“The Ballad Matrix”
Abrahams, Roger D. 1970a. “Creativity, Individuality, and the Traditional Singer.” Studies in the Literary Imagination 3:5-34.
——, ed. 1970b. A Singer and Her Songs: Almeida Riddle’s Book of Ballads. Baton Rouge: Louisiana State University Press.
Anders, Wolfhart H. 1974. Balladensänger und mündliche Komposition: Untersuchungen zur englishen Traditionsballade. Bochumer Arbeiten zur Sprach- und Literaturwissenschaft. Munich: Wilhelm Fink.
Andersen, Flemming G. 1985. Commonplace and Creativity: The Role of Formulaic Diction in Anglo-Scottish Traditional Balladry. Odense: Odense University Press.
Andersen, Flemming G., and Thomas Pettitt. 1979. “Mrs. Brown of Falkland: A Singer of Tales?” Journal of American Folklore 92:1-24.
Andersen, Flemming G., Otto Holzapfel, and Thomas Pettitt, eds. 1982. The Ballad as Narrative: Studies in the Ballad Traditions of England, Scotland, Germany, and Denmark. Odense: Odense University Press, 1982.
Baring-Gould, Sabine, and H. Fleetwood Sheppard. 1895. Songs and Ballads of the West. London: Methuen.
Barry, Phillips, et al. 1929. British Ballads from Maine. New Haven: Yale University Press.
Brock, William R. 1982. Scotus Americanus. Edinburgh: Edinburgh University Press.
Bronson, Bertrand H. 1959-1972. The Traditional Tunes of the Child Ballads. 4 vols. Princeton: Princeton University Press.
——. 1969. The Ballad as Song. Berkeley: University of California Press.
Brown, Frank C. 1952-1964. The Frank C. Brown Collection of North Carolina Folklore. 7 vols. Durham: Duke University Press.
Buchan, David. 1972. The Ballad and the Folk. London: Routledge and Kegan Paul.
——. 1983. “Ballad Tradition and Hugh Spencer.” In Porter 1983, 173-191.
——. 1985. “The Wit-Combat Ballads.” In Edwards and Manley 1985, 382-400.
Buchan, Peter. 1891. Gleanings of Scotch, English, and Irish Scarce Old Ballads. Aberdeen: D. Wylie and Son.
Burdine, Betty Lucille. 1985. “It’s Paydirt.” Paper presented as part of the Symposium “After Randolph: Current Research in Ozark Folksong,” at the Annual Meeting of the American Folklore Society, Cincinnati, Ohio, October 1985.
Chappell, W, ed. See Roxburgh Ballads.
Child, Francis James. 1882-1898. The English and Scottish Popular Ballads. 5 vols. Boston: Houghton, Mifflin.
Christie, W. 1876-1881. Traditional Ballad Airs. 2 vol. Edinburgh: Edmonston and Douglas.
Cockburn, Henry. 1974. Memorials of His Time. Ed. Karl F. C. Miller. Chicago: The University of Chicago Press.
Coffin, Tristram Potter. 1961. “Mary Hamilton and the Anglo-American Ballad as an Art Form.” In Leach and Coffin 1961, 245-256.
——. 1977. The British Traditional Ballad in North America. Rev. ed. with special supplement by Roger deV. Renwick. American Folklore Society Bibliographical and Special Series. Austin: University of Texas Press.
——. 1983. “Four Black Sheep Among the 305.” In Porter 1983, 30-38.
Coffin, Tristram Potter, and MacEdward Leach, eds. 1961. See Leach, MacEdward, and Tristram Potter Coffin.
Conroy, Patricia, ed. 1978. Ballads and Ballad Research: Selected Papers of the International Conference on Nordic and Anglo-American Ballad Research, University of Washington, Seattle, May 2-6, 1977. Seattle: University of Washington.
Crawfurd, Andrew. See Lyle, 1975.
Creed, Robert P. 1981. “The Beowulf Poet: Master of Sound Patterning. In Foley 1981, 194-216.
Davis, Arthur Kyle, Jr. 1929. Traditional Ballads of Virginia. Cambridge: Harvard University Press.
——. 1960. More Traditional Ballads of Virginia. Chapel Hill: University of North Carolina Press.
Edwards, Carol L. 1983. “The Parry-Lord Theory Meets Operational Structuralism.” The Journal of American Folklore 96: 151-169.
Edwards, Carol L., and Kathleen E. B. Manley. 1985. Narrative Folksong: New Directions; Essays in Appreciation of W. Edson Richmond. Boulder, Colorado: Privately Printed.
Ellis, Peter Berresford, and Seumas Mac a’ Ghobhainn. 1970. The Scottish Insurrection of 1820. London: Victor Gollancz.
Euing Collection of English Broadside Ballads, The. 1971. Ed. John Holloway. Glasgow: University of Glasgow Publications.
Flanders, Helen Hartness. 1960-1965. Ancient Ballads Traditionally Sung in New England, 4 vols. Philadelphia: University of Pennsylvania Press.
Foley, John Miles. 1983. “Literary Art and Oral Tradition in Old English and Serbian Poetry.” Anglo-Saxon England 12:183-214.
——. 1985. Oral-Formulaic Theory and Research: An Introduction and Annotated Bibliography. Garland Folklore Bibliographies. New York: Garland Publishing, Inc.
——. 1988. The Theory of Oral Composition: History and Methodology. Bloomington: Indiana University Press.
——., ed. 1981. Oral Traditional Literature: A Festschrift for Albert Bates Lord. Columbus, Ohio: Slaviaca.
——, ed. 1986. Oral Tradition in Literature: Interpretation in Context. Columbia: University of Missouri Press.
Fraser, Antonia. 1970. Mary Queen of Scots. New York: Delacorte Press.
Friedman, Albert B. 1961. “The Formulaic Improvisation Theory of Ballad Tradition—A Counterstatement.” Journal of American Folklore 74:113-115.
——. 1983. “The Oral-Formulaic Theory of Balladry—A Re-Rebuttal.” In Porter 1983, 215-240.
Gardner, Emelyn Elizabeth, and Geraldine Jencks Chickering. 1939. Ballads and Songs of Southern Michigan. Ann Arbor: University of Michigan Press.
Gaskin, Brenda A. 1955. The Decline of the Hand-Loom Weaving Industry in Scotland During the Years 1815-1845. Ph. D. diss., University of Edinburgh.
Gerould, Gordon Hall. 1932. The Ballad of Tradition. Oxford: Clarendon Press.
Gilmour, David. 1879. Reminiscences of the Pen’ Folk, Paisley Weavers of Other Days, etc. 2d ed. Paisley: Alexander Gardner.
Goldstein, Kenneth. 1971. “On the Application of the Concepts of Active and Inactive Traditions to the Study of Repertory.” Journal of American Folklore 84:62-67.
Greig, Gavin. 1963. “Folk-Song in Buchan.” Transactions of the Buchan Field Club 9 (1906-1907): 2-76. Folk-Song of the North-East (1909, 1914). Reprinted together as Folk-Song in Buchan and the North-East by Gavin Greig. Foreword by Kenneth S. Goldstein and Arthur Argo. Hatboro: Folklore Associates.
Greig, Gavin, and Alexander Keith. 1925. Last Leaves of Traditional Ballads and Ballad Airs. University of Aberdeen University Studies No. 100. Aberdeen: University of Aberdeen.
Harker, Dave. 1985. Fakesong. Milton Keynes: Open University Press.
Henderson, Hamish, and Francis Collinson. 1965. “New Child Ballad Variants from Oral Tradition.” Scottish Studies 9:1-33.
Henry, Meilinger. 1938. Folk-Songs from the Southern Highlands. New York: J. J. Augustin.
Holloway, John, ed. See Euing Ballads.
Hustvedt, Sigurd Bernhard. 1930. Ballad Books and Ballad Men. Cambridge: Harvard University Press.
James, Thelma G. 1933. “The English and Scottish Popular Ballads of Francis J. Child.” Journal of American Folklore 46:51-68. Condensed in Leach and Coffin 1961, 12-19.
Jones, James H. 1961. “Commonplace and Memorization in the Oral Tradition of the English and Scottish Popular Ballads.” Journal of American Folklore, 74:97-112.
Karpeles, Maud. 1970. Folk Songs from Newfoundland. Hamden, Connecticut: Archon Books.
——, ed. See Sharp, Cecil, 1974.
Kennedy, Peter, ed. 1975. Folksongs of Britain and Ireland. New York: Schirmer.
Laws, G. Malcolm, 1957. American Balladry from British Broadsides. American Folklore Society Bibliographical and Special Series, No. 8. Philadelphia: American Folklore Society.
—— 1964. Native American Balladry. Rev. ed. American Folklore Society Bibliographical and Special Series, No. 1. Philadelphia: American Folklore Society.
Leach, MacEdward, and Tristram P. Coffin, eds. 1961. The Critics and the Ballad. Car-bondale: Southern Illinois University Press.
Lindsay, Maurice. 1977. History of Scottish Literature. London: Hale.
Long, Eleanor. 1971. “The Maid” and “The Hangman”: Myth and Tradition in a Popular Ballad. Folklore Studies, No. 21. Berkeley: University of California Press.
——. 1973. “Ballad Singers, Ballad Makers and Ballad Etiology.” Western Folklore 32:225-236.
——. 1986. “Ballad Classification and the ‘Narrative Theme’ Concept Together with A Thematic Index to Anglo-Irish-American Balladry.” In Shields 1986, 197-213.
Long, Eleanor, and D. K. Wilgus. See Wilgus, D. K., and Eleanor R. Long.
Lord, Albert B. 1960. The Singer of Tales. Cambridge: Harvard University Press.
——. 1974. “Perspectives on Recent Work in Oral Literature.” In Oral Literature: Seven Essays, ed. Joseph J. Duggan. New York: Barnes and Noble, 1-24.
——. 1981. “Memory, Fixity, and Genre in Oral Traditional Poetries.” In Foley 1981, 451-461.
——. 1985. “Bela Bartok and Text Stanzas in Yugoslav Folk Music.” In Music and Context: Essays for John M. Ward. Ed. Anne D. Shapiro. Cambridge: Harvard University Department of Music, 385-403.
——. 1986a. “The Merging of Two Worlds: Oral and Written Poetry as Carriers of Ancient Values.” In Foley 1986, 19-64.
——. 1986b. “Perspectives on Recent Work on the Oral Traditional Formula.” Oral Tradition 1:467-503.
Lyle, Emily B. 1972. “The Matching of Andrew Blaikie’s Ballad Tunes with Their Texts.” Scottish Studies 16:175-180.
——, ed. 1975. Andrew Crawfurd’s Collection of Ballads and Songs. Vol. 1. Publications of the Scottish Text Society, Fourth Series, No. 9. Edinburgh: The Scottish Text Society.
M’Alpie, James. See Motherwell, William, ed. 1828.
M’Conechy, James. 1865. See Motherwell, William. 1865.
MacColl, Ewan. 1965. Folk Songs and Ballads of Scotland. New York: Oak Publications.
MacColl, Ewan, and Peggy Seeger, eds. 1977. Travellers’ Songs from England and Scotland. Knoxville: University of Tennessee Press.
MacKenzie, W. Roy. 1928. Ballads and Sea Songs from Nova Scotia. Cambridge: Harvard University Press.
McCarthy, William B. 1987. “William Motherwell as Field Collector.” Folk Music Journal 5:295-316.
Montgomerie, William. 1958. “William Motherwell and Robert Smith.” Review of English Studies 9:152-159.
——. 1966. “A Bibliography of the Scottish Ballad Manuscripts 1730-1825.” Part 1. Studies in Scottish Literature 4:3-28.
Morris, Alton C. 1950. Folksongs of Florida. Gainesville: University of Florida Press.
Motherwell, William. [1824-1827]. A Ballad Notebook. Library, Pollock House, Glasgow (?). Child Copy: Harvard University Library Manuscript 25242.16, Houghton Library, Harvard University.
——. 1825. Letter from William Motherwell to Charles Kirkpatrick Sharpe, 8 October 1825. Harvard University Library, Manuscript 25241.56F, Houghton Library, Harvard University.
——. [1825-1826]. The Motherwell Manuscript. Manuscript Murray 501, Glasgow University Library. Child Copy: Harvard University Library Manuscript 25241.20, Houghton Library, Harvard University.
——. 1827. Minstrelsy: Ancient and Modern. Glasgow: John Wylie.
——. 1865. The Poetical Works of William Motherwell. With a Memoir. Ed. 3. Glasgow: Forrester.
——, ed. 1828. Certain Curious Poems Written at the Close of the XVIIth and Beginning of the XVIIIth Century . . . Principally from the Pen of Mr. James M’Alpie. Paisley: J. Neilson.
New Statistical Account, The. 1845. Vol. 7. Edinburgh: Wm. Blackwood and Sons.
Niles, John D. 1973. “Ring Composition in La Chanson de Roland and La Chançun de Willame.” Olifant 1, ii4-12.
Nygard, Holger Olof. 1978. “Mrs. Brown’s Recollected Ballads.” In Conroy 1978, 66-87.
Ord, John. 1930. The Bothy Songs and Ballads. Paisley: Alexander Gardner.
Paredes, Amerigo. 1958. With His Pistol in His Hand: A Border Ballad and Its Hero. Austin: University of Texas Press.
Parry, Milman. 1971. The Making of Homeric Verse: The Collected Papers of Milman Parry. Ed. Adam Parry. Oxford: Clarendon Press.
Peabody, Berkeley. 1975. The Winged World: A Study in the Technique of Ancient Greek Oral Composition as seen Principally through Hesiod’s Works and Days. Albany: State University of New York Press.
Peacock, Kenneth. 1965. Songs of the Newfoundland Outposts. National Museum of Canada Anthropological Series, No. 65. Ottawa: National Museum of Canada.
Pepys Ballads, The. 1929-1932. Hyder Edward Rollins, ed. 8 vols. Cambridge, Mass.: Harvard University Press.
Percy, Thomas. 1775. Reliques of Ancient English Poetry. Ed. 3. London: J. Dodsley.
Porter, James. 1976. “Jeannie Robertson’s ‘My Son David’: A Conceptual Performance Model.” Journal of American Folklore 89:7-26.
——, ed. 1983. The Ballad Image: Essays Presented to Bertrand Harris Bronson. Los Angeles: Center for the Study of Comparative Folklore and Mythology, University of California, Los Angeles.
Propp, Vladimir. 1968. Morphology of the Folktale (1928). Ed. 2, rev. Austin: University of Texas Press.
Randolph, Vance. 1946-1950. Ozark Folk Songs. 4 vols. Columbia: The State Historical Society of Missouri.
Renwick, Roger deVan. 1980. English Folk Poetry: Structure and Meaning. Philadelphia: University of Pennsylvania Press.
Richmond, W. Edson. 1963. “ ‘ Den utrue egtemann’: A Norwegian Ballad and Formulaic Composition.” Norveg 10:59-88.
Riddle, Almeida. See Abrahams 1970b.
Roberts, Leonard. 1974. Sang Branch Settlers: Folksongs and Tales of a Kentucky Mountain Family. Publications of the American Folklore Society, Memoir Series, vol. 61. Austin: University of Texas Press, 1974.
Roberts, Warren. 1951. “Comic Elements in the English Traditional Ballad.” Journal of the International Folk Music Council 3:76-81.
Rogers, Edith Randam. 1980. The Perilous Hunt: Symbols in Hispanic and European Balladry. Lexington: University Press of Kentucky.
Rollins, Hyder Edward, ed. See Pepys Ballads.
Roxburgh Ballads. 1966. Ed. W. Chappell (vol. 1-3) and J. Woodfall Ebsworth (vol. 4-8). London: Ballad Society, 1871-1899; reprint, New York: AMS Press.
Sharp, Cecil. 1974. Cecil Sharp’s Collection of English Folk Songs. 2 vols. Ed. Maud Karpeles. London: Oxford University Press.
——, with Olive Dame Campbell. English Folksongs from the Southern Appalachians. Ed. Maud Karpeles. 2 vol. London: Oxford University Press, 1932.
Sharpe, Charles Kirkpatrick. 1823, 1976. A Ballad Book (privately printed). In Four Books of Choice Old Scottish Ballads. Ed. Thomas George Stevenson. Edinburgh: Privately printed, 1868. Reprinted as Choice Old Scottish Ballads, Wakefield: E. P. Publishing.
Shaw, John P. 1980. “The New Rural Industries.” Chapter 13 of The Making of the Scottish Countryside, ed. Martin L. Parry and Terence R. Slater. London: Croom Helm.
Shields, Hugh. [1986]. Ballad Research: The Stranger in Ballad Narrataive and Other Topics. Dublin: Folk Music Society of Ireland/Cumann Cheol Tire Eireann.
Simpson, Claude M. 1966. The British Broadside and Its Music. New Brunswick: Rutgers University Press.
Sinclair, Sir John. See Statistical Account.
Statistical Account, The New. See New Statistical Account, The.
Statistical Account of Scotland, The. 1791-1799. Sir John Sinclair, ed. 21 vol. Edinburgh: W. Creech, etc.
Taylor, Archer. 1931. “Edward” and “Sven I Rosengård”: A Study in the Dissemination of a Ballad. Chicago: The University of Chicago Press.
Thigpen, Kenneth A., Jr. 1972. “An Index to the Known Oral Sources of the Child Collection.” Folklore Forum 5:55-69.
——. 1973. “A Reconsideration of the Commonplace Phrase and Commonplace Theme in the Child Ballads. Southern Folklore Quarterly 37:385-408.
Thom, William. 1844. Rhymes and Recollections of a Handloom Weaver. London: Smith, Elder, etc.
Toelken, J. Barre. 1986. “Riddles Wisely Expounded.” Western Folklore 45:1-16.
Whitman, Cedric H. 1958. Homer and the Heroic Tradition. Cambridge: Harvard University Press.
Wilgus, D. K. 1959. Anglo-American Folksong Scholarship Since 1898. New Brunswick: Rutgers University Press.
——. 1986. “The Catalog of Irish Traditional Ballads in English.” In Shields 1986, 215-227.
Wilgus, D. K., and Eleanor R. Long. 1985. “The Blues Ballad and the Genesis of Style in Traditional Narrative Song.” In Edwards and Manley, 435-482.
Wimberly, Lowry C. 1928. Folklore in the English and Scottish Ballads. Chicago: University of Chicago Press.
Wordsworth, Dorothy. 1874. Recollections of a Tour Made in Scotland, A.D. 1803. Ed. J. C. Shairp. New York: G. P. Putnam’s Sons.
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