorothy. Composing Ourselves: The Little Theatre Movement and the American Audience. Carbondale: Southern Illinois University Press, 2004.

Condee, William Faricy. Coal and Culture: Opera House in Appalachia. Athens: Ohio University Press, 2005.

Cousins, Volney D. “Combination for Better Engineering: Outline of a Co-operative Plan and Its Probable Results.” Telephony 59, no. 27 (1910): 756.

Couvares, Francis G. “Hollywood, Main Street, and the Church: Trying to Censor the Movies before the Production Code.” American Quarterly 44, no. 4 (December 1992): 584–616.

Crafton, Donald. The Talkies: American Cinema’s Transition to Sound, 1926–1931. Berkeley: University of California Press, 1997.

Danbom, David B. Born in the Country: A History of Rural America. Second edition. Baltimore: Johns Hopkins University Press, 2006.

de Certeau, Michel. The Practice of Everyday Life. Translated by Steven Rendall. Berkeley: University of California Press, 1984.

de Cordova, Richard. Picture Personalities: The Emergence of the Star System in America. Urbana: University of Illinois Press, 2001.

Delamoir, Jeannette. “Louise Lovely: The Construction of a Star.” Ph.D. dissertation, La Trobe University, Bundoora, 2002.

Dench, Ernest A. “Openings for the Free Lance Cinematographer.” Photographic Times, July 1915, 285–287.

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Doane, Mary Ann. The Emergence of Cinematic Time: Modernity, Contingency and the Archive. Cambridge, Mass.: Harvard University Press, 2002.

Eaton, Walter Prichard. “The Real Revolt in Our Theatre.” Scribner’s Magazine, November 1922, 596–605.

Eckey, Lorelei F., Maxine Allen Schoyer, and William T. Schoyer. 1,001 Broadways: Hometown Talent Stage. Ames: Iowa State University Press, 1982.

Elsaesser, Thomas. “Archives and Archaeologies: The Place of Non-Fiction Films in Contemporary Media.” In Films That Work: Industrial Film and the Productivity of Media, edited by Vinzenz Hediger and Patrick Vonderau, 19–34. Amsterdam: Amsterdam University Press, 2009.

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Fielding, Raymond. The American Newsreel: 1911–1967. Norman: University of Oklahoma Press, 1972.

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Fossati, Giovanna. From Grain to Pixel: The Archival Life of Film in Transition. Amsterdam: Amsterdam University Press, 2009.

Franklin, Harold B. Motion Picture Theatre Management. Garden City, N.Y.: Doubleday, Doran, 1928.

Fraser, Nancy. “Social Justice in the Age of Identity Politics: Redistribution, Recognition, and Participation.” In Nancy Fraser and Axel Honneth, Redistribution or Recognition? A Political-Philosophical Exchange, translated by Joel Golb, James Ingram, and Christiane Wilke, 7–109. New York: Verso, 2003.

Frick, Caroline, comp. and ed. “Itinerant Filmography, North America.” The Moving Image 10, no. 1 (2010): 170–181.

——. “Jackrabbit Genius: Melton Barker, Itinerant Films, and Creating Locality.” The Moving Image 10, no. 1 (Spring 2010): 1–22.

——. Saving Cinema: The Politics of Preservation. New York: Oxford University Press, 2010.

Frykholm, Joel. Framing the Feature Film: Multi-Reel Feature Film and American Film Culture in the 1910s. Stockholm: US-AB, 2009.

Fuller-Seeley, Kathryn H. At the Picture Show: Small-Town Audiences and the Creation of Movie Fan Culture. Charlottesville: University Press of Virginia, 2001.

——, ed. Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing. Berkeley: University of California Press, 2008.

Gaines, Jane. “First Fictions.” Signs 30, no. 1 (Autumn 2004): 1293–1317.

——. “From Elephants to Lux Soap: The Programming and ‘Flow’ of Early Motion Picture Exploitation.” Velvet Light Trap 25 (1990): 29–43.

——. “What Happened to the Philosophy of Film History.” Film History 25, no. 1 (2013): 70–80.

Gaudreault, André. Film and Attraction from Kinemtography to Cinema. Translated by Timothy Barnard. Urbana: University of Illinois Press, 2011.

Gemünden, Gerd, and Johannes von Moltke, eds. Culture in the Anteroom: The Legacies of Siegfried Kracauer. Ann Arbor: University of Michigan Press, 2012.

Glassberg, David. American Historical Pageantry: The Uses of Tradition in the Early Twentieth Century. Chapel Hill: University of North Carolina Press, 1990.

Glissant, Édouard. Poetics of Relation. Translated by Betsy Wing. Ann Arbor: University of Michigan Press, 1997.

Gomery, Douglas. The Hollywood Studio System. New York: St. Martin’s Press, 1986.

——. “The Picture Palace: Economic Sense or Hollywood Nonsense?” Quarterly Review of Film Studies 3, no. 1 (1978): 26.

——. Shared Pleasures: A History of Movie Audiences in the United States. London: British Film Institute, 1992.

Gomes, Maryann. “Working People, Topical Films, and Home Movies: The Case of the North West Film Archive.” In Mining the Home Movie: Excavations in Histories and Memories, edited by Karen L. Ishizuka and Patricia R. Zimmermann, 235–248. Berkeley: University of California Press, 2008.

Goodman, David. Radio’s Civic Ambition: American Broadcasting and Democracy in the 1930s. New York: Oxford University Press, 2011.

Grau, Robert. The Theatre of Science. New York, Benjamin Blom, 1914.

Grieveson, Lee. Policing Cinema: Movies and Censorship in Early-Twentieth-Century America Berkeley: University of California Press, 2004.

Gunning, Tom. “Before Documentary: Early Nonfiction Films and the ‘View Aesthetic.’” Reprinted in The Documentary Film Reader: History, Theory, Criticism, edited by Jonathan Kahana, 52–63. New York: Oxford University Press, 2016.

——. “Crazy Machines in the Garden of Forking Paths: Mischief Gags and the Origins of American Film Comedy.” In Classical Hollywood Comedy, edited by Kristine Brunovska Karnick and Henry Jenkins, 87–105. New York: Routledge, 1995.

——. “Pictures of Crowd Splendour: The Mitchell and Kenyon Factory Gate Film.” In The Lost World of Mitchell and Kenyon: Edwardian Britain on Film, edited by Vanessa Toulmin, Simon Popple and Patrick Russell, 49–58. London: British Film Institute, 2004.

Habermas, Jürgen. Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Translated by Thomas Burger. Cambridge, Mass.: MIT Press, 1989.

Halbwachs, Maurice. On Collective Memory. Edited, translated, and with an introduction by Lewis A. Coser. Chicago: University of Chicago Press, 1992.

Hall, Jacquelyn Dowd, et al. Like a Family: The Making of a Southern Cotton Mill World. Chapel Hill: University of North Carolina Press, 1987.

Hallett, Hilary. Go West Young Women! The Rise of Early Hollywood. Berkeley: University of California Press, 2013.

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Halttunen, Karen. Confidence Men and Painted Women: A Study of Middle-Class Culture in America, 1830–1870. New Haven, Conn.: Yale University Press, 1982.

Hampton, Benjamin. History of the American Film Industry. 1931; New York: Dover Publication, 1970.

Hansen, Miriam. Babel and Babylon: Spectatorship in American Silent Film. Cambridge, Mass.: Harvard University Press, 1991.

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Hertogs, Daan, and Nico de Klerk, eds. Nonfiction from the Teens: The 1994 Amsterdam Workshop. London: British Film Institute, 1994.

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